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Stanford Sir Charles Villiers:     more books (18)

Studies and Memories by Sir Charles Villiers Stanford, 2010-10-14 Pages From an Unwritten Diary by Sir Charles Villiers Stanford, 2009-12-16 Twelve Easy Pieces/Six Sketches (Easier Piano Pieces) The Blue Bird/Heraclitus (Oxford Choral Classics Octavos) Pages from an unwritten diary. by Sir Charles Villiers Stanford. by Stanford. Charles Villiers. 1852-1924., 1914-01-01 Musical Composition; A Short Treatise For Students (Music Book Index) by Sir Charles Villiers Stanford, 1949-01 SHAMUS O\'BRIEN (BBC OPERA LIBRETTOS 1930) by SIR CHARLES VILLIERS STANFORD (BBC BROADCASTS SERIES), 1930 Eden : an oratorio by Charles Villiers, Sir, 1852-1924 Stanford, 2009-10-26 Charles Villiers Stanford: Man and Musician by Jeremy Dibble, 2003-01-16 Charles Villiers Stanford (Music in Nineteenth-Century Britain) (Music in Nineteenth-Century Britain) by Paul J. Rodmell, 2002-12 Sir Charles V. Stanford by John Fielder Porte, 1978 The Sir Roger De Coverley Papers, from "The Spectator" by Anonymous, Charles Villiers Stanford, et all 2009-12-31 Stainer & Bell's Library of Modern Church Music. Edited by Sir C. Stanford by Charles Villiers Stanford, 1908 Sir Charles V. Stanford,: Mus. Doc., M.A., D.C.L by John Fielder Porte, 1921

lists with details

61. Lexicon Of Marian Art Music
    Battista Poulenc, Francis Rossini, Gioacchino Scarlatti, Alessandro Scarlatti, DomenicoSchubert, Franz stanford, sir charles villiers Steffani, Agostino Verdi  
    http://www.udayton.edu/mary/resources/music/lex-t2.html

62. Popular Music: Charles Villiers Stanford
    A Choral Festival by Johannes Brahms, James Bain, Georges Bizet, charles VilliersStanford, Thomas Attwood, Arthur Wills, Walter Parrat, sir Walter Alcock  
    http://www.freetimestore.com/search/music/ArtistSearch/Charles Villiers Stanford

63. RTÉ: Ireland's Millennia : People
    sir charles stanford. sir charles villiers stanford (1852 1924) composerand music teacher Born 30 th Sep 1852, 2 Herbert Street, Dublin.  
    http://www.rte.ie/millennia/people/stanfordcharles.html
    
    Extractions: Born 30 th Sep 1852, 2 Herbert Street, Dublin Educated at Bassett’s School, Dublin, and Queen’s College, Cambridge, where he went as a choral scholar in 1870. After further study at Leipzig and Berlin he won distinction as a composer, his music to the Eumenides of Aeschylus taking Cambridge by storm. Exceptionally versatile and prolific, he wrote operas, large-scale choral works, symphonies, chamber music, church music, and solo songs. His six Irish Rhapsodies drew largely on native melodies and have retained their popularity as the best of his orchestral works. His settings for Irish poems were published in several collections with great success; An Irish Idyll Cushendall (1910) and Songs from Leinster (1914) contain some of his best work. He also edited the Petrie Collection of Irish Music He was appointed professor of composition and orchestral playing at the Royal College of Music in 1883 and professor of music at Cambridge in 1887, and held both posts until his death. He was a gifted teacher, and many of his pupils later became distinguished musicians; Walford Davies, Ralph Vaughan Williams, Gustav Holst, Eugene Goossens and Arthur Bliss studied under him. He was knighted in 1901. In 1911 he published Musical Composition , an exposition of his methods, and in 1914 Pages from an Unwritten Diary Died in London, 29 March 1924; his ashes are buried in Westminster Abbey.

