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Les achats comprennent une adhésion à l'essai gratuite au club de livres de l'éditeur, dans lequel vous pouvez choisir parmi plus d'un million d'ouvrages, sans frais. Le livre consiste d'articles Wikipedia sur : Bille August, Lars Von Trier, Carl Theodor Dreyer, Gabriel Axel, Anders-Thomas Jensen, Jannik Hastrup, Henning Bendtsen, Per Kirkeby, Susanne Bier, Urban Gad, August Blom, John Price, Nicolas Winding Refn, Peter Elfelt, Jørgen Leth, Holger-Madsen, Thomas Vinterberg, Erik Clausen, Jørgen Vestergaard, Jens Jørgen Thorsen, George Schnéevoigt, Benjamin Christensen, Mikael Salomon, Jesper Høm, Michael Hegner, Cathrine Asmussen, Lone Scherfig, Søren Kragh-Jacobsen, Stefan Fjeldmark, Anders Morgenthaler, Robert Dinesen, Niels Arden Oplev, Esben Storm, Jorgen Roos, Christoffer Boe, Ole Palsbo, Nicolo Donato, Lau Lauritzen Jr. Non illustré. Mises à jour gratuites en ligne. Extrait : Carl Theodor Dreyer (Copenhague, 3 février 1889 - id. , 20 mars 1968) est un réalisateur danois. Sa carrière fut aussi longue que ses œuvres furent rares : quatorze films en cinquante ans - rareté qui s'explique autant par la frilosité des producteurs que par le soin méticuleux qu'il apportait à la préparation de chacun de ses films, mûris de longues années avant leur tournage. Il demeure, pour la postérité, le cinéaste des visages féminins et des tourments de l'amour chrétien dans une société désenchantée, comme en témoignent, aux deux extrémités de son oeuvre, La Passion de Jeanne d'Arc (1928), achèvement des recherches du cinéma muet, et Gertrud (1964), source d'inspiration pour tout le cinéma moderne. Dreyer cacha toute sa vie le secret de ses origines : fils naturel d'une gouvernante, Joséphine Nillson, qui l'avait abandonné et était morte deux ans plus tard lors d'un avortement, il fut adopté en 1891 par la famille Dreyer et reçut pour nom et prénoms ceux de son père adoptif. Il ne découvrit la vérité qu'à l'âge de dix-sept ans et détesta sa f...http://booksllc.net/?l=fr ... Read more

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Chapters: David Lynch, Lars Von Trier, Peter Greenaway, Luis Buñuel, Stan Brakhage, Fernando Arrabal, Alejandro Jodorowsky, John Duncan, Marc Lafia, Ryszard Wasko, Bruce Conner, Warren Sonbert, Maya Deren, Jonas Mekas, Jack Smith, Trinh T. Minh-Ha, Matthew Barney, Elyasaf Kowner, Jean-Noël Gobron, Len Lye, Martha Colburn, Toshio Matsumoto, Jenni Olson, William Klein, Shūji Terayama, Stefan Themerson, Amy Greenfield, Alexandr Hackenschmied, Keren Cytter, Isidore Isou, Bady Minck, Storm de Hirsch, Jason Laray Keener, Kurt Kren, Max Hattler, Eric Patrick, Tom Abbs, Boris Lehman, Javier Cambre, José Antonio Sistiaga, Matthias Müller, Michael Brynntrup, Hugh Parker Guiler, Dominic Angerame, Martin Arnold, Stephanie Barber, Bill Morrison, Eileen Maxson, Marie Menken, Gō Takamine, Vivienne Dick, Viking Eggeling, Pere Portabella, François Pain, Ivan Ladislav Galeta, Alice Anderson, Asitha Ameresekere, Frank Stauffacher, Jeremiah Ledbetter. Source: Wikipedia. Pages: 305. Not illustrated. Free updates online. Purchase includes a free trial membership in the publisher's book club where you can select from more than a million books without charge. Excerpt: David Regenald Lynch (born January 20, 1946) is an American filmmaker and visual artist. Over a lengthy career, Lynch has employed a distinctive and unorthodox approach to narrative filmmaking (dubbed Lynchian), which has become instantly recognizable to many audiences and critics worldwide. Lynch's films are known for nightmarish and dreamlike images and meticulously crafted sound design. Lynch's work often depicts a seedy underside of small town America (particularly Blue Velvet and Twin Peaks), or sprawling California metropolises (Lost Highway, Mulholland Drive and his latest release, Inland Empire). Beginning with his experimental film school feature Eraserhead (1977), he has maintained a strong cult following despite inconsistent commercial success. Lynch has received three Academ...More: http://booksllc.net/?id=7891 ... Read more

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This digital document is an article from Letras Libres, published by Thomson Gale on July 1, 2006. The length of the article is 1684 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.

