Geometry.Net - Celebrities: Kiarostami Abbas

"48th Locarno International Film Festival."
Interviewed by Zaven Qokâssiân.Category Arts Movies Directing Directors K kiarostami, abbasRetrospectives. Back Home Information Press History abbas kiarostami.It was at Locarno in 1989 that the Iranian filmmaker abbas
http://www.pardo.ch/1995/95ret1.htm

Extractions: Retrospectives. Back Home Information Press ... History Abbas Kiarostami. It was at Locarno in 1989 that the Iranian filmmaker Abbas Kiarostami was honored for the first time in the West when he received the Bronze Leopard for Khaneh-ye doust kojast? (Where Is My Friend's House?) . A member of the Locarno jury the following year, Kiarostami introduced Piazza Grande audiences to his Nema-ye nazdik (Close-up) . In 1992, the Critics' Week screened Va Zendegi edameh darad (Life and Nothing More) Zir-e Derakhtan-e-zeytun (Through the Olive Trees) was shown on the Piazza Grande. But his work is far more than these three now-famous films. Painter, graphic artist photographer, scriptwriter and publicity filmmaker, Kiarostami has to date directed 12 feature films and nearly as many shorts which, for the most part, have not yet been seen in the West. It was therefore in the nature of things that the Locarno Film Festival present his complete works for the first time, in collaboration with the Farabi Cinema Foundation and other Iranian film institutions. Abbas Kiarostami has also agreed to exhibit a selection of his paintings and photographs, which have close links with his film work the show is being held at Locarno's museum of the fine arts, the Casa Rusca. This year, then, the public
Abbas Kiarostami
Några av de tyngsta utmärkelserna har tilldelats abbas kiarostami, vars nyafilm Vinden bär oss går på svenska biografer. Fakta/abbas kiarostami.
http://www.cinema.se/artiklar_/kiarostami/kiarostami.html

Extractions: Särskilt den första filmen i "jordskalvs-trilogin" ligger i fin linje med den iranska humanistiska traditionen. För Abbas Kiarostami har dessutom mysticismen blivit en kreativ metod. Efter hand som han har renodlat sin stil, har hans filmer börjat ställa större krav på åskådarens medskapande. Kiarostami fick sitt internationella genombrott 1987 med filmen Samspel med publiken "När vi presenterar en films världsbild för åskådarna, hjälper vi dem att skapa ett eget universum som till fullo bygger på deras egna erfarenheter. Som filmregissör är jag helt beroende av detta kreativa samspel. Utan det kommer filmen och publiken att gå i döden tillsammans. Fläckfria historier har en allvarlig brist: perfektionen hindrar publiken från att blanda sig i historien. Det är ett faktum att en film utan "story" inte är populär hos publiken. Å andra sidan kräver en god historia sina "hål" — precis som i ett korsord — och tomma fält som publiken själv får fylla i, eller — likt en privatdetektiv i en thriller — spåra upp. Jag tror på en filmkonst som ger mer plats åt publiken. En halvfärdig filmkonst eller en ofullständig filmkonst, som blir komplett först i samband med publikens kreativa medverkan."
La Nouvelle Vague Y Abbas Kiarostami
http://www.filmonline.com.ar/42/dossier/dossier08.htm