64. RTÉ: Ireland's Millennia : People
    SIGERSON, GEORGE (1836 1925) physician, scientist, and man of letters.stanford, sir charles villiers (1852 - 1924) composer and music teacher.  
    http://www.rte.ie/millennia/people/s_music.html

65. 0802cvstanford
    CV stanford 1852 1924 sir charles villiers stanford by Brian Moorecharles villiers stanford was born 150 years ago, during the  
    http://users.classicfm.net/kcoa/0802cvst.htm
    
    Extractions: by Brian Moore CHARLES VILLIERS STANFORD was born 150 years ago, during the year the Duke of Wellington died, Queen Victoria was in the fifteenth year of her long reign, there was no internal combustion engine, hence no cars or aeroplanes, and no wireless or telephone. By the time he died, in 1924, all these things were well established and part of our lives. He came from a Dublin family where he was born on 30th September 1852, the only child of John James Stanford and his second wife Mary. On a visit to Dublin in September 2000, to attend a gathering of the Friends of Cathedral Music, my wife Jean and I went to St. Michan's Church and in the vaults we saw the burial chamber belonging to the Stanford family, although after his death, in London, on 29th March 1924, Charles was buried in Westminster Abbey next to Purcell. His father was one of Dublin's most eminent lawyers and was a keen amateur singer and cellist. Their home at 2 Herbert Street was filled with music and was occasionally visited by famous musicians such as the violinist Joachim. Charles himself soon showed early musical gifts, his first composition being a march written at the age of eight. This was soon performed at a pantomime at the Dublin Theatre Royal.

66. Andover Choral Society
    All Angels Cry Aloud! including the debut of an original piece as a 150th birthdaytribute to sir charles villiers stanford by choral director Allen Combs.  
    http://www.cgrow.com/acs/acscath.html
    
    Extractions: All Angels Cry Aloud! ...including the debut of an original piece as a 150th birthday tribute to Sir Charles Villiers Stanford by choral director Allen Combs. The other choral music included Vaughan Williams: Five Mystical Songs plus anthems and hymns by Stanford, Parry, Noble, Harwood, Bainton and Howells. May 2002 Almost uniquely among Western religions, the Anglican Church has fostered a musical tradition which has flourished from the Medieval period to the present day. The composers and organists associated with the great English cathedrals have left to us a bounty of (mostly) top-drawer music – settings of the ordinary of the Mass, service music, hymns for congregational singing, and choral anthems – which can easily function as concert music outside of their normal milieu. In paying tribute to this tradition, we have decided to focus on the late-nineteenth and early twentieth centuries in presenting a representative slice of its history. In so doing, we are also able to pay homage to the great Irish composer Sir Charles Villiers Stanford, who contributed so much fine music to the church as well as to the concert hall; the 150th anniversary of Stanford’s birth will be observed on September 30 of this year, and we join with many other choral groups in saluting his achievements. Sir Charles Villiers Stanford (1852-1924) exhibited a prodigious musical talent as a boy, and became a choral scholar at Queen’s College, Cambridge. By the early age of twenty-one he had been appointed organist at Trinity College and was the conductor of two choral societies. During his college years he also studied in Germany with Reinecke and Kiel. His fame steadily increased, and in 1883 upon the opening of the Royal College of Music he was made professor of composition; in 1887 the same position at Cambridge was added to his duties, and he held both professorships until his death. His influence on the upcoming generation through his teaching was vast, his pupils numbering most of the great English composers of the twentieth century, including four (Vaughan Williams, Howells, Noble and Bainton) from the second half of this program.

67. Requiem : Stanford, Charles Villiers
    stanford, charles villiers (18521924). Irish composer (sir) charlesstanford has all but faded from public attention. Overlapping  
    http://people.cs.uchicago.edu/~pradyut/requiem/requiem/stanford.1.html
    
    Extractions: Irish composer (Sir) Charles Stanford has all but faded from public attention. Overlapping with both Elgar and the younger generation, he was first outshone by the former, and then by Bliss, Holst and Vaughan Williams (all of whom were his students). It did not help that he studied in Germany: his works were vilefied as being in the German academic tradition. Links Text Missa de Profunctis Notes To the memory of the British painter Lord Frederick Leighton.

