Book Description
This book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.Download Description
It was to serve, on this occasion, as the scene of a tea designed, as Kate Peyton was vividly aware, to introduce a certain young lady to the scene of her son's labours. Mrs. Peyton had been hearing a great deal lately about Clemence Verney. Dick was naturally expansive, and his close intimacy with his mother--an intimacy fostered by his father's early death--if it had suffered some natural impairment in his school and college days, had of late been revived by four years of comradeship in Paris, where Mrs. Peyton, in a tiny apartment of the Rue de Varennes, had kept house for him during his course of studies at the Beaux Arts. ... Read more

Customer Reviews (3)

Sacrifice and secrets
Edith Wharton's writing wallows in moral struggles and societal pressures, usually about adultery and social-climbing. But she tries a different approach for the novella "Sanctuary," a story that is thought-provoking and well-written, but feels more like the outline to a full-length novel than a story in its own right.

Kate Orme is wrapped up in her idyllic engagement to Denis, when a woman claiming to be his dissolute brother's wife kills herself and her child. To Kate's shock, Denis confesses that the woman was, but to avoid having a low-class person in the family, he suppressed evidence and lied. Even worse, he feels no guilt because he considers it worth the sacrifice.

Kate breaks off the engagement, but to protect any child of Denis' from his hypocrisies, she marries him. Many years later, Denis is dead, and their young son Dick is a blossoming architect about to enter a prestigious contest. But then a friend of his dies tragically, and leaves Dick his brilliant architectural plans... to enter in the contest as his own. Now Kate must see if her careful upbringing will make Dick do the right thing, or if he will follow in his father's footsteps.

Most of Wharton's books are wrapped up in ethical dilemmas or one kind or another, but "Sanctuary" tackles a very different kind of problem. And Wharton does a good job spinning out a sense of suspense, all about a young man who could tip either way, and inspiring disgust and outrage at Denis' weak, whiny defense of his crimes.

Sadly, the second half reads like Wharton was sketching out an enlarged outline for a novel, but got bored and just published it as-is. Details are sketchy, as is the society that these people live in, and more than two decades are skipped over instantly. Little of the storyline is fleshed out except for Kate's (seemingly endless) angst, which trickles on throughout way too many of the few pages.

Kate herself isn't easy to relate to -- she marries wussy Denis for a kid that might or might not be born, and spends most of the book torturing herself over Dick's future choices. She comes across as naive at best, manic at worst. Dick himself is a far more interesting character, since he exists in the grey area that most human beings inhabit -- he's a partying, slightly slackerish guy, but essentially good at heart.

"Sanctuary" tackles the grey areas and hypocrises of many "upright" people, but the second half drizzles off into a lot of bad angst and extreme reactions. Interesting, but it feels half-written.

Are Flaws in Morality Passed From Father to Son By Nature?
In Part One, Kate Orme discovers shortly before her marriage to Denis, that her fiance has covered up the fact that his dissolute brother was secretly married to a lower class woman, and had a child with her. By this deception Denis prevents the woman from inheriting her husband's estate, and is able to hold on to his own inheritance, resulting in the suicide of the woman and child. Kate is repelled by her finance's deception, but marries Denis anyway. In Part Two of the novel, many years have passed. Denis has died at a young age, leaving Kate alone to raise their son, Dick who is now an adult. When Dick is confronted with a moral dilemma in his professional life, Kate waits to see whether the father's 'moral' flaw has been passed to her son, or if her nurture of her son has been strong enough to cure it. The novel is beautifully written and exquisitely nuanced, yet the difficulty for the modern reader is how to react to the story in our own modern age of moral equivalency. A modern reader may view Kate's extreme reaction to the moral dilemma provided to her son to be overblown.

So smooth that the reader is instantly ensnared
Edith Wharton was born in 1986 to an upper class family in New York City. She could trace her ancestry back three centuries, and was expected to live an aristocratic life. She was educated at home, and married Teddy Wharton in 1885, settling into her role as society marm. Her marriage ended with the discovery of Teddy's affair in 1913, and Edith set herself free to publish many books, of which the most well known is probably The Age Of Innocence. Edith Wharton was a contemporary of Teddy Roosevelt, F. Scott Fitzgerald, Ernest Hemingway, and Henry James. The quality of her writing is just beginning to be appreciated.

Kate Orme is a young woman engaged to Denis Peyton. They are both aristocrats, and as such are expected to remain in rigid roles, with the man shielding the woman from all upsets. When Denis confesses to a despicable act to protect his family's name involving the death of a young, pregnant woman who was secretly married to his brother, Kate is shattered by the exposure of this act. She decides to marry Denis anyway to protect his future children, and sets out to become the perfect mother. She has a son, who she raises by herself after Denis' death, but this son seems to have inherited the faulty character gene of his father. When a situation arises to test the meddle of her son, Kate has her doubts as to her ability as a mother:

"As she sat there in the radius of lamp-light which, for so many evenings, hadheld Dick and herself in a charmed circle of tenderness, she saw that her love forher boy had come to be merely a kind of extended egotism. Love had narrowedinstead of widening her, had rebuilt between herself and life the very walls which,years and years before, she had laid low with bleeding fingers. It was horrible...How she had come to sacrifice everything to the one passion of ambition for her boy..."

