21. The Pre-Raphaelite Critic Significant site. Contemporary Criticism of the pre-raphaelites from 1849-1900 compiled and Maintained Category arts art History Movements pre-raphaelites...... a return to the principles of truth and usefulness would create better art. Thereis an extensive canon of the writings of the preraphaelites themselves, and http://www.engl.duq.edu/servus/PR_Critic/

Compiled and Maintained by Thomas J. Tobin The Pre-Raphaelite Brotherhood The Pre-Raphaelite Brotherhood, or PRB, was formed in 1848 as a group of young painters in Britain who wished to experiment with the Horatian principle of ut pictura poesis , which means (in a great oversimplification) that painting and poetry are merely two different ways of expressing the same ideas. The Brotherhood wished to "correct" the false principles on which the arts had been based since the time of Raphaelthey thought that beauty had supplanted truth in art, and that a return to the principles of truth and usefulness would create better art. With these ideas in mind, they began painting and composing poetry, some with more success in one area than in the other. Dante Gabriel Rossetti continued to paint and versify throughout his career, while others in the PRB soon found that their talents lay primarily in painting or in poetry, but not both. Critical Opinion in the 19th Century The criticism garnered by the PRB was often derogatory, aiming to ridicule their "backward" aims in painting technique, their supposed Roman Catholic leanings, or the triteness of their poems. There is an extensive canon of the writings of the Pre-Raphaelites themselves, and one may find many examples of works by the Rossettis, William Morris, Algernon Swinburne, and others. Although many scholars have cited the critical reaction to the PRB, there are few avenues by which the serious (and the curious) scholar can look at this critical literature itself. I have put together this site in order to help fill this need. You can gain an overview of the site under the

22. Pre-Raphaelites - The Aesthetic Movement Gallery and notes - A Gallery of Beauty and Romantic Mysticism in British art c 1860-1900. Rossetti, Category arts art History Movements pre-raphaelites...... Images, credits. Buy art prints online at AllPosters.com Large variety! Highquality framing or exclusive mounting! Special preraphaelites section! http://www.martiansands.net/preraphaelites/

A Gallery of Beauty and Romantic Mysticism in British Art 1860-1900 Gallery Second Gallery Edward Burne-Jones Gallery Oils Who were The Pre-Raphaelites ... Poster Store The Aesthetic Movement ante Gabriel Rossetti Beata Beatrix Rosamund La Ghirlandata Monna Vanna ... Proserpine John W aterhouse The Lady of Shalott Windflowers My Sweet Rose Psyche Opening ... the Golden Box ohn William Godward The Melody Dolce Far Niente rederic Lord Leighton Flaming June Pavonia Anthony Fredrick Augustus andys Love's Shadow ohn Collier Lady Godiva Lilith New Edward Burne-Jones New images! Gallery #2 Pre-Raphaelite Print and Poster Store Unique Pre-Raphaelite ... Artist Painted Oils James Greensleeves 1996-2002 Contact: artsleeves@yahoo.co.uk Images, credits Buy art prints online at AllPosters.com ... section! Notify me when this site is updated! Your Name: Your E-mail: Comments: Buy art prints online at AllPosters.com Large variety! High quality framing or exclusive mounting! Special ... section! Dante Gabriel Rossetti Beata Beatrix, 1863

23. Darkamber - The Pre-Raphaelites Introduction to their work and gallery of favourite picturesCategory arts art History Movements pre-raphaelites......The preraphaelites. I have always had a great love of beautiful art, and of themost beautiful are the paintings of the Pre-Raphaelite Brotherhood (PRB) and http://home.no.net/damber/pre.html

The Pre-Raphaelites I have always had a great love of beautiful art, and of the most beautiful are the paintings of the Pre-Raphaelite Brotherhood (PRB) and their followers, with their bright and clear colours, fair women and themes from myths and legends. It all began in the first half of the 19th century. There were in the 1830s and 40s a growing enthusiasm for and interest in Gothic architecture, medieval literature and pre-Renaissance paintings. British art at that time was dominated by the Royal Academy, whose style tended towards that of the Old Masters; the dark and gloomy with lots of brownish paint. English art were already influenced by the German Nazarene movement, whose principles were accuracy, a new look at the medieval past and an intensity of feeling, both human literary and religious. This movement also influenced the PRB. In 1848 the Pre-Raphaelite Brotherhood, was founded in London. The founding members included the young painters Dante Gabriel Rossetti, William Holdman Hunt and John Everet Millais. The PRB rebelled against the established view of art, wanting to free art from the stranglehold of the Academy. The earliest works of the PRB were only signed with the group's initials.