68. Encyclopædia Britannica
    stanford, sir charles villiers AngloIrish composer, conductor, and teacher whogreatly influenced the next generation of British composers; Ralph Vaughan  
    http://search.britannica.com/search?query=stanford emerson chaille&fuzzy=N&ct=eb

69. MetaEUREKA Metasearch
    The results 1 to 8 from 8. 1. BBC Music Profiles sir charles villiers StanfordLife highlights, detailed biography, recommended listening and reading, audio  
    http://www.metaeureka.com/cgi-bin/odp2.pl?dir=Arts/Music/Composition/Composers/S

70. Directory :: Look.com
    stanford, sir charles villiers (8) See Also. sir charles villiers stanfordClassical Net biography with links to related composers and photograph.  
    http://www.look.com/searchroute/directorysearch.asp?p=548386

71. VARIATIONS Sound Recording Vaa0051
    stanford, charles villiers, c sir, d 18521924. Choral music. Selections. Sacredchoral music sound recording / sir charles villiers stanford. .  
    http://www.dlib.indiana.edu/cgi-bin/var/access?VAA0051

72. The Spectrum Singers - March 1997 Notes
    sir charles villiers stanford is the earliest born of the composers we perform tonight,and for this and other reasons can be considered the progenitor of all  
    http://www.spectrumsingers.org/archives/1996-97/mar97_notes.html

73. LONDON CONCORD SINGERS - REPERTOIRE
    sir charles villiers stanfordstanford, Three Latin Motets. Heinrich Schütz,Psalm 98. sir charles V. stanford, Magnificat for Double Chorus.  
    http://www.londonconcordsingers.org.uk/programme_list.html
    
    Extractions: LONDON CONCORD SINGERS Past Concerts Thursday 10th April 2003 St. Cyprian's Church, Glentworth Street, London, NW1 Edmund Rubbra Tenebrae Responses (1st and 3rd Nocturne) Alberto Ginastera Lamentations of Jeremiah Ildebrando Pizzetti Requiem Thursday December 19th, 2002 St. Cyprian's Church, Glentworth Street, London NW1 HEAVENS ABOVE! Juan Esquivel Duo Seraphim Philippe de Monte Factum est Silentium Jonathan Harvey The Angels Orlandus Lassus Scio Enim Jacob Vaet O Quam Gloriosum Robert Hugill Here be Angels Hans Leo Hassler Laetentur Caeli Jacob Handl Orietur Stella Jacob Handl Rorate Coeli Francis Poulenc Videntes Stellam Blasius Amon Magi Videntes Stellam Jan Pieterszoon Sweelinck Hodie Christus natus est William Harris Faire is the Heaven Sunday July 28th 2002 Eglise de Ste. Jeanne d'Arc, Rouen SUNG LATIN MASS Orlandus Lassus Missa "On me l'a dit" Saturday 27th, Sunday 28th July 2002 Eglise de St. Aubin sur Mer and Eglise de St. Ouen, Rouen, France Thomas Weelkes O Lord Arise Peter Philips Tibi Laus Thomas Weelkes When David Heard Richard Dering Jubilate Deo Mathieu Gascogne Caro Mea Jean Conseil Adjuva me Domine Claudin de Sermisy Benedic Anima Mea Cipriano de Rore Jubilate Deo Charles Villiers Stanford Four Partsongs to texts by Mary E. Coleridge

74. Repertoar
    92. The Blue Bird, stanford, sir charles villiers, 141. The Slow Spring, Höybye,John, 59. 108. Three Motets Beati quorum via, stanford, sir charles villiers,122.  
    http://w1.422.telia.com/~u42232589/repo2.html
    