Citation Details
Title: Por qué sonríe Lars von Trier.
Author: Fernanda Solórzano
Publication: Letras Libres (Magazine/Journal)
Date: July 1, 2006
Publisher: Thomson Gale
Volume: 8Issue: 91Page: 98(2)

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This digital document is an article from Siempre!, published by Edicional Siempre on June 22, 2000. The length of the article is 1327 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.

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Title: Las mejores películas de Cannes 2000: La apuesta perdida de Lars von Trier.(TT: The best of Cannes 2000: the lost bet of Lars von Trier.)(Reseña)
Author: Tomás Pérez Turrent
Publication: Siempre! (Refereed)
Date: June 22, 2000
Publisher: Edicional Siempre
Volume: 46Issue: 2453Page: 82

Article Type: Reseña

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Chapters: Lars Von Trier, Thomas Vinterberg, Erik Balling, Nils Malmros, Anna Karina, Alice O'fredericks, Lau Lauritzen, Jr., Carl Theodor Dreyer, Lau Lauritzen Sr., Emanuel Gregers, Henning Carlsen, Lone Scherfig, Christoffer Boe, Grete Frische, Sven Methling, Pernille Fischer Christensen, Jesper Høm, Anders Thomas Jensen, Bjarne Reuter, Carl Ottosen, Gabriel Axel, Per Fly, Arvid Müller, George Schnéevoigt, Anders Bodelsen, Peer Guldbrandsen, Carsten Nagel, Susanne Bier, Knud Leif Thomsen, Bjarne Henning-Jensen, Annelise Reenberg, Mogens Rukov, Børge Müller, Nicolas Winding Refn, Annelise Hovmand, Axel Frische, Finn Henriksen, Palle Kjærulff-Schmidt, Holger-Madsen, Willy Breinholst, Paul Sarauw, Mikael Colville-Andersen, Fleming Lynge, Henning Bahs, John Olsen, Knud Vesterskov, Arne Weel, Svend Rindom, Bob Ramsing, Astrid Henning-Jensen, A. W. Sandberg, Fritz Magnussen, Christian E. Christiansen, Sonja Schnaas, Anders August, Birger Larsen, Bent Christensen, Niels Arden Oplev. Source: Wikipedia. Pages: 187. Not illustrated. Free updates online. Purchase includes a free trial membership in the publisher's book club where you can select from more than a million books without charge. Excerpt: Lars von Trier (Danish pronunciation: ; born Lars Trier; April 30, 1956) is a Danish film director and screenwriter. He is closely associated with the Dogme 95 collective, although his own films have taken a variety of different approaches. Lars Trier was born in Copenhagen to Ulf and Inger Trier. His parents considered themselves both communists and committed nudists, and the young Lars went on several childhood holidays to nudist camps. They regarded the disciplining of children as reactionary. Trier notes that he was brought up in an atheist family, and that although his stepfather was Jewish, he was not religious. He did not discover the identity of his biological father until 1989. His parents did not allow much room in their househol...More: http://booksllc.net/?id=17917 ... Read more

