61. Art History/Artists/B/Bernini, Gianlorenzo - Fractured Atlas Links Directory paintings. bernini, gianlorenzo The artist's paintings and related educationalart links. bernini, gianlorenzo (15981680) Biography http://www.fracturedatlas.org/site/links/Art_History/Artists/B/Bernini__Gianlore

Member Login Become a Member Links to Arts-Related Websites Search the links directory: the entire directory only this category ( Back to Top Member Services Fractured Atlas is a non-profit arts service organization. Benefits of membership include: Health Insurance Artist health insurance Health insurance - NY Health insurance - CA Fiscal Sponsorship Non-profit umbrella services Grants Multiple arts grant programs Consulting Arts management consulting Legal Services Subsidized legal services ADVERTISEMENT: Home Art History Artists B : Bernini, Gianlorenzo LINKS: Bernini, Gian Lorenzo (1598-1680) Brief biography of the Italian sculptor and architect from Info Roma. Bernini, Gian Lorenzo (1598-1680) Portrait and biography of the Italian sculptor, architect and artist in the Web Gallery of Art, along with annotated galleries of his sculptures and paintings. Bernini, Gianlorenzo The artist's paintings and related educational art links. Bernini, Gianlorenzo (1598-1680) Biography of the dominating figure in Roman Baroque art in Great Buildings Online, with photographs and details of his architectural works. ADVERTISEMENT: Help build the largest human-edited directory on the web.

62. STORIA DELL'ARTE Translate this page gianlorenzo bernini. gianlorenzo bernini nacque a Napoli nel 1598. Siformò in Virginia. gianlorenzo bernini morì nel 1680. Immagini. http://www.storiadellarte.com/biografie/bernini/bernini.htm

Homepage Visite Guidate A cura Pittura ... Contatti Gianlorenzo Bernini Capra Amaltea Priapo e la Flora . Altre opere che si affiancano a queste e realizzate da padre e figlio sono: il Putto con il dragone , la Fontana con il satiro e la pantera che si trova al museo di Berlino e il Gruppo bacchico del Metropolitan Museum di New York. Inoltre abbiamo le Quattro stagioni San Lorenzo sulla Graticola , il San Sebastiano , il Putto morso da un pesce e Anima beata e Anima dannata . Con l' Anima beata l'artista rappresenta il volto di una fanciulla in estasi, mentre l' Anima dannata Testa di Medusa del Caravaggio Il gruppo scultoreo rappresentante Anchise, Enea e il figlio Ascanio , apre una serie di opere importanti della Galleria borghese: Il David , il Ratto di Proserpina Apollo e Dafne . Il David Apollo e Dafne le figure sono rappresentate nel momento in cui la ninfa Dafne si tramuta in albero. Si avverte la sensazione del movimento nello spazio delle figure accentuata dalle pieghe delle vesti, dalle foglie dell'albero che paiono investiti dal vento.

63. Cupola's Building Index By Architect: A To L Anasazi Indians, Wupatki, Wukoki Ruin, 12C, Wupatki National Monument, Arizona,Southwest American Indian Ruins. bernini, gianlorenzo, St. bernini, gianlorenzo,St. http://www.cupola.com/bldgidxa.htm

Building Index by Architect: A to L Jump to: Artist Index Art Title Index Landscape Index by Location Architect Index: A to L ... Building Name Index: R to Z ARCHITECT BUILDING NAME DATE LOCATION Abadie, Paul Church of the Sacred Heart (Sacré-Coeur Basilica) begun 1876 Paris, France Aerial view of a large Neo Roman Byzantine style church Abadie, Paul Church of the Sacred Heart (Sacré-Coeur Basilica) begun 1876 Paris, France Night view of church with domes and cupolas Adelcrantz, C. F.? Garden Pavilion at Drottningholm Palace Stockholm, Sweden Oblique elevation of a wooden garden folly in the form of a tent with an Eastern flavor Amannati, Bartolomeo Pitti Palace Additions (Palazzo Pitti) Florence, Italy Rear (garden) elevation of a Florentine Renaissance palace Anasazi Indians Aztec Pueblo Ruins circa 1110 Aztec Ruins National Monument, New Mexico Southwest American Indian Ruins Anasazi Indians Bandelier, Cliff Dwellings early 1300s Bandelier National Monument, New Mexico Southwest American Indian Ruins Anasazi Indians Bandelier, Petroglyph