Wharton is, obviously, a first rate writer who has gone without accolades for far too long because of her gender. It is fitting that her works be rediscovered by a wider audience. Her insight into gender differences and difficulties is far ahead of her time...a time when women were relegated to narrow roles of motherhood because they were thought to be of inferior intellect. Aside from that, Wharton's writing is so smooth that the reader is instantly ensnared. A great read.

... ... Read more

Book Description
This book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery. ... Read more

Book Description
This book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery. ... Read more

Book Description
This book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.Download Description
The Carstyle house stood but a few yards back from the brick-paved Millbrook street, and the garden was a very small place, unless measured, as Mrs. Carstyle probably intended that it should be, by the extent of her daughter's charms. These were so considerable that Vibart walked back and forward half a dozen times between the porch and the gate, before he discovered the limitations of the Carstyle domain. It was not till Irene had accused him of being sarcastic and had confided in him that "the girls" were furious with her for letting him talk to her so long at his aunt's garden-party, that he awoke to the exiguity of his surroundings. ... Read more

Book Description
This book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.Download Description
We passed through a gate and were confronted by other ramparts. Then we entered an outskirt of dusty red lanes bordered by clay hovels with draped figures slinking by like ghosts. After that more walls, more gates, more endlessly winding lanes, more gates again, more turns, a dusty open space with donkeys and camels and negroes; a final wall with a great door under a lofty arch--and suddenly we were in the palace of the Bahia, among flowers and shadows and falling water. ... Read more

Customer Reviews (1)

Edith Wharton's Orientalism
Fans of Edith Wharton who are hoping to see her usual insightful wit will be disappointed with this book.Likewise will those hoping to learn something about the real Morocco.Instead, what this book provides is afascinatingly nauseating example of racist, orientalist cliches: theeroticization, the emphasis on mystery, decreptitude, etc.One classic bit is the description of the souks full of "savages""consumptive Jews" and "lusty slave girls." But myfavorite is when a windstorm in the Djmaa el Fnaa suddenly appears,"stripping to the waist the slave girls scudding home to thesouks."There are some peculiar twists to her vision of Morocco, butI won't go further because I'm hoping to publish my paper on this subjectsometime in the near future.Buy this book if you are interested in suchthings.But first read Said's Orientalism, if this stuff is new to you. If you are planning to travel to Morocco, buy the Rough Guide and CultureShock: Morocco. ... Read more

Book Description
Word count: 7247. ... Read more

Book Description
A master of the American short story, in a two-volume collector's edition

Over the course of a long and astonishingly productive literary career that stretched from the early 1890s to just before World War II, Edith Wharton published nearly a dozen story collections, leaving a body of work as various as it is enduring. With this two-volume set, The Library of America presents the finest of Wharton's achievement in short fiction: 67 stories drawn from the entire span of her writing life, including the novella-length works The Touchstone, Sanctuary, and Bunner Sisters, eight shorter pieces never collected by Wharton, and many stories long out-of-print.

Her range of setting and subject matter is dazzling, and her mastery of style consistently sure. Here are all the aspects of Wharton's art: her satire, sometimes gentle, sometimes dark and despairing, of upper-class manners; her unblinking recognition of the power of social convention and the limits of passion; her merciless exposure of commercial motivations; her candid exploration of relations between the sexes.

The stories range with cosmopolitan ease from her native New York to the salons and summer hotels of Newport, Paris, and the Italian lakes. The depth of her response to World War I is registered in such works as "The Marne." Of particular interest are the remarkable stories, which treat occult and supernatural themes rarely encountered in her novels, such as the classic ghost stories "The Eyes" and "Pomegranate Seed." ... Read more

Customer Reviews (1)

Olympic quality writing...
Can you pick a favorite Edith Wharton short story?Teddy Roosevelt did, and it is here.

It is also my favorite - a fabulous poke at provincial reading groups, ostentatious authors and the unsuspected wise souls in their midst.

Read "Xingu" and savor every well chosen word.Ms Wharton is a pro and this is Olympic quality writing.
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Amazon.com
Edith Wharton was one who gave leisure and education a good name. Writing lucidly, charmingly, and intelligently of cruising the Greek isles, staying in Italian villas, and visiting a sultan's palace in Morocco, she sets a civilized pace and tone. In Italian Backgrounds, Wharton asks, "Is it, in short, ever well to be elsewhere when one might be in Italy?" To which I reply, is it ever well to be reading someone else when one might be reading Edith Wharton?Book Description
In EDITH WHARTON ABROAD, Sarah Bird Wright has carefully chosen selections from Edith Wharton's travel writing that convey the writer's control of her craft.Wharton disliked the generality of guidebooks and focused instead on the "parentheses of travel" - the undiscovered hidden corners of Europe, Morocco, and the Mediterranean.This collection spans a period of three decades and takes the reader with Wharton from France to Italy and to Greece.Included is anexcerpt from her unpublished memoir, THE CRUISE OF THE VANDIS, as well as front line depictions of Lorraine and the Vosges during World War I. ... Read more

Customer Reviews (1)

Sweet
Dude, this book is cool. its, like, really interesting and stuff and it makes me wanna go to