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Les achats comprennent une adhésion à l'essai gratuite au club de livres de l'éditeur, dans lequel vous pouvez choisir parmi plus d'un million d'ouvrages, sans frais. Le livre consiste d'articles Wikipedia sur : Lars Von Trier, Alice O'fredericks, Gabriel Axel, Anders-Thomas Jensen, Jannik Hastrup, Nikolaj Coster-Waldau, John Price, Nicolas Winding Refn, Jørgen Vestergaard, Jens Jørgen Thorsen, Jesper Høm, Cathrine Asmussen, Stefan Fjeldmark, Robert Dinesen. Non illustré. Mises à jour gratuites en ligne. Extrait : Alice O'Fredericks est une réalisatrice, scénariste et actrice danoise, de son vrai nom Mitzi Otha Alice Fredericksen, née à Göteborg (Suède) le 8 septembre 1899, décédée à Hellerup (Municipalité de Gentofte, Danemark) le 18 février 1968. Alice O'Fredericks débute au cinéma en 1921, comme actrice, et joue en tout dans dix films muets, le dernier en 1929. Cette même année 1929 et la suivante (1930), elle est assistante-réalisatrice sur deux films mis en scène par Lau Lauritzen Sr. (1878-1938). Puis, de 1934 à 1967, elle réalise soixante-douze films, parfois seule, mais le plus souvent en collaboration avec Lau Lauritzen Jr. (1910-1977 ; fils du précédent) ou, dans une moindre mesure, avec Robert Saaskin (1920-1972), Jon Iversen (1889-1964) et Ib Mossin (1933-2004). En outre, de 1928 à 1967, Alice O'Fredericks est scénariste de quarante films, dont bon nombre réalisés (ou co-réalisés) par elle. Depuis 2004, en hommage à ses activités de pionnière du cinéma (comme femme réalisateur), une récompense dénommée Alice Award est décernée à la meilleure réalisatrice, lors du Festival International du Film de Copenhague . + scénariste (S), le cas échéant ...http://booksllc.net/?l=fr ... Read more

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This digital document is an article from Parachute: Contemporary Art Magazine, published by Parachute Contemporary Art on April 1, 2001. The length of the article is 3759 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.

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Title: Fear of togetherness? Community in the films of Lars von Trier.
Author: Jerry White
Publication: Parachute: Contemporary Art Magazine (Magazine/Journal)
Date: April 1, 2001
Publisher: Parachute Contemporary Art
Issue: 102Page: 72-81

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¿Women are as stupid as men. The big difference between men and women in my films lies in the fact that men fail like hell, while the women fail just as much ¿ only the men don´t go the whole nine yards.¿Lars von Trier, der große Provokateur, hat in den 25 Jahren seines Schaffens gern für Furore gesorgt. Inhaltlich waren seine Werke schon immer umstritten: den ersten Filmen wird vorgeworfen, rechtsradikale Tendenzen zu verbreiten, die letzten sind wegen ihrer angeblichen Frauenfeindlichkeit in die Kritik geraten, besonders "Breaking the Waves" und "Dancer in the Dark". Sie liegen thematisch in einem Grenzbereich, in dem selten in vergleichbarer Intensität gesellschaftliche Werte hinterfragt und gleichzeitig vom Film selbst benutzt werden. Am deutlichsten sieht man dies an der Rolle der Frau und der Fragwürdigkeit ihrer Opfer, die mal als Stärke, mal als Schwäche interpretiert werden. Das vorliegende Buch widmet sich der Darstellung und Interpretation der Protagonistinnen als Opfer und Täter. Untersucht werden dabei die Filme "Medea", "Breaking the Waves", "Idioten", "Dancer in the Dark" und "Dogville". ... Read more

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Les achats comprennent une adhésion à l'essai gratuite au club de livres de l'éditeur, dans lequel vous pouvez choisir parmi plus d'un million d'ouvrages, sans frais. Le livre consiste d'articles Wikipedia sur : Lars Von Trier, Gabriel Axel, Jannik Hastrup, John Price, Nicolas Winding Refn, Peter Elfelt, Vibeke Windeløv, Jens Jørgen Thorsen, Carsten Norgaard, Jesper Høm. Non illustré. Mises à jour gratuites en ligne. Extrait : Gabriel Axel est un réalisateur, acteur, scénariste et producteur danois né le 18 avril 1918 à Århus (Danemark). ...http://booksllc.net/?l=fr ... Read more

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Dem dänischen Regisseur Lars von Trier gelang mit Dogville eine ungewöhnliche Verschmelzung von Film und Bühne. Es wäre viel zu kurz gegriffen, von Triers Dogville lediglich als verfilmtes Theater oder theatralischen Film abzutun. Es handelt sich vielmehr um eine literarische, theatralische und filmische Hybride. Der Filmemacher selbst bezeichnet dieses Genre als Fusion Film. Dogville besitzt eine befremdende Ästhetik und wirft übliche Perzeptionsformen des Zuschauers auf den Kopf. Die Autorin Anneliese Penzendorfer beleuchtet die Person und das Schaffen Lars von Triers, analysiert Dogvilles Aufbau sowie Inhalte und stellt das Werk den Ansätzen des epischen Theaters Brechts gegenüber. Das Buch richtet sich an alle Film-, Theater- und Literaturinteressierten. ... Read more