24. Julia Margaret Cameron (1815-1879) Notes on the life of Cameron, in the context of pages on preraphaelites and other Victorian art. From Bob Speel. http://www.speel.demon.co.uk/artists/cameron.htm

Julia Margaret Cameron (1815-1879) Julia Margaret Cameron, the photographer, finds a place on these pages because she was the 'Pre-Raphaelite photographer', and produced illustrative work using photography of poems by Tennyson and others, in the same way that many artists painted and illustrated them. She was born in Calcutta, educated in Paris, and back in India, married Charles Hay Cameron, a wealthy tea estate owner. He was 20 years older than her, and retired in 1838. They went to live in London, becoming part of the artistic community centred around Little Holland House in Kensington. Tennyson became a friend of the Camerons, and they visited him at his home in the Isle of Wight (at Farringford, Freshwater) in the 1850s. In 1860, the Camerons bought two adjacent houses at Freshwater Bay on the island, and converted them into one large residence by adding a central, squat Gothic tower. Julia Cameron took up photography while living there, in 1863. She was then 48 years old. Her Pre-Raphaelite subjects included Arthurian illustrations for Idylls of the King (1874), and of other poems by Tennyson, Browning, Kingsley, and Shakespeare. She also made figure studies of Pre-Raphaelite types - girls in flowing dresses with long hair, looking melancholy, and very much one of her aims in photography was to show moods of sadness or introspection. As well, she produced some of the best photographic portraits of famous people of her day - Tennyson of course (many times), Browning , Richard Burton, Herschel the astronomer (a friend who helped teach her photographic processes), Darwin, Carlyle, and Ellen Terry (in 1864, the year she married

25. Art Passions Dedicated to illustrators such as Arthur Rackham, Gustave Dore, William Morris, Aubrey Beardsley, Edmund Dulac, Adrienne Segur, the preraphaelites and others. http://www.artpassions.net/

Confused? Artpassions is just the art. The index of online books is here General Site Layout Art Passions (you are here): General introduction and orientation to the site, art gallery and descriptive index, e-postcards (or send from any display page), a few online books, and the forum , and especially the Frequently Asked Questions Visual Site map and links to resources for: books, posters and artprints, calendars when in season, out-of-print booksearch tool, web design resources, and web design portfolio. Personal pages: Monet's Garden at Giverny (has a java slideshow of how the garden looks now that I did for a class, How to color Ukrainian eggs the cats' homepage Psychology of Religion personal and other practical matters Welcome to Art Passions. Art Passions is primarily about artists and illustrators whose works I grew up with. I encourage you to explore this site and learn about the works of Arthur Rackham Gustave Dore William Morris Aubrey Beardsley ... Adrienne Segur , the Preraphaelites and others. New!

26. Art Museum Screensavers, Pre-Raphaelites The preraphaelites began as a brotherhood of painters in England who sought tobreak away from the current art system and portray images in a new beauty and http://www.cassdesign.com/artmuseumscreensavers/raphaelite.html

The Pre-Raphaelites began as a brotherhood of painters in England who sought to break away from the current art system and portray images in a new beauty and light not seen before. Order Online or Order Toll Free 1-877-353-7297 ask for part # 3420-64 Explanation of order options- Order and Download: Place the order online and download the software right away! The cost is $19.95 Order CD: Place the order online and you will receive a CD, containing the software, by U.S. Mail. Due to packaging and shipping the cost is $24.95 We use the highest web security available for online purchases We give you a 30 day (No questions asked) money back guaranty. This policy is guaranted by your credit card company. If you would like a refund, just email us with your order number and your order will promptly be refunded.