Extractions: "...Ustedes no me creerán si yo les digo que el movimiento comenzado por la Nouvelle Vague fue seguido en Irán día a día. Cineastas y cinéfilos iraníes que habían estudiado en París presentaban los films de la Nouvelle Vague en la cinemateca iraní. Traducíamos artículos de ' '. Sin exagerar, lo que sucedía en París lo teníamos en Irán con dos horas de diferencia horaria...Esos films me influenciaron antes de que yo pensara convertirme en realizador. Siendo indirecta, su influencia me parece ahora mas profunda y durable. En principio, a mí, espectador, me ha dado la audacia de mirar de otro modo. Bajo la influencia de los realizadores de la Nouvelle Vague, mi manera de imaginar y ver el cine cambió. Antes de ella, yo creía que el cine pertenecía a las super-estrellas, a los estudios y a los decorados espectaculares. Con ella, me vi yo y mis vecinos en los films. Ella acercó los cineastas comprometidos a la gente simple. Mostró otro camino, otro material. Mostró que el cine no era una máquina de hacer dinero..." Nouvelle Vague Tanto para Kiarostami como para la Nouvelle Vague; filmar es, sobre todo, mostrar un punto de vista. Hablar de una
Avoir-alire.com : L'oeil Culturel
Translate this page BIOGRAPHIE abbas kiarostami. mardi 17 septembre 2002 par Laurence Mondy. kiarostami,abbas Les cerises ont parfois un goût amer Ten - abbas kiarostami.
http://www.avoir-alire.com/spip/article.php3?id_article=1379
Avoir-alire.com : L'oeil Culturel
Translate this page DRAME Ten - abbas kiarostami. mardi 17 séquence. Le premier projet d'abbaskiarostami consistait à mettre en scène une psychanalyste. Il
http://www.avoir-alire.com/spip/article.php3?id_article=1343
CultFrame. Mostre:Abbas Kiarostami-Fotografie
Translate this page Recensione della mostra fotografica del cineasta iraniano abbas kiarostami allestitaalla galleria il gabbiano di Roma. Filmografia di abbas kiarostami
http://www.cultframe.com/26/32/1565/articoloa.asp

Extractions: Il cielo azzurro, intenso, fortissimo. La terra sottostante è marrone; quasi si riesce a percepirne lodore e la consistenza. Un prato verde da cui si erge un albero molto ampio. Le pareti di due colline che si intrecciano anche grazie ad un raffinato gioco di ombre. Distese sinuose e morbide, probabilmente coltivate. Un grosso albero secco posto su una zona desertica. Non più sequenze cinematografiche lente, dallavvolgente ed ipnotico respiro e dal metaforico ritmo visivo, ma immagini fisse, risultato creativo di una ricerca poetica effettuata sul territorio che ha portato ad un approfondimento di grande impatto stilistico, dedicato proprio al tema della raffigurazione della natura. Una pesante solitudine sembra caratterizzare ogni scatto ma ad unanalisi più precisa ciò che viene fuori con forza è un senso di sublime serenità.
Abbas Kiarostami, 49. Biennale Venedig: Plateau Der Menschheit
http://www.universes-in-universe.de/car/venezia/bien49/plat1/d-kiarostami.htm
Abbas Kiarostami, 49th Venice Biennial: Plateau Of Humankind
http://www.universes-in-universe.de/car/venezia/bien49/plat1/e-kiarostami.htm
ABBAS KIAROSTAMI, Biografía
Translate this page abbas kiarostami. Después humilde. En definitiva, un toque de optimismo inherenteal cine de abbas kiarostami. Escuchar es clave para entender.
http://maestrosdelcine.netfirms.com/kiarostamidata.html
MSN Entertainment - Celebs: Abbas Kiarostami
Main. Biography. Filmography. Awards. Links More. Find on TV. Music Info. AbbasKiarostami. Director, Producer, Screenwriter, Actor, Editor. Born June 22, 1940.
http://entertainment.msn.com/celebs/celeb.aspx?c=203800
Cinema: Abbas Kiarostami
Film Producer, Director, Screen Writer. abbas kiarostami. I believethe films of Iranian filmmaker abbas kiarostami are extraordinary.
http://www.iranchamber.com/cinema/akiarostami/abbas_kiarostami.php