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Chapters: Lars Von Trier, Canute Iv of Denmark, Canute Lavard, Poul Helgesen. Source: Wikipedia. Pages: 31. Not illustrated. Free updates online. Purchase includes a free trial membership in the publisher's book club where you can select from more than a million books without charge. Excerpt: Lars von Trier (Danish pronunciation: ; born Lars Trier; April 30, 1956) is a Danish film director and screenwriter. He is closely associated with the Dogme 95 collective, although his own films have taken a variety of different approaches. Lars Trier was born in Copenhagen to Ulf and Inger Trier. His parents considered themselves both communists and committed nudists, and the young Lars went on several childhood holidays to nudist camps. They regarded the disciplining of children as reactionary. Trier notes that he was brought up in an atheist family, and that although his stepfather was Jewish, he was not religious. He did not discover the identity of his biological father until 1989. His parents did not allow much room in their household for "feelings, religion, or enjoyment", and also refused to make any rules for their children, with complex results for von Trier's personality and development. The young Lars found in cinema an outlet to the outside world through which he could learn about subjects otherwise forbidden from his study by his parents. He began making his own films at the age of 11 after receiving a Super-8 camera as a gift and continued to be involved in independent moviemaking throughout his high school years. In 1979 he was enrolled in the Danish Film School. During his time as a student at the school he made the films Nocturne (Nocturne, 1980) and Image of Liberation (Befrielsesbilleder, 1982), both of which won Best Film awards at the Munich Film Festival, along with The Last Detail (Den sidste detalje 1981). His peers at the film school nicknamed him "von Trier". The name is sort of an inside-joke with the von (Ger...More: http://booksllc.net/?id=17917 ... Read more

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High Quality Content by WIKIPEDIA articles! Lars vonTrier (April 30, 1956) is a Danish filmdirector and screenwriter. He is closely associatedwith the Dogme 95 collective, although his own filmshave taken a variety of different approaches. ... Read more

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This digital document is an article from Artforum International, published by Artforum International Magazine, Inc. on October 1, 2009. The length of the article is 1580 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available immediately after purchase. You can view it with any web browser.

Citation Details
Title: Slouching Toward Copenhagen: ELIZABETH A. CASTELLI ON LARS VON TRIER'S ANTICHRIST.(Movie review)
Author: Elizabeth A. Castelli
Publication: Artforum International (Magazine/Journal)
Date: October 1, 2009
Publisher: Artforum International Magazine, Inc.
Volume: 48Issue: 2Page: 81(2)

Article Type: Movie review

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Les achats comprennent une adhésion à l'essai gratuite au club de livres de l'éditeur, dans lequel vous pouvez choisir parmi plus d'un million d'ouvrages, sans frais. Le livre consiste d'articles Wikipedia sur : Niels Bohr, Søren Kierkegaard, Lars Von Trier, Georges Ier de Grèce, Einar Örn Benediktsson, Carl Theodor Dreyer, Torben Meyer, Kenneth Carlsen, Marguerite Ii de Danemark, Marcello Truzzi, Aage de Danemark, Alexandra de Danemark, Nicklas Bendtner, Anne-Marie de Danemark, Erling Mandelmann, Aage Niels Bohr, Brian Nielsen, Sven-Ole Thorsen, Jens Ferdinand Willumsen, Arne Jacobsen, Mikkel Kessler, Poul Nielson, Mads Mikkelsen, Villy Sørensen, Helle Sparre-Viragh, Osa Massen, Bertel Thorvaldsen, Henning Bendtsen, Victor Borge, Jens Fink-Jensen, Per Kirkeby, Dennis Rommedahl, Susanne Bier, Jørn Utzon, Jesper Christensen, Deepika Padukone, Claus Hjort Frederiksen, Auguste Bournonville, Svend Asmussen, Ejnar Dyggve, Sara Indrio, Karen Jespersen, Emil Aarestrup, Niels Wilhelm Gade, Nicolas Winding Refn, Theodor Philipsen, Gry Bay, Kurt Nielsen, Patrick Mtiliga, Mogens Ballin, Ib Glindemann, Alexandre de Wurtemberg, Sveinn Björnsson, Nicolai Abraham Abildgaard, Thomas Vinterberg, Asta Nielsen, Axel de Danemark, Nathaniel Wallich, Grete Heckscher, Erik Du Danemark, Charlotte Desmares, Sofie Castenschiold, Helge Rosvaenge, Rie Rasmussen, Jacob Holdt, Vilhelm Hammershøi, Helena Christensen, Robert Jacobsen, Olafur Eliasson, Hans Christian Gram, Mikael Salomon, Harald Hirschsprung, Connie Hedegaard, Georg Brandes, Antonio Jacobsen, Harald Lander, Jens Høyrup, Thomas Bartholin, Charles Schlee, Lone Scherfig, Kim Milton Nielsen, Lauritz Melchior, Peter Schaufuss, Frank Andersen, Wilhelm Johannsen, Hans Beck, Johann Peter Emilius Hartmann, Louise Rasmussen, Anders Morgenthaler, Vilhelm Wolfhagen, Camille Jones, Pelle Gudmundsen-Holmgreen, Simon Malgo, Lucile Grahn, Else Alfelt, Henry Heerup, Christian Gotlieb Kratzenstein-Stub, Rudolp...http://booksllc.net/?l=fr ... Read more