    Extractions: Titel Nr Magnificat Make we joy Morgan, David Mary Strand Taube, Evert Nielsen, Carl Michelle Jehrlander, Karl-Fredrik, arr. Nielsen, Carl Missa Brevis Larsson, Lars-Erik Missa Brevis Palestrina, Giovanni da Mit hjerte alltid vanker Nielsen, Carl Mitt liv rinner Johansson, Sven-Eric Monicas vals Lee/Evans/Wolgers Morgensang Gade, Niels W Moro Lasso Gesualdo, Carlo Motto Lidholm, Ingvar Music for a while Purcell, Henry, bearb. Gunnar Eriksson My baby just cares for me Kahn/Donaldson Napadly pisne (Songs filled my heart), In Nature nr 1 Dvorak, Antonin Nattvardspsalm Luboff, Norman Norwegian Wood Jehrlander, Karl-Fredrik, arr. Adolphson, Olle Adolphson, Olle Nu vaknar naturen Lumbye, Hans-Christian Adolphson, Olle Liljefors, Ruben O come, all ye faithful Wade, J F O du Helge Ande, kom till oss in Olsson, Otto Granstam, Bengt O Helge Ande Bach, Johann Sebastian Hasler, Leo O Praise the Lord all ye nations O sacrum convivium Busto, Javier O, Heiland reiss die Himmel auf Brahms, Johannes O, helga natt Adam, Adolphe Svanfeldt, Pastime With Good Company Swingle, Ward

75. Readers' Newsletter No. 4
    by composers such as Peter Warlock and James Hook; manuscripts by composers withstrong Cambridge connections include sir charles villiers stanford and Cyril  
    http://www.lib.cam.ac.uk/Newsletters/nl04/
    
    Extractions: Readers' Newsletter Number 4 (October 1996) The appearance of the fourth number of the Readers' Newsletter coincides with the start of a new academic year, and we take the opportunity to extend a particularly warm welcome to all our new readers. If you have any comments on the style or content of the Newsletter please send them to the editor, Ray Scrivens, at the University Library (e-mail address: rs@ula.cam.ac.uk). Fitzwilliam Virginal Book. Courtesy of the Fitzwilliam Museum The collections of music manuscripts at the Fitzwilliam Museum and University Library are of international importance and contain a wealth of material relating to all periods of music history. The music manuscripts at the Fitzwilliam Museum are particularly outstanding and the collection has at its core that of the Museum's founder, Richard 7th Viscount Fitzwilliam, an avid collector of music manuscripts and early printed music. The Museum's collection includes the Metz Pontifical and a large collection of illuminated manuscripts. The Fitzwilliam Virginal Book (ca. 1625) contains one of the finest collections of late-fifteenth and early sixteenth century English keyboard music while Lord Cherbury's lute book is an important source of English and French lute music. Of particular interest to musicologists is the collection of Handel autograph manuscripts, many of which correlate with manuscripts housed in the British Library. The Handel autograph manuscripts are complemented by a large collection of copies in the hand of various amanuenses, the majority of which form the Barrett Leonard collection housed in the famous 'Handel bookcase'.

76. Gillian Weir Discography
    181 by sir charles villiers stanford (18521924) is played by Gillian Weir with theUlster Orchestra in Belfast, Northern Ireland, conducted by Vernon Handley.  
    http://www.gillianweir.com/cds/stanford.shtml
    
    Extractions: Where-to-buy Organ Master Series Volume 2 Organ Master Series Volume 1 Poulenc Concerto for Organ ... This premiere recording of The Concert Piece for Organ and Orchestra, Op. 181 by Sir Charles Villiers Stanford (1852-1924) is played by Gillian Weir with the Ulster Orchestra in Belfast, Northern Ireland, conducted by Vernon Handley. Available in the 2-disc set Chandos 7002/7003 (with other non-organ works of Stanford) or as an individual CD 8861.