64. Headings Outline bernini, gianlorenzo (15981680), Model for equestrian statue of Louis XIV, N5300.J36slide 17. bernini, gianlorenzo (1598-1680), David, N5300.J36 slide 273. http://digital.sabanciuniv.edu/headinds5.php?ilk=BAROQUE

65. Biography Portrait and biography of the Italian sculptor, architect and artist in the Web Gallery of Art, along Category Arts Art History Artists B bernini, gianlorenzo......bernini, Gian Lorenzo (b. 1598, Napoli, d. 1680, Roma) Biography. Under his patronage,bernini carved his first important lifesize sculptural groups. http://www.kfki.hu/~arthp/bio/b/bernini/gianlore/biograph.html

BERNINI, Gian Lorenzo (b. 1598, Napoli, d. 1680, Roma) Biography Italian artist who was perhaps the greatest sculptor of the 17th century and an outstanding architect as well. Bernini created the Baroque style of sculpture and developed it to such an extent that other artists are of only minor importance in a discussion of that style. Early years Bernini's career began under his father, Pietro Bernini, a Florentine sculptor of some talent who ultimately moved to Rome. The young prodigy worked so diligently that he earned the praise of the painter Annibale Carracci and the patronage of Pope Paul V and soon established himself as a wholly independent sculptor. He was strongly influenced by his close study of the antique Greek and Roman marbles in the Vatican, and he also had an intimate knowledge of High Renaissance painting of the early 16th century. His study of Michelangelo is revealed in the St Sebastian (c. 1617), carved for Cardinal Maffeo Barberini, who was later Pope Urban VIII and Bernini's greatest patron. Bernini's early works attracted the attention of Cardinal Scipione Borghese, a member of the reigning papal family. Under his patronage, Bernini carved his first important life-size sculptural groups. The series shows Bernini's progression from the almost haphazard single view of

66. CGFA- Gianlorenzo Bernini: Bust Of Cardinal Richelieu Purchase an oil reproduction of this work frombestpriceart.com by clicking here. Home Page. http://www.ibiblio.org/cgfa/b/p-bernini2.htm

67. - Sammlungen - übersicht - Museum Kunst Palast - Gianlorenzo Bernini - Translate this page Zwei groteske Köpfe (A). gianlorenzo bernini, um 1625 © museum kunst palast. http://www.museum-kunst-palast.de/dt/sites/s2s3s3b.asp

Zwei groteske Köpfe (A) Gianlorenzo Bernini, um 1625

68. - Sammlungen - übersicht - Museum Kunst Palast - Gianlorenzo Bernini - Translate this page Zwei groteske Köpfe (B). gianlorenzo bernini, um 1625 © museum kunst palast. http://www.museum-kunst-palast.de/dt/sites/s2s3s3c.asp

Gianlorenzo Bernini, um 1625

69. The Art Of Gianlorenzo Bernini Selected Sculpture The Art of gianlorenzo bernini Selected Sculpture. http://hallarchitecture.com/individual_architects/221.shtml

The Art of Gianlorenzo Bernini Selected Sculpture Home Architecture Individual Architects by Michael P. Mezzatesta See More Details ASIN: 091280405X

70. Net Search Page bernini, gianlorenzo, — Search Categories bernini, gianlorenzo The artist'spaintings and related educational art links. bernini, gianlorenzo http://207.200.81.7/Arts/Art_History/Artists/B/Bernini,_Gianlorenzo