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This is nonfiction commentary.Chapters: Antichrist, Dogville, Dancer in the Dark, Manderlay, the Idiots, the Kingdom, Breaking the Waves, the Element of Crime, Europa, the Boss of It All, Epidemic. Source: Wikipedia. Pages: 72. Not illustrated. Free updates online. Purchase includes a free trial membership in the publisher's book club where you can select from more than a million books without charge. Excerpt: Antichrist is a 2009 avant-garde film written and directed by Lars von Trier, about a couple who, after the death of their child, retreat to a cabin in the woods where the male character experiences strange visions and the female character manifests increasingly violent sexual behavior. The film features only two actors, Charlotte Gainsbourg and Willem Dafoe, with the sole exception of a child which is seen briefly in the beginning of the film. The narrative is made up of a prologue, four chapters and an epilogue. Primarily a Cinema of Denmark production, the film was co-produced with companies from five other countries. After premiering at the 2009 Cannes Film Festival, where Gainsbourg won the festival's award for Best Actress, the film has been controversial, with critics generally praising the film's artistic execution but strongly divided regarding its substantive merit, with opinions polarized. Other awards won by the film include the Robert Award for best Danish film, The Nordic Council Film Prize for best Nordic film and the European Film Award for best cinematography. The film is dedicated to the Russian filmmaker Andrei Tarkovsky. Prologue: A couple passionately makes love, while their young son Nic climbs out of his crib, and climbs onto a desk by an open window. The son falls to his death on the snowy ground below. At the moment of the child's death, the woman is shown in sexual climax. Chapter One: Grief: During Nic's funeral, the female character collapses. The other mourners gather around her, seen with the...http://booksllc.net/?id=19024526 ... Read more

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A screenplay about religious dogmatism and erotic obsession through which love is endowed with life-giving powers of healing, and miracles can occur. Bess is a young woman raised in a devoutly religious community in the Outer Hebrides whose life is transformed when she meets an oil-rig worker. ... Read more

Customer Reviews (2)

Brilliant, if you're a film buff
It's Lars Von Trier, need I say more. For someone who loves his work, and this film in particular, reading the script is fantastic. Of course, if you are not into reading movie scripts, this is probably not for you. It's not a book, it's the actual script from the film, with comments from Von Trier included. Film geeks: enjoy!

A great script and more
This is the script, written by the film's Danish director Lars von Trier. A wonderful preface by Swedish film writer Stig Bjorkman, an article by photographer Per Kirkeby, and an introduction by Von Trier. Photos and film info, even the locations list. The story is compelling, obsessional, intensely carnal, heart-breaking, and critical of doctrinaire religion. Von Trier claims that, quite simply, it is a story about "good." He even advances the theory that love -- physical, sexual love -- can heal. Not a welcome notion in Calvinist Northern Scotland (ormany other places, for that matter), the setting for the story. It was interesting to see how von Trier's much-touted (by the actors) commitment to improvisation allowed last-minute script changes -- and there were many. The book is beautifully assembled, translated gracefully from the original Danish. It's definitely great. ... Read more