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41. Expressionism in Philosophy: Spinoza by Gilles Deleuze | |
Paperback: 445
Pages
(1992-02-18)
list price: US$28.95 -- used & new: US$18.98 (price subject to change: see help) Asin: 0942299515 Average Customer Review: Canada | United Kingdom | Germany | France | Japan | |
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Extraordinary
Deleuze's minor thesis for professorship
A REVIEW BY A REAL PHILOSOPHER
For fans of either Deleuze or Spinoza
el unico |
42. The Deleuze Reader by Gilles Deleuze, Constantin V. Boundas | |
Paperback: 304
Pages
(1993-01)
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43. Dialogues II (European Perspectives: A Series in Social Thought and Cultural Criticism) by Gilles Deleuze, Claire Parnet | |
Paperback: 192
Pages
(2007-03-29)
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Editorial Review Product Description French journalist Claire Parnet's famous dialogues with Gilles Deleuze offer an intimate portrait of the philosopher's life and thought. Conversational in tone, their engaging discussions delve deeply into Deleuze's philosophical background and development, the major concepts that shaped his work, and the essence of some of his famous relationships, especially his long collaboration with the philosopher Félix Guattari. Deleuze reconsiders Spinoza, empiricism, and the stoics alongside literature, psychoanalysis, and politics. He returns to the notions of minor literature, deterritorialization, the critical and clinical, and begins a nascent study of cinema. New to this edition is Deleuze's essay "Pericles and Verdi," which reflects on politics and historical materialism in the work of the influential French philosopher François Châtelet. An enduring record of Deleuze's unique personality and profound contributions to culture and philosophy,Dialogues II is a highly personable account of the evolution of one of the greatest critics and theorists of the twentieth century. |
44. Gilles Deleuze: An Apprenticeship in Philosophy by Michael Hardt | |
Paperback: 168
Pages
(1993-02-05)
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The Paradox of Enemies
Hardt's Deleuze shows us how one can break whith Hegel |
45. The Thought of Becoming. Gilles Deleuze's Poetics of Life by Kathrin Thiele | |
Paperback: 200
Pages
(2008)
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46. Gilles Deleuze and the Ruin of Representation by Dorothea Olkowski | |
Paperback: 310
Pages
(1999-10-28)
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47. Without Criteria: Kant, Whitehead, Deleuze, and Aesthetics (Technologies of Lived Abstraction) by Steven Shaviro | |
Hardcover: 192
Pages
(2009-05-29)
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48. Deleuze Over Bacon: A Reader's Guide For Gilles Deleuze's "Francis Bacon: The logic Of Sensation" by Fatema Kabir | |
Paperback: 60
Pages
(2010-09-10)
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49. Understanding Deleuze (Australian Cultural Studies.) by Claire Colebrook | |
Paperback: 240
Pages
(2003-04-01)
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50. Deleuze and Guattari: For Architects by Andrew Ballantyne | |
Kindle Edition: 124
Pages
(2009-01-23)
list price: US$27.98 Asin: B000SIYHXA Canada | United Kingdom | Germany | France | Japan | |
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51. | |
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52. The Force of the Virtual: Deleuze, Science, and Philosophy | |
Paperback: 416
Pages
(2010-06-09)
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53. La Imagen Movimiento (Spanish Edition) by Gilles Deleuze | |
Paperback:
Pages
(2005-03)
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54. Essays Critical And Clinical by Gilles Deleuze | |
Paperback: 280
Pages
(1997-11-05)
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At last, a clear explanation!