Extractions: Abbas Kiarostami bbas Kiarostami was born on June 22nd 1940 in Tehran, he was interested in the arts from an early age. He won a painting competition at the age of eighteen, and left home to study at Tehran University's Faculty of Fine Arts. As a designer and illustrator, Kiarostami worked throughout the '60s in advertising, making commercials, designing posters, creating credit titles for films, and illustrating children's books. In 1969 Kiarostami helped to set up a filmmaking department at the Institute for Intellectual Development of Children and Young Adults. The department's debut production was Kiarostami's own first film, the twelve-minute Bread and Alley (Naan va Koche), a charming, neo-realist is about a small boy's perilous walk home from school. The department would go on to become one of Iran's most famous film studios, producing not only Kiarostami's films, but also such modern Iranian classics as The Runner and Bashu, the Little Stranger. Though Kiarostami's films have been compared at various times to those of Satyajit Ray, Vittorio de Sica, Eric Rohmer, or Jacques Tati, they remain uniquely Kiarostamian. Effortlessly simple and conceptually complex in equal measure; poetic, lyrical, meditative, self-reflexive and increasingly sophisticated, they mix fiction and documentary in unique ways, often presenting fact as fiction and fiction as fact.
Ten (2003): Abbas Kiarostami
Movie Overview. Director. abbas kiarostami. MPAA Rating. Not Rated. TheatricalRelease. Mar 05, 2003 (Limited). Ten (2003). REVIEWS, NEWS, INTERVIEWS, OTHER.
http://ofcs.rottentomatoes.com/movie-1120884/reviews.php

Extractions: > Go to Movie/Section BOX OFFICE Bringing Down the House Dreamcatcher Agent Cody Banks View from the Top The Hunted OPENING Unknown Pleasures Basic Assassination Tango The Core Head of State UPCOMING The Matrix Reloaded Finding Nemo Lord of the Rings: Th... Terminator 3: Rise of... IN THEATERS About Schmidt Adaptation Agent Cody Banks All the Real Girls Amandla: A Revolution... Antwone Fisher Bend It Like Beckham Biker Boyz Boat Trip Bowling for Columbine Bringing Down the House Catch Me If You Can Chicago Chihwaseon City of God Cradle 2 the Grave Daredevil Dark Blue Darkness Falls Deliver Us From Eva Dreamcatcher Drumline Far From Heaven Final Destination 2 Frida Fulltime Killer Gangs of New York Gerry Gods and Generals The Guru Harry Potter and the ... He Loves Me, He Loves... The Hours How to Lose a Guy in ... The Hunted Irreversible Japon Jungle Book 2 Just Married Kangaroo Jack Laurel Canyon Lawless Heart The Life of David Gale Lord of the Rings: Th... Maid in Manhattan The Navigators Nowhere in Africa Old School Open Hearts The Pianist Piglet's Big Movie Platform Poolhall Junkies The Quiet American Rabbit-Proof Fence The Recruit The Safety of Objects Shanghai Knights Space Station Spider Spun Talk to Her Tears of the Sun Ten Till Human Voices Wak...
Ten/Abbas Kiarostami - De Filmkrant Net-versie Van Februari 2003
Kun je een film maken zonder regisseur en cameraman? Ja, bewijst abbas Kiarostamiin zijn verbluffende vrouwenportret Ten. Onthullende beelden in Ten.
http://www.filmkrant.nl/av/org/filmkran/fk241/ten.html
Abbas Kiarostami Speaks About "Taste Of Cherry"
abbas kiarostami speaks about Taste of Cherry . by Anthony Kaufman.At a abbas kiarostami No, it can't be done in Iran. Before the
http://www2.indiewire.com/people/int_Kiarostami_A_980319.html

Extractions: Abbas Kiarostami speaks about "Taste of Cherry" by Anthony Kaufman At a time when Iran is opening up to more cultural exchange, it seems more than coincidental that famous Iranian filmmaker, Abbas Kiarostami is touring the U.S. to publicize his Cannes Palme d'Or winning film, "Taste of Cherry," his second to come to this country with official distribution. But Kiarostami insists that his trip to the States was planned two years before and adds, "People in countries are like children. While their parents may be fighting, they still establish relationships. Even though they are children from different households, they still have a relationship." "Taste of Cherry" is a simple and profound film about a man driving through dusty mountainsides and construction sites, searching for a man to help him commit suicide. Although the film comes from a place where most Americans only think of hostages and Khomeni, it transcends its country, creating a universal story that audiences worldwide have felt in their souls. And with a conclusion that just twists your mind inside out, the film is perhaps the most risk-taking to play in the U.S. since Kiarostami fan, Jean-Luc Godard came here nearly 40 years ago. indieWIRE Can people make films in Iran without the government? Can they just get a camera and start getting the money together?
INTERVIEW: Films Without Borders: Abbas Kiarostami Talks About "ABC Africa" And
INTERVIEW Films Without Borders abbas kiarostami Talks About ABCAfrica and Poetic Cinema. by Scott Foundas. (indieWIRE/ 05.16
http://www2.indiewire.com/people/int_Kiarostami_Abb_010516.html