27. Victorian Art Dealer, Consultant And Historian - Christopher Wood A leading expert and writer on Victorian art, especially the preraphaelites. Visit this site for information about his consultancy service as well as his range of paintings and furniture for sale. http://www.christopherwoodgallery.com

Christopher Wood is England’s leading expert and writer on Victorian art, especially the Pre-Raphaelites. Last Updated

28. ::p.r.e.-.r.a.p.h.a.e.l.i.t.e.s.:.t.h.e.:.a.r.t.:.o.f.:.t.h.e.:.m.u.s.e.s:: What sort of style did they have? The preraphaelites believed that the only truly great art from before the 16th century Italian painter, Raphael. http://www.geocities.com/SoHo/Coffeehouse/6464/arts.html

The Pre-Raphaelite Brotherhood began in 1848 as a secret society in rebellion against The Royal Academy. The leader of the movement was a 20 year-old artist named Dante Gabriel Rossetti. He (along with 19 year-old Sir John Everett Millais and 21 year-old William Holman Hunt) began a new movement in painting. The society only invited four other members to join: Thomas Woolner (sculptor), James Collinson (painter), William Michael Rossetti (writer), and Frederick George Stephens (writer). Despite this, their talents inspired many to follow the Pre-Raphaelite style. Chivalry by Sir Frank Dicksee] What sort of style did they have? The Pre-Raphaelites believed that the only "truly great" art from before the 16th century Italian painter, Raphael. Raphael, and the artists that followed him, often manipulated the subject into their idea of beauty rather than staying true to the actual subject's appearance. Denouncing this idealization, the Pre-Raphaelites produced paintings based on real subjects, paying extreme attention to details. By omitting distortions (whether accidentally or on purpose), the artists gave their paintings a surreal effect. Using bright colours on a white background, they added great depth and brilliance to their paintings. Whether their themes were Biblical or Medieval or based on a work of literature, all of their works are passionate and very unlike the other works of this time period. The Ladies Lament by Lizzie Siddal] Who followed this movement? Not only did they influence many artists, but there were also many writers that can be classified as Pre-Raphaelites. Some of the major artists (in addition to the aforementioned ones) were: Frederic, Lord Leighton; John Melhuish Strudwick, Edward Burne-Jones, Lawrence Alma Tadema, William de Morgan, William Morris, John William Waterhouse, Frank Bernard Dicksee, Arthur Hughes, John Ruskin, and Frederick Augustus Sandys Also notable were the women Pre-Raphaelite writers, artists, and models, several of whom married Pre-Raphaelite artists: Christina Rossetti, Lizzie Siddal, Evelyn de Morgan, and Jane Burden Morris.

29. The Lost And Beautiful Past:Embracing The English Preraphaelite Spirit-the Art O A lost world of Gothic romance inspired by the art of the English preraphaelites. http://www.geocities.com/beautifulpast/

The eternal human quest for Love set in a lost Gothic world whose inhabitants are caught between the contradictions of their dreams and the world as they have found it to be. UPDATED 2 APRIL 2003 Eight new paintings, click on What's New for details [ Next Page ]

30. Dante's Dream Of The Time Of The Death Of Beatrice by Dante Gabriel Rossetti, 1871, Walker art Gallery, (88Kb) http://persephone.cps.unizar.es/general/gente/spd/pre-raphaelites/ros/jpg/Rosset

31. The Germ The Romantics, the pre-raphaelites art History Movements pre-raphaelites...... Frederic George Stephens (18281907; art critic). Friends and associatesof the original seven pre-raphaelites soon became part of the movement. http://www.walrus.com/~gibralto/acorn/germ/

The Germ: by Meg Wise-Lawrence Art sucked... Everything is shit. The word art must be redefined. This is the age where everyone creates... Patti Smith You've got to start your own movement or nothing's going to start. In 1848, seven men in England joined together to form an aesthetic movement, and they called themselves the Pre-Raphaelite Brotherhood. The Pre-Raphaelite movement was intended to redefine art,and indeed it helped pave the way for our modern era. The seven original members of the Pre-Raphaelite Brotherhood were: Dante Gabriel Rossetti William Michael Rossetti (1829-1919; art critic and D.G.'s brother) James Collinson William Holman Hunt (1827-1910; painter) John Everett Millais (1829-96; painter) Thomas Woolner (1825-92; a sculptor) Frederic George Stephens (1828-1907; art critic) Friends and associates of the original seven Pre-Raphaelites soon became part of the movement. Today we think of the Pre-Raphaelites as including not only William Holman Hunt, John Everett Millais and the rakish painter Dante Gabriel Rossetti , but also his drug addicted painter wife Lizzie Siddal , the wildly original and intellectually honest designer WilliamMorris , the sexually repressed writer and philosopher John Ruskin, acclaimed artist Edward Burne-Jones, Ford Madox Brown, and many others.