77. Choir
    Motet “O for a closer walk” – sir charles villiers stanford. Magnificat Nunc Dimittis in G – sir charles villiers stanford.  
    http://www.goodshepherdrosemont.org/choir.html
    
    Extractions: MUSIC AT GOOD SHEPHERD Dr. William J. Gatens, Organist-Choirmaster At the Church of the Good Shepherd, we strive to maintain a standard of musical worship appropriate to the "beauty of holiness" that is so much a part of our Anglo-Catholic tradition. Choral music is drawn mainly from the English cathedral repertory along with Latin church music and works from other traditions customarily adopted for Anglican use. The Parish Choir consists mostly of volunteers with professional section leaders on each of the principal parts. Anyone interested in joining the Parish Choir is encouraged to contact the Organist-Choirmaster. December 8, 2002 – 2 Advent Motet: “Comfort, comfort ye my people” – Louis Bourgeois

78. St Mary Abbots - A Long Musical Tradition
    Two are commemorated by blue plaques. sir charles Hubert Parry lived at 17 KensingtonSquare and sir charles villiers stanford at 50 Holland Street.  
    http://www.stmaryabbots.freeserve.co.uk/musictra.htm
    
    Extractions: Singing in the choir during Parry and Stanford’s time was a boy by the name of Henry Curtis. When his voice broke he moved to the back row as a Bass. He continued in the choir until his death in 1965, unbroken service of 80 years. He is commemorated by an inscription on the choir stalls. During his lifetime he contributed generously to the cost of sheet music and left a bequest in trust which still defrays some of the running costs of the church’s music. The concerts, referred to above, given by students from the Royal College of Music, were conceived some years ago by one of the Churchwardens, Dick Madge. They provide a most important opportunity for students to hone their performance skills in both solo and chamber music. While the students are on Easter and Summer holidays, concerts continue in a platform for young artists organised by Denny Lyster. In many of these concerts, solo organ music has been an important constituent. Our Director of Music, Professor Mark Uglow writes: “St Mary Abbots has a challenging and growing musical schedule. At the heart of a thriving

79. Classical 89.3 | Playlists
    226PM sir charles villiers stanford Sonata No. 254PM sir charles villiersstanford Autumn Leaves The King's Singers EMI/Angel 49765 CD.  
    http://www.wcal.org/archives/playlists/20021009.html
    
    Extractions: Classical 89.3 Music Playlists Return to playlist index PLAY DATE: Wednesday, 10/09/2002 Johann Sebastian Bach Arr: Johann Sebastian BachViolin Concerto in d BWV 1052 Orch of Age of Enlightenment; Elizabeth Wallfisch, violin VirginClas 45095 CD Jean Sibelius Belshazzar's Feast Suite Op 51 Erik T. Tawaststjerna, piano Bis 367 CD Antonin Dvorak Czech Suite (Bohemian Suite) Op 39 Padova Chamber Orchestra /David Golub Arabesque 6697 CD Wolfgang Amadeus Mozart Giovanni Gabrieli Sonata for 3 Instruments Concerto Palatino Accent 8861 CD Carl Maria Von Weber Turandot J 75 Overture Philharmonia Orchestra /Neeme Jarvi Chandos 8766 CD Sergei Rachmaninoff Hungarian Dance /Geoffrey Simon Cala 105 CD Giovanni Paisiello Piano Concerto No. 4 in g English Chamber Orchestra /Stephanie Gonley; Mariaclara Monetti, piano ASV 872 CD

80. Romberg, Fuchs And Stanford: Clarinet Quintets
    Duration 79'36 DDD Front illustration Full Summer by sir John Arnesby charles VILLIERSSTANFORD (18521924) Two Fantasies for clarinet and string quartet No  
    http://www2.hyperion-records.co.uk/details/55076.asp
    
    Extractions: Get RealAudio This unfamiliar repertoire will be welcomed by all who love the clarinet in a chamber music setting but only ever hear the Mozart and Brahms Quintets. Thea King introduces the pieces to the listener with her customary sensitive and fluid playing and the Britten Quartet is on top form. Recorded on 6 7 11 12 January 1991 © Hyperion Records Ltd, London, 2001 Duration: 79'36

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