Extractions: INTERVIEW: Films Without Borders: Abbas Kiarostami Talks About "ABC Africa" and Poetic Cinema by Scott Foundas (indieWIRE/ 05.16.01) Last Saturday, Abbas Kiarostami 's " ABC Africa " screened at the 2001 Cannes Film Festival a fitting international launch for a mostly English-language documentary made by an Iranian filmmaker amidst the war-torn, AIDS-ravaged orphanages of Uganda. The screening's special, out-of-competition status was equally appropriate, given that Kiarostami has said he no longer wishes to enter his films into competitions. However, this was not "ABC Africa'"s world premiere. Kiarostami chose to bestow that honor on the 2001 DoubleTake Documentary Film Festival , held in Durham, North Carolina the weekend prior to the Cannes showing. Kiarostami attended the premiere in Durham, as well as a festival-long retrospective of his earlier works. And as the capacity crowds indicated, people all over the map finally seem to be catching on to Kiarostami. As for the film itself: it is among Kiarostami's greatest works. Documentaries can serve many purposes: to inform, educate, shock and inspire. But Kiarostami manages to accomplish all of those functions at the same time that he transcends them. Though it is his first overtly "international" production (and his first fully non-fiction work in over a decade), "ABC Africa" is essentially, like all of Kiarostami's films, a breaking-away from specific national and cultural orientations to speak in a more universal tongue: a film without borders.
Cinélycée : Abbas Kiarostami à Propos De Ten (Interviews)
Translate this page abbas kiarostami Réalisateur. abbas kiarostami Il y en a beaucoup. Les sujetsde conversation étaient contrôlés mais lexpression était libre.
http://www.objectif-cinema.com/interviews/164.php

Extractions: Satoshi Kon Pascal Bonitzer Joao Pedro Rodrigues Richard Copans Lucas Belvaux Jia Zhang-Ke V. Glenn, C. Yggdre Tim Roth Jean-Claude Brisseau Bruno Coulais Frederique Dumas Carles Bosch Mathieu Bompoint Jana Bokava Gilles Boulenger Toshiaki Toyoda Vincent Branchet Michel Barthelemy Delphine Gleize A. Kiarostami Nicole Garcia Iliana Lolic Alain Raoust Duccio Balducchi Jean-Claude Brisseau Emmanuel de Fleury Jean Rollin Ovidie Francis Delon Jean-Pierre Lelong Goran Paskaljevic - 1 Goran Paskaljevic - 2 Yves Caumond Philippe Barassat Masato Harada Franck Allera Frank Chiche Anna Thomson Thomas Salvador Brian De Palma Shunji Iwai Isao Takahata Michale Boganim Olivier Assayas David Cronenberg
Full Frame Documentary Film Festival
The DoubleTake Documentary Film Festival is pleased to have paid tributeto Iranian film director abbas kiarostami. In a poll conducted
http://www.fullframefest.org/archives/2001tribute.cfm
AllAfrica.com -- Maroc: Abbas Kiarostami: Le Maître
Translate this page abbas kiarostami le maître, abbas kiarostami quitte ses parents à 18 ans aprèsavoir réussi le concours de la Faculté des Beaux-Arts de Téhéran.
http://fr.allafrica.com/stories/200301030001.html