Critique et Clinique. . .Real Horrorshow |
55. Deleuze on Music, Painting and the Arts (Deleuze and the Arts) by Ronald Bogue | |
Paperback: 240
Pages
(2003-04-04)
list price: US$35.95 -- used & new: US$32.34 (price subject to change: see help) Asin: 0415966086 Average Customer Review: Canada | United Kingdom | Germany | France | Japan | |
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Sexy Intelligentsia In this study of Deleuze's writing on music and painting, Ronald Bogue distills the essence of the philosopher's decades-long interest in these disciplines. This is no "Deleuze for Dummies"--some familiarity with Deleuzian concepts is assumed and expected. As with similar texts (Harari's _How James Joyce Made His Name: A Reading of the Final Lacan_, for example, or Rochlitz's _The Disenchantment of Art: The Philosophy of Walter Benjamin_), _Deleuze on Music, Painting, and the Arts_ tells us probably as much about Bogue as it does about Deleuze. This is useful, however, because Bogue has read widely and with comprehension not only in Deleuze but in the whole network of related subject matter touching on his concerns--Jacob von Uexkull, Susan Oyama, Paul Griffiths and Alois Riegl among others. Additionally, Bogue's consideration of Modern music is exemplary for its clear-sighted and vivid engagement with difficult (what Adorno might even call radical) music. Take as an example this brief segment from the discussion of Messiaen's spectacular _Catalogue d'oiseaux_: "...Messiaen never approaches an individual bird's song in isolation, but instead juxtaposes it with the songs of other species and situates it within an evocative sonic landscape....Such pictorialism might suggest that Messiaen's aesthetic is purely mimetic, but the actual results of his practice belie this suspicion." He goes on to discuss the piece's motivic development and the composer's modal style. Deleuze is at his most brilliant in the writings on Messiaen and Francis Bacon, and Bogue's book allows easier access for readers without the necessary time or desire to wade through thousands of pages to find what they're looking for. Of course, the ideas about music and painting are inextricable from the other ideas in those pages (there are, after all, 'a thousand plateaus', and it is not impossible that the reader may feel the need to explore further to obtain a more complete understanding--which is, after all, not such a bad thing....) At the beginning of the twenty-first century we could do worse than immerse ourselves in a study of Deleuze. For the student of music and art, as well as for those interested in expanding their knowledge of one of the great thinkers of that long, dark, and now late century, this is a valuable book. ... Read more |
56. Deleuze on Cinema (Deleuze and the Arts) by Ronald Bogue | |
Paperback: 248
Pages
(2003-03-07)
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Hang in there - Bogue will help!
Not a Deleuze for Dumbies book, but insightful and well written
learn it....love it....LIVE IT! I've always held that cimema can be a powerful artistic medium, but until recently I was much too ignorant of classic films. A life-long student of literature, I decided to educate myself in 'reading' films. This book is where I started--correction: this book, my local dvd rental store, and a friend to watch some great movies with. I'd known of Bogue's three-volume study of Deleuze and the Arts (see my review of Bogue's _Deleuze on Music, Painting, and the Arts_), so after my cinema-knowledgeable friend drew up a list of the 50 most important classic films I needed to know, I ordered a copy of _Deleuze on Cinema_. This book, like the others in the series, is not a "Deleuze for Dummies." Bogue--like Deleuze--assumes quite a bit of knowledge on the reader's part. This is refreshing. It's a supplement--something to read in preparation for watching the movies as well as for making sense of them after the show's over. Just paging through the ample index will offer a taste of what's offered: directors include Hitchcock, Resnais, Eisenstein, Robbe-Grillet, Bunuel, Godard, Bresson, Kurosawa, and Antonioni, among others. Take this insightful passage on Orson Welles as one example of the clarity and brilliance of Bogue on Deleuze: "In each of Welles' films, sheets of the past coexist within a transpersonal memory, but Deleuze argues as well that in individual shorts one can actually see characters inhabiting a region of time....Deleuze observes that others before Welles had used deep focus shots, but usually with the planes of the image remaining relatively isolated from one another. What Welles achieves by contrast is a communication and interpenetration of foreground, middle ground, and background, each shot a dynamic space-in-depth" (pgs 142-43). This book will be of essential interest to students and lovers of Deleuze, film, literature--and especially to those who, like me, need a little extra meat and potatoes with their buttered popcorn. ... Read more |
57. Masochism: Coldness and Cruelty & Venus in Furs by Gilles Deleuze, Leopold von Sacher-Masoch | |
Paperback: 294
Pages
(1991-03-19)
list price: US$21.95 -- used & new: US$9.97 (price subject to change: see help) Asin: 0942299558 Average Customer Review: Canada | United Kingdom | Germany | France | Japan | |
Editorial Review Product Description In his stunning essay, Coldness and Cruelty, Gilles Deleuze examines the work of the late-nineteenth-century German novelist Leopold von Sacher-Masoch. He shows that masochism is something far Tore subtle and complex than the enjoyment of pain, that masochism has nothing to do with sadism; their worlds do not communicate, just as the genius of those who created them - Masoch and Sade - lie stylistically, philosophically, and politically poles apart. Venus in Furs, the most famous of all of Masoch's novels, belongs to an unfinished cycle of works that Masoch entitled The Heritage of Cain. Customer Reviews (7)
A literary masterpiece and some rather misguided philosophy
A lot to learn
Not So Painful
man oh man!!!