32. Magnificent 7 Introduction to the founders of the Pre-Raphaelite Brotherhood, and information about the radical Category arts art History Movements pre-raphaelites...... Originated by art school friends William Holman Hunt and John they hated 'slosh,'including Raphael's 'Transfiguration,' the preraphaelites rejected the http://www.walrus.com/~gibralto/acorn/germ/PRB.html

The Magnificent Seven All our best men are laughed at in this nightmare land Jack Kerouac "Pomes All Sizes Originated by art school friends William Holman Hunt and John Everett Millais, who called everything they hated 'slosh,' including Raphael's 'Transfiguration,' the Pre-Raphaelites rejected the Renaissance and embraced Medieval times. They were sick of the pretentious conventionality of theVictorian era. Like the Beat Generation writers in the 1950's, the Pre-Raphaelitesa hundred years earlier were rejecting the oppressiveness and cheap moralizing of their era. Pre-punk rogues and radicals, they were outside of society. The ideals for the Pre-Raphaelite Brotherhood were simple: 1. To have genuine ideas to express; 2. To study Nature attentively, so as to know how to express them; 3. To sympathize with what is direct and serious and heartfelt in previous art, to the exclusion of what is conventional and self-parading and learned by rote; 4. And more indispensable of all, to produce thoroughly good pictures and statues. Rossetti provided the real energy for the group with his far-reaching artistic sense. But it was Hunt's disdain for anything too academic and their reading of John Ruskin's "Modern Painters" that was thecatalyst.

33. Who Were The Pre-Raphaelites? Pre-Raphaelites - The Aesthetic Movement The Voyeurist eye knows its desire and Nature transcends art. The PreRaphaelitesare an origin of massproduced beauty, and Rossetti succeded to clone his http://www.martiansands.net/preraphaelites/preraph.htm

Gallery Second Gallery Edward Burne-Jones Gallery Oils Who were The Pre-Raphaelites Literature Poster Store The Aesthetic Movement ho were the Pre-Raphaelites? The name and the term "Pre-Raphaelite" has been applied to many artists and their work long after the original Pre-Rapahelite Brotherhood had ceased to exist. The P.R.B. and their followers manifested some ideas of art that inspired and was part of a larger movement in British Victorian painting, decoration and design. They shared the general romanticism and gothicism of the century - appreciation of an historical "medieval" origin - but perhaps more important, they broke with the conventions of the academies and showed a new conception and appreciation of Nature, a new sensitivity. This also was the seed to become the Arts and Crafts Movement and Art Noveau and Jugendstil. The Pre-Raphaelites, in their context, therefore are a link to modern art. But the reason that their work are being rediscovered and popular still today, is their unique qualities. They remain a source of sheer beauty, timeless, beyond de-constructions and post-modernisms, both simple to comprehend and complex - in forgotten emotion and mystical innocence. These artists believed in something.

34. Prettejohn, E.: The Art Of The Pre-Raphaelites. The art of the preraphaelites. Though always controversial in art circles, thepre-raphaelites have also always been extremely popular with museum goers. http://pup.princeton.edu/titles/6905.html

PRINCETON University Press SEARCH: Keywords Author Title More Options Power Search Search Hints E-MAIL NOTICES NEW IN PRINT E-BOOKS ... HOME PAGE The Art of the Pre-Raphaelites Elizabeth Prettejohn Shopping Cart Reviews Table of Contents Though always controversial in art circles, the Pre-Raphaelites have also always been extremely popular with museum goers. This accessible new study provides the most comprehensive view of the movement to date. It shows us why, a century and a half later, Pre-Raphaelite art retains its power to fascinate, haunt, and often shock its viewers. Calling themselves the Pre-Raphaelite Brotherhood, Dante Gabriel Rossetti, John Everett Millais, and William Holman Hunt produced a statement of ideas that revolutionized art practice in Victorian England. Critical of the Royal Academy's formulaic works, these painters believed that painting had been misdirected since Raphael. They and the artists who joined with them, including William Michael Rossetti, James Collinson, and Frederick George Stephens, created bright works representing nature and literary themes in fresh detail and color. Considered heretical by many and frequently admonished for a lack of grace in composition the group disbanded after only a few years. Yet its artists and ideals remained influential; its works, greatly admired. In this richly illustrated book, Elizabeth Prettejohn raises new and provocative questions about the group's social and artistic identity. Was it the first avant-garde movement in modern art? What role did women play in the Pre-Raphaelite fraternity? How did relationships between the artists and models affect the paintings? The author also analyzes technique, pinning down the distinctive characteristics of these painters and evaluating the degree to which a group style existed. And she considers how Pre-Raphaelite art responded to and commented on its time and place a world characterized by religious and political controversy, new scientific concern for precise observation, the emergence of psychology, and changing attitudes toward sexuality and women.