Extractions: Afrique du Sud Algérie Angola Bénin Botswana Burkina Faso Burundi Cameroun Cap-Vert Centrafrique Comores Congo-Brazzaville Congo-Kinshasa Côte d'Ivoire Djibouti Egypte Erythrée Ethiopie Gabon Gambie Ghana Guinée Guinée Bissau Guinée Equatoriale Ile Maurice Kenya Lesotho Liberia Libye Madagascar Malawi Mali Maroc Mauritanie Mozambique Namibie Niger Nigeria Ouganda Rwanda Sahara Occidental São Tomé et Principé Sénégal Seychelles Sierra Leone Somalie Sudan Swaziland Tanzanie Tchad Togo Tunisie Zambie Zimbabwe Publié sur le web le 3 Janvier 2003 Réalisateur, Acteur, Monteur, Producteur, Scénaristeiranien Né(e) le 22 Juin 1940 à Téhéran (Iran) Abbas Kiarostami quitte ses parents à 18 ans après avoir réussi le concours de la Faculté des Beaux-Arts de Téhéran. Il finance ses études en travaillant la nuit comme employé de la circulation routière puis est engagé au début des années 60 par la société Tabli Film pour qui il réalise près de 150 spots publicitaires. En 1969 il fonde le département cinéma de l'Institut pour le développement intellectuel des enfants et des jeunes adultes et y réalise plusieurs courts-métrages dont Le Pain et la Rue (Nan va Koutcheh) remarqué dans des Festivals en 1970. Il signe son premier long métrage Le Passager (Mossafer) en 1974 et continue durant les années 70 et 80 à créer autour du thème de l'enfance avec Les Elèves du cours préparatoire (Avaliha) (1984) et Où est la maison de mon ami? (Khaneh-ye doost kojast?) (1987).
ABBAS KIAROSTAMI: L'arte Della Semplicità
scritta .abbas kiarostami, l'arte della semplicità. Filmografia
http://www.1aait.com/larovere/kiarosta.htm

Extractions: "Il pubblico si siede davanti allo schermo proprio perché desidera restare bloccato sulla poltrona ma al contempo viaggiare con la mente. Altrimenti non ha senso che il pubblico entri nelle sale cinematografiche, perché questo viaggio lo può fare da solo, all'esterno del cinema. Adesso che l'abbiamo inchiodato su questa sedia, abbiamo il dovere di fargli fare questo viaggio". "Ma io amo un cinema particolare, il cinema della scuola neorealista italiana". Tra i pochi aspetti tecnici che ritiene importanti, pone particolare attenzione al suono "Il suono è molto importante per me, più importante dell'immagine"(...), "Attraverso la ripresa visiva, noi arriviamo, al massimo, a ottenere una superficie bidimensionale. Il suono conferisce a questa immagine la profondità, la terza dimensione. È il suono a colmare le lacune dell'immagine". "Il viaggiatore" "Gli alunni della prima classe" "Dov'è la casa del mio amico"
Person: Abbas Kiarostami
Click this bar to hide the sitemap. abbas kiarostami, Iran, biography abbaskiarostami (1940) trained as a painter at the University of Teheran.
http://www.filmfestivalrotterdam.com/2003/en/person/690.html

Extractions: SEARCH NEDERLANDS ENGLISH DROPDOWN SITEMAP ... PULL UP SITEMAP Service HOME Contact Ticket sales Reservation ... FAQ's Films Programme overview Programme changes Programme items Premieres ... Films A-Z Events Special Events Exhibitions About IFFR Organization History Archive Awards ... Sponsors IFFR Activities Education Distribution Press Press Releases Photos Press Accreditation Press Conferences ... Press Screenings Film Professionals Guest Accreditation Industry Screenings Industry manual Guestlist ... Premiere info CineMart Welcome Application Programme 2003 CineMart Online Hubert Bals Fund Welcome Application Selection HBF Harvest Film Entry 2003 Entry Form Abbas Kiarostami Iran Abbas Kiarostami (1940) trained as a painter at the University of Teheran. He made dozens of commercials before joining the staff of the Centre for the Intellectual Development of Children and Adolescents in 1968, where he set up the Film Department. Ever since Where is the House of My Friend? Kiarostami is regarded as one of today's most important film-makers.

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