More than meets the eye |
58. Deleuze and Literature | |
Paperback: 272
Pages
(2001-04-15)
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59. Kant's Critical Philosophy: The Doctrine of the Faculties by Gilles Deleuze | |
Paperback: 104
Pages
(1985-08-01)
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The Final Kantian Reversal, or: Nuncle Lear Cometh Radically, Deleuze follows De Quincey's *The Last days of Emmanuel Kant* by casting the later Kant as a grizzly King Lear of sorts, exiled from his "reasonable" philosophical kingdom and stepping precariously to a mad song of Romantic apperception.Hamlet's "time out of joint" becomes the unhinged temporality of movement subordinated and conditioned by time, or the Borgesian "labyrinth which is composed of a single straight line, and which is indivisible, incessant."While Rimbaud's "I is another" becomes the form under which the I affects the ego, or the mind affecting itself, an interiorized temporality that constantly divides us from ourselves, "a giddiness, an oscillation which constitutes time"(ix).Kafka's "The Good is what the Law says" reminds us that there is nothing to "know" in the law, simply that it *is*, and that we only come across this "ism" through action and execution, by which we must deduce the Good.Finally, Rimbaud's "disorder of all the senses" becomes that autopoetic civil war of the faculties pushing themselves to act and cooperate in unique and unprecedented ways, leading one faculty to an achievement or realization it would never have had on its own, pushing the known boundaries of genius and creativity, onward to mutation. This is a "brief" treatise whose length should not be underestimated.As always, Deleuze's exegetical style is diamond-sharp, tracing an analytical razorline through the architectontic reversals of Kant's ever-burgeoning spiritual maturity, from the brilliant technician and moral demiurge of the first two critiques, to the wild, discordant Kant of old age. For those uncomfortable with Deleuze's controversial approach to Nietzsche and Spinoza, this volume is much more Kantian than Deleuzian.But its originalities are impossible to deny, its exegetical precision a godsend.Deleuze's extraordinary personality is stamped on every page, while the unchained spirit of the later Kant shines provocatively through.This treatise should be special-ordered for all university courses on Kant's philosophy.It is an outstanding 20th-century reaction to a now misappropriated philosophical visionary, the grandeur of whose final work is too often obscured by the first two Critiques, which are merely its prologue or conceptual training-ground.
A masterly focus Deleuzeorganizes the three Critiques around the core notion of faculties and theobjects over which they legislate. For example, understanding legislates inthe faculty of knowledge, while reason operates over the faculty of desire;taken individually, the study of each makes up the content of the first twoof Kant's celebrated Critiques. Their respective functions are shown byDeleuze to culminate in the third Critique (i.e. *Critique of PureJudgement*), wherein the notion of "ends", both moral and cognitive, reachsynthetic fulfillment. Hence, it is in the third Critique, instead of thefirst two, in which the capstone of Kant's Copernican revolution isreached. Here in the arena of art and aesthetics, no faculty legislates,nor are generic objects present. Rather aesthetic judgement involves thefaculties and imagination in a kind of free play aimed at some type ofoverall harmony.Rather than knowledge, which can only be phenomenal,culture represents humankind's highest achievement and its measurement; andthe highway into 19th century Romanticism opens. Kant is a giant ofWestern philosophy. This book aids in an understanding of his overallundertaking. ... Read more |
60. Who's Afraid of Deleuze and Guattari? (Continuum Studies in Continental Philosophy) by Gregg Lambert | |
Hardcover: 192
Pages
(2006-12-18)
list price: US$140.00 -- used & new: US$34.50 (price subject to change: see help) Asin: 0826490484 Average Customer Review: Canada | United Kingdom | Germany | France | Japan | |
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Essential Reading |
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