35. Pre-Raphaelite Overview The artJournal, 1850-1880 Antiquarians, the Medieval Revival, and The Receptionof Pre-Raphaelism. A Pre-Raphaelite Gallery. Landscape of the pre-raphaelites, http://65.107.211.206/painting/prb/prbov.html

Pre-Raphaelite Overview The Pre-Raphaelites Introduction Pre-Raphaelitism: A Chronology The Pre-Raphaelite Brotherhod and Symbolic Realism Hogarth's Influence on the Pre-Raphaelites ... Combines Antiquarian Medievalism with Avante Garde Innovation Ruskin's Influence on the Pre-Raphaelites Ruskin, Tintoretto, and the Language of Types Ruskin and W. Holman Hunt Individual Members of the Brotherhood, Associates, and Followers William Holman Hunt: An Overview An Index to W. H. Hunt's Pre-Raphaelitism and the Pre-Raphaelite Brotherhood (the original print version does not have one) Sir John Everett Millais Dante Gabriel Rossetti: An Overview Christina Rossetti as a Pre-Raphaelite The Dante Gabriel Rossetti Archive at the University of Virginia. "Thomas Seddon's 'Moriah' and His Jerusalem from the Valley of Jehosophat. Pre-Raphaelite Fairy Painting Aesthetic Pre-Raphaelitism ... John Lucas Tupper , sculptor, poet, art theorist, and member of the Pre-Raphaelite circle The Art-Journal , 1850-1880: Antiquarians, the Medieval Revival, and The Reception of Pre-Raphaelism A Pre-Raphaelite Gallery Landscape of the Pre-Raphaelites, Their Followers, and Associates

36. Pre-Raphaelites Introduction and pictures from 'The Second Pre-Raphaelite Exhibition, 1850'Category arts art History Movements pre-raphaelites......The preraphaelites. As William Morris wrote, this new style was part of the generalrevolt agaist Academicism in Literature as well as in art, although the http://citd.scar.utoronto.ca/English/ENGB02Y/Pre-Raphaelites.html

The Pre-Raphaelites The Pre-Raphaelite movement began as a reaction against the prevailing rules of painting that were based on the works of the Renaissance painter Raphael and his followers (e.g. 1/7 of the canvas should be in bright light, 1/3 in shadow; no two heads should be turned the same way; the human figures should represent ideal beauty). The Pre-Raphaelite painters (Hunt, Millais, Rossetti) believed they were returning to the "naturalism" of the Italian primitivespainters before Raphael; the first Pre-Raphaelite exhibitions (1848; 1850) featured paintings from human models and in natural light. As William Morris wrote, this new style was part of the "general revolt agaist Academicism in Literature as well as in Art," although the revolution in literature happened much earlier (see Wordsworth's "Preface to Lyrical Ballads ." ). Perhaps not surprisingly, traditional art critics were outraged. Note: click on paintings to view enlargements. The Second Pre-Raphaelite Exhibition, 1850 John Everett Millais

37. Pre-Raphaelites: An Introduction preraphaelites An Introduction. George P. Landow, Professor ofEnglish and art History, Brown University. he term Pre-Raphaelite http://65.107.211.206/painting/prb/1.html

Pre-Raphaelites: An Introduction George P. Landow, Professor of English and Art History, Brown University he term Pre-Raphaelite , which refers to both art and literature, is confusing because there were essentially two different and almost opposed movements, the second of which grew out of the first. The term itself originated in relation to the Pre-Raphaelite Brotherhood, an influential group of mid-nineteenth-century avante garde painters associated with Ruskin who had great effect upon British, American, and European art. Those poets who had some connection with these artists and whose work presumably shares the characteristics of their art include Dante Gabriel Rossetti Christina Rossetti George Meredith William Morris , and Algernon Charles Swinburne William Holman Hunt's portraits of his young Pre-Raphaelite Brothers John Everett Millais and Dante Gabriel Rossetti. Click upon pictures to obtain larger images. The Pre-Raphaelite Brotherhood (PRB) was founded in 1849 by William Holman Hunt (1827-1910), D.G. Rossetti, John Everett Millais (1829-1896), William Michael Rossetti, James Collinson