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71. European Art In The 17th Century: Gianlorenzo Bernini: Early Work gianlorenzo bernini Baldacchino 162433 gilded bronze Height c. 100 feet St. Peter's,Rome image source. gianlorenzo bernini Saint Longinus 1629-38 marble St. http://www2.students.sbc.edu/waite02/notes/berniniearly.html

image source: Gianlorenzo Bernini Baldacchino gilded bronze Height c. 100 feet St. Peter's, Rome Niches sometimes held relics the size of the columns are HUGE... they were said to have held offices and storage rooms. image source Gianlorenzo Bernini Saint Longinus marble St. Peter's, Rome * the spear still does survive (relic) * lifesize * Bernini always introduces 'something new' * wasn't carved out of one block of marble, but multiple pieces, and then put together. This is taken from the classical style of sculpture. In this way he could open up sculpture. In this way he could help motion of the sculptures. Previous sculptures were limited by the space of marbels * he needed a statue that would be of the 'proper' proportion, and the grandeur that followed the scale of St. Peter's * Baroque thing: they begin to leave space, to include 'us' the viewer. * figure is looking up, looks across 'real' space towards the altar. * the 17th century begins to break down the barrier between our world and the space of the art * emptions of the figure, most difficult part to portray:

72. Gianlorenzo Bernini And Stone gianlorenzo bernini and stone. No one could make marble do what berninidid bernini could show the moment of divine ecstasy. He http://www.davidalexandersmith.com/travel/italigno/bernini.html

Gianlorenzo Bernini and stone No one could make marble do what Bernini did: Bernini could show the moment of divine ecstasy He could show an abduction in mid-flight And a pursuit-and-capture Topping Michelangelo, whose David is a magnificent pose of stillness, he could show the followthrough portrait bust , Bernini cranked out a masterpiece ... and then, discovering a hairline crack in the block of marble, carved a second bust, virtually identical, in only fifteen days performing a little discreet plastic surgery on his host, shrinking the tubby double chin, making the shocked-cow expression more philosophical. He could paint too, as in this self-portrait But he went Hollywood. Though he lived until the age of 82 65 years of actively practicing his art one pope after another recruited or dragooned him into the church's service. He designed St. Peter's, and having designed it, decorated it, with massive ecclesiastical statues toned down from the sensual, almost lascivious pagan mythic figures of his youth. St. Peter's is impressive, and amidst the Counter-reformation one could imagine Bernini believing there could be no higher cause than defense of the most Holy Catholic Church ... but examining his Vatican statues, or the enormous ugly baldacchino that is St. Peters' internal focal point, one can only regret that so much genius was directed to so much statist monument.

73. HallSculptors.com :: Gianlorenzo Bernini (Masters Of Art Series) You are here Sculpture bernini Gian Lorenzo gianlorenzo bernini (Mastersof Art Series). Search (books). gianlorenzo bernini (Masters of Art Series). http://hallsculptors.com/index.php/Mode/product/AsinSearch/0810931117/name/Gianl

HallSculptors.com the most comprehensive Sculpture portal. Find Sculpture databases from our Sculpture metasearch Browse our Sculpture directory about the topic you want Read Reviews, Compare and Buy the item you want from the most trusted shop in the world You are here: Sculpture Books Bernini, Gian Lorenzo Gianlorenzo Bernini (Masters of Art Series) Search ... (books) Gianlorenzo Bernini (Masters of Art Series) 80% Recommended by our customers. Catalog: Book Manufacturer: Harry N Abrams Authors: Charles Scribner Release Date: May, 1991 Availability: Usually ships within 24 hours List Price: Our Price: Used Price: ThirdPartyNewPrice Price: More Details from Amazon.com Enlarge image Product Reviews: Tough call between the Scribner and the Wittkower I have the two main American books on Bernini; the Scribner and the Wittkower, plus the Scala edition by Maurizio Fagiolo from their "Great Masters of Art" series. Each book has something to commend it. Scribner's prose is by far the most passionate, easiest to read, and most informative for the general reader. The Wittkower is a bit dry and academic while the English translation of the Fagiolo is poorly done and shorter on material than either of the other two (understandable, since it's a shorter book). Since it is impossible to properly study or appreciate Bernini without the availability of the close-ups that really magnify his skill and genius, I would recommend buying the Wittkower over the Scribner. The Fagiolo has a good mix of photographs and is cheapest of all, but may only be available in Italy.

