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$18.20
21. White Face, Black Mask: Africaneity
$10.36
22. Haunting Capital: Memory, Text
$9.00
23. Contact Zones: Memory, Origin,
$19.55
24. Diasporic Africa: A Reader
$10.00
25. The Borders in All of Us: New

21. White Face, Black Mask: Africaneity and the Early Social History of Popular Music in Brazil (Black American and Diasporic Studies)
by Darien J. Davis
Paperback: 296 Pages (2008-10-01)
list price: US$29.95 -- used & new: US$18.20
(price subject to change: see help)
Asin: 0870138340
Average Customer Review: 5.0 out of 5 stars
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Editorial Review

Product Description
How music helped to define
modern Brazilian culture
at home and abroad.

Although African influences undeniably pervade the popular music of Brazil, until now few books have examined the role of Blackness, what author Darién Davis calls Africaneity, in the creation and development of twentieth-century Brazilian musical traditions. This innovative, accessible work off ers a fascinating look at Brazilian music from the 1920s to the 1950s, as it expanded at home and traveled abroad. Whether he is talking with samba musicians, watching classic movie musicals, or listening to recordings made more than half a century ago, Davis explores how the historical forces of race, class, and gender colluded in the development and export of Afro-Brazilian culture.

Photos, notes, references,
index. ... Read more

Customer Reviews (2)

5-0 out of 5 stars Of interest to any musical historian, be they amateur or professional
Brazil is a culture with much in the way of unique roots. "White Face, Black Mask: Africaneity and The Early Social History of Popular Music in Brazil" is a scholarly discussion of the history of Brazilian music and the move towards Africaneity during the first half of the twentieth century. Samba, classical, and other genres are discussed as author Darien Davis takes a wide-reaching look at the evolution of the country's music. "White Face, Black Mask" is of interest to any musical historian, be they amateur or professional.

5-0 out of 5 stars development of Brazilian music in the 20th century
Author of a previous book on African influences in Brazilian culture, Middlebury College professor of history Davis elaborates how today's Brazilian popular music came to "demonstrate the difficulty of determining where blackness ends and whiteness begins" from its origins in the early part of the 20th century where white musicians "incorporated black rhythms, idioms, symbols, and styles into their musical performances." Even so, blacks were in ways purposely, subtly, and habitually denied opportunities to perform for themselves the music being appropriated and developed by the white musicians.

Africans had been a part of Brazilian culture from the earliest days of Portuguese colonialism in the 1500s. It was only in 1888 when slavery was abolished, however, that blacks began in diverse ways to move into the mainstream of Brazilian culture. This movement was strengthened and to some extent encouraged and sanctioned in what is known as the "Vargas era" for the Brazilian president Getulio Vargas who was in power for most of the period between 1930 and 1954. The growth of radio as a popular medium and the emergence of a national cinema were related cultural developments influencing the development of Brazilian popular music during this period.

The progress of black music in Brazilian popular music is not essentially a South American version of such progress in American society. For although slaves, blacks with African roots from the beginning had a different place, a different status in Brazil; and when slavery was abolished, there was never the virulent racism, rigorous segregation, and Jim-Crow laws which were daunting hurdles to American blacks; and which led them to establish their own forms of society for survival and expression. Whereas in America, for instance, blues and jazz patently grew out of such black society and took a course of being embraced by and sometimes claimed by the majority white culture, in Brazil "it is difficult to treat 'Afro-Brazilian popular music' and 'Brazilian popular music' as two distinct categories" at any point. For despite slavery and its late abolition, Brazil was a "syncretic culture" with cultural fusion in ways America never was. Davis's book opening up a historical and social process unfamiliar to most readers is of particular interest with the current emergence of Brazil as a hemispheric power and also within the field of globalism and multiculturalism.
... Read more


22. Haunting Capital: Memory, Text and the Black Diasporic Body (Reencounters with Colonialism: New Perspectives on the Americas)
by Hershini Young
Paperback: 248 Pages (2005-12-02)
list price: US$24.95 -- used & new: US$10.36
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Asin: 1584655194
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Editorial Review

Product Description
An exciting combination of literary studies, diaspora studies, and trauma studies. ... Read more


23. Contact Zones: Memory, Origin, and Discourses in Black Diasporic Cinema (Contemporary Approaches to Film and Television)
by Sheila J. Petty
Paperback: 312 Pages (2008-01-10)
list price: US$29.95 -- used & new: US$9.00
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Asin: 0814330991
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Editorial Review

Product Description
Created at the crossroads of slavery, migration, and exile, and comprising a global population, the black diaspora is a diverse space of varied histories, experiences, and goals. Likewise, black diasporic film tends to focus on the complexities of transnational identity, which oscillates between similarity and difference and resists easy categorization. In Contact Zones author Sheila J. Petty addresses a range of filmmakers, theorists, and issues in black diasporic cinema, highlighting their ongoing influences on contemporary artistic and theoretical discourses. ... Read more


24. Diasporic Africa: A Reader
Paperback: 326 Pages (2006-01-01)
list price: US$23.00 -- used & new: US$19.55
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Asin: 081473166X
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Editorial Review

Product Description
Diasporic Africa presents the most recent research on the history and experiences of people of African descent outside of the African continent. By incorporating Europe and North Africa as well as North America, Latin America, and the Caribbean, this reader shifts the discourse on the African diaspora away from its focus solely on the Americas, underscoring the fact that much of the movement of people of African descent took place in Old World contexts. This broader view allows for a more comprehensive approach to the study of the African diaspora.

The volume provides an overview of African diaspora studies and features as a major concern a rigorous interrogation of "identity." Other primary themes include contributions to western civilization, from religion, music, and sports to agricultural production and medicine, as well as the way in which our understanding of the African diaspora fits into larger studies of transnational phenomena. ... Read more


25. The Borders in All of Us: New Approaches to Global Diasporic Societies
by Williams, Vasquez, Furusa Little
Paperback: 406 Pages (2006-03-03)
list price: US$29.95 -- used & new: US$10.00
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Asin: 0976876116
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Editorial Review

Product Description
The Borders In Us All: New Approaches to Global Disaporic Societies is a collection of scholarly essay.This volume is unique in its approach to historical Diasporas in that it explores some of the cross curents within Diasporic communties in Africa, Asia, latin American and the United States providing new insight into America's new ethnic majorities.In eighteen chapters the authors examined the historical, political dynamnics, and the language/literariy traditions and the arts and creative expressions of several ethnic and global Diasporic communities. ... Read more


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