38. Artcyclopedia: The Pre-Raphaelite Brotherhood Listing of preraphaelites Use ctrl-F (PC) or command-F (Mac) to search fora name. William Davis, 1812-1873, British Painter, Fresh Catch Buy art Prints. http://www.artcyclopedia.com/history/pre-raphaelite.html

Browse artists by: Movement Medium Subject Nationality ... Women Artists Artists by Movement: The Pre-Raphaelite Brotherhood Britain, 1848 to Late 19th Century The Pre-Raphaelite Brotherhood was created in 1848 by seven artists: Dante Gabriel Rossetti , William Michael Rossetti, William Holman Hunt James Collinson John Everett Millais Frederic George Stephens , and Thomas Woolner. Their goal was to develop a naturalistic style of art, throwing away the rules and conventions drilled into students' heads at the Academies. Raphael was the artist considered to have attained the highest degree of perfection, so much so that students were encouraged to draw from his examples rather than from nature itself; thus they became the "Pre-Raphaelites". The group popularized a theatrically romantic style, marked by great beauty, an intricate realism, and a fondness for Greek and Arthurian legend. The movement itself did not last past the 1850's but the style remained popular for decades, and influenced the Arts and Crafts Movement , the Symbolists , and even the Classicists Chronological Listing of Pre-Raphaelites Use ctrl-F (PC) or command-F (Mac) to search for a name William Davis British Painter Buy Art Prints George Frederic Watts English Painter/Sculptor Buy Art Prints Ford Madox Brown English Painter Buy Art Prints Sophie Anderson French Painter Buy Art Prints Daniel Alexander Williamson British Painter James Collinson English Painter William Holman Hunt English Painter Buy Art Prints James Campbell British Painter Charles Allston Collins British Painter

39. MA Special Subject - The Art Of The Pre-Raphaelites There are also excellent collections of work by the preraphaelites in BirminghamCity art Gallery and the Tate Gallery, both an easy bus or train ride away. http://www.brookes.ac.uk/schools/humanities/pgrad/ssapr.html

Humanities Home Page Undergraduate Degrees Taught Postgraduate Degrees Research Degrees International Applicants Staff Rob Pope's English Studies Book Pages for Students Perspectives - On-Line Journal Humanities Research Centre History of Medicine Pages Contemporary Poetry Centre Research Seminars Prospectus On-Line Resources for the Humanities Contact Us MA Special Subject The Art of the Pre-Raphaelites Tutor: Christiana Payne The Pre-Raphaelites revolutionised British painting and design in the mid-nineteenth century, and their work exercises a continuing fascination, evidenced by the literature on them, which continues to grow rapidly. This course sets out to study them in their context, relating them to early Victorian art, literature and society. Oxford is rich in associations with the Pre-Raphaelites. The collection of Thomas Combe, an important early patron, is in the Ashmolean Museum, and the Oxford Union still has the murals painted by Rossetti, Burne-Jones, Morris and their friends in the summer of 1857. William Morris's house, Kelmscott Manor, is just a few miles up the river. There are also excellent collections of work by the Pre-Raphaelites in Birmingham City Art Gallery and the Tate Gallery, both an easy bus or train ride away.

40. Pre-Raphaelite Art Art (Drawing And Painting) Pre-Raphaelites Leslie Parris PreRaphaelite art art (Drawing and Painting) pre-raphaelites Leslie Parris. SubjectPre-Raphaelite art art (Drawing and Painting) Title pre-raphaelites http://www.poemmarket.co.uk/Leslie-Parris-Pre-Raphaelites-1854371444.html

Pre-Raphaelite art Art (Drawing and Painting) Pre-Raphaelites Leslie Parris Subject: Pre-Raphaelite art Art (Drawing and Painting) Title: Pre-Raphaelites Author: Leslie Parris D M Metcalf Thrymsas and Sceat... Andrew Topsfield Indian Painti... Andrew Topsfield Indian Painti... Jaromir Malek ABC of Egyptian ... ... Rostock gestern. Kal-38901306...

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