74. University Of York: History Of Art: Gianlorenzo Bernini . gianlorenzo bernini(15981680) was by far the most influential artist of the Italian baroque.......(C) gianlorenzo bernini. 479511 40 Credits. Aim. http://www.york.ac.uk/depts/histart/ugrad/Modules/bernini.htm

(C) Gianlorenzo Bernini 40 Credits Aim To explore the ways in which Gianlorenzo Bernini’s sculptural and architectural works transformed the city of Rome and expressed the political, religious and moral concerns of his age. centuries. Bernini's Apollo and Daphne one of the sculpturs that will be studied in the module. Objectives By the end of the course students should have acquired: a sound knowledge of Bernini’s key works (c. 1615-1680) an understanding of the aesthetic principles of Italian baroque art an awareness of the political, religious and moral messages behind Bernini’s works Organisation Teaching will be by seminars (4-6 hours per week) and there might be a field trip. Description Gianlorenzo Bernini (1598-1680) was by far the most influential artist of the Italian baroque. He started off as a child prodigy, soon conquered papal favour and was involved in every major project of several successive popes, thus giving the city of Rome its new baroque face. He excelled as a sculptor as well as an architect, striving for a “unity of the visual arts” that combined painting, sculpture and architecture in one overwhelming whole. The course focuses on Bernini’s great Roman masterworks: secular and religious sculptures, fountains, piazze, palaces, altars, churches and chapels. We will discuss Bernini’s aesthetics, uncover the hidden messages behind his works and explore the ways in which Bernini’s collaboration with the papacy brought about a new “image” of the papal city. Last updated: 23/04/01 by

75. Gianlorenzo Bernini ?gianlorenzo bernini ( bernini dellaPorta). Piazza of St. Peter's ? http://ceiba.cc.ntu.edu.tw/th6_520/sty_bar/architect/bernini.htm

¤Ú¬¥§JÀ³Nªº­·®æ «Ø¿v®v¡GGianlorenzo Bernini ¦WºÙ¡G Piazza of St. Peter's ¦aÂI¡G ¦~¥N¡G ¦è¤¸ 1656 to 1667 ¦~ ²­z¡G view towards E. from roof of St. Peter's Basilica ¦WºÙ¡G Piazza of St. Peter's ¦aÂI¡G ¦~¥N¡G 1656 to 1667 ¦~ ²­z¡G "The Piazza of St Peter's was built by Bernini for Pope Alexander VII in 1656-67. It was conceived as a grand approach to the church but had to be planned so that the greatest number of people could see the Pope give his blessing, either from the middle of the facede of the church or from a window in the Vatican Palace." "Four rows of simple and majestic Doric columns 300 all together ? carved from Roman travertine form an oval 650 feet across the long axis marked by three monuments: laterally by fountains propelling tall jets of water and in the center by an Egyptian obelisk that had served as a turning post in the chariot races at the ancient Circus of Nero. As they enter the piazza, the faithful are embraced by "the motherly arms of the church," Bernini's own description of his Colonnade. The Colonnade becomes simultaneously a dramatic frame for the church, a nurturing enclosure for the crowds of faithful, and a stage for the processions and other sacred spectacles on which, at this particular period, the Catholic Church so strongly depended for its appeal."

76. Tigertail Virtual Museum 17th C Italian And Spanish Baroque - Italian Baroque. gianlorenzo bernini. To change the size of the largerversion select a size from the banner above. gianlorenzo bernini. http://www.tigtail.org/TVM/X1/f.Baroque/b.Italian/bernini/bernini.html

77. Talaria Enterprises Museum Store Bernini Baroque Art Apollo gianlorenzo bernini (15981680). gianlorenzo bernini was one of themost prolific and enduring artists of the Baroque era. His works http://www.talariaenterprises.com/product_lists/baroque.html

Your browser does not support scripts. Read Our Policies Bookends Cartoon Desk Art ... Van Gogh Receive Updates! Subscribe to our mailing list Submit Press Releases Art News Bureau Visit our Art Links Want to Add a link Gianlorenzo Bernini (1598-1680) Gianlorenzo Bernini was one of the most prolific and enduring artists of the Baroque era. His works capture the transience of the moment through an energetic portrayal of the characters as they twist and writhe in their narratives. Galleria Borghese, Rome, 1622-25. By Gianlorenzo Bernini (1598-1680), Baroque. Bonded marble, black marble base, imported from Italy. Small (not pictured): 12"H x 5"W x 3.5"D, Large (pictured): 19"H x 10.5"W x 5.5"D, As Apollo reaches out to grasp his love, the fleeing Daphne , her body transforms into a tree. The transformation saves her from his endless pursuit. David by Bernini Gianlorenzo Bernini was one of the most prolific and enduring artists of the Baroque era. His artworks illustrate the transience of the moment as his subjects twist and writhe in their narratives. In this dynamic sculpture from the Galleria Borghese in Rome (1623), the biblical hero David prepares to release a slingshot during his battle with the giant Goliath. Made from bonded white carrara marble, black marble base, imported from Italy. Small (not pictured): 10"H

78. Chi Era Costui - Scheda Di Gianlorenzo Bernini Translate this page Scheda, Nome e Cognome, gianlorenzo bernini Napoli 1598 - Roma 1680. (Testo)QUI VISSE E MORÌ gianlorenzo bernini SOVRANO DELL'ARTE AL QUALE SI CHINARONO http://www.chieracostui.com/costui/docs/search/schedaoltre.asp?ID=1091

79. Gian Lorenzo Bernini gianlorenzo è nominato Architetto di SanPietro e lavora al completamento di palazzo Barberini. Scipione http://www.romaspqr.it/ROMA/Bernini.htm

Gian Lorenzo Bernini Nato a Napoli nel 1598, morto a Roma nel 1680. Fu architetto, pittore, poeta, scenografo, scultore. I suoi maestri furono i modelli classici che studiò con passione e che ripropose con quella linea nervosa e magnifica che lo rese un caposcuola fondamentale. Cominciò a lavorare a 15 anni con il padre, ma le prime opere gli furono commissionate dal cardinale Scipione Borghese, la decorazione della sua villa al Pincio (oggi Villa Borghese ) e il " David " nel 1619, opere con le quali il Bernini cominciò ad esprimere la nuova formula barocca che si svincola dal modello manierista. Seguirà nel 1621-22 il gruppo di " Apollo e Dafne ", dove la ricerca del movimento si accentua e perfeziona indicando già uno stile espressivo completamente raggiunto. Appassionato studioso dell'architettura classica, il Bernini tenterà una felicissima sintesi fra scultura e architettura nel " Baldacchino di S. Pietro " commissionatogli da papa Urbano VIII nel 1624. Nel concepire l'immenso ciborio che pure si slancia nella forma tortile delle colonne "fiorite", l'artista non tenne conto delle dimensioni umane rapportando, come altri avevano proposto, l'opera all'uomo, ma tenne conto soltanto dell'immenso spazio michelangiolesco dove la zona dell'altare doveva inserirsi con tutta la potenza e la grandezza possibile. Il Maderno fu il primo maestro di architettura del Bernini, ma la sua importanza fu decisamente ridimensionata dal geniale allievo già nel rifacimento della chiesa di

80. Bernini, Giovanni Lorenzo encyclopediaEncyclopedia bernini, Giovanni Lorenzo or gianlorenzo,jOvän'nE lOren'tsO, jänlOren'tsO bernE'nE Pronunciation Key. http://www.factmonster.com/cgi-bin/id/A0807242

Encyclopedia Bernini, Giovanni Lorenzo or Gianlorenzo [j O E l O O O O bern E E Pronunciation Key Bernini, Giovanni Lorenzo or Gianlorenzo , Italian sculptor and architect, b. Naples. He was the dominant figure of the Italian baroque David Rape of Proserpine (1622), and Apollo and Daphne (1625), were done for Scipione Cardinal Borghese, one of the most important patrons of the period. These are all in the Borghese Gallery, Rome. Popes Urban VIII, Innocent X, and Alexander VII gave him unparalleled opportunities to design churches, chapels, fountains, monuments, tombs, and statues. In 1629, Bernini was appointed architect of St. Peter's. He designed the ornate baldachin under the dome, the Cathedra Petri (the monument enshrining St. Peter's chair), and the exuberant marble decorations of the chapels and nave. During the 1640s he designed the Cornaro Chapel as well as that of Santa Maria della Vittoria. From 1656 onward he worked on the great elliptical piazza and the vast, embracing arms of the colonnades in front of the church. Much of Bernini's sculpture combines white and colored marbles with bronze and stucco, most effectively used in Santa Maria della Vittoria, Rome, where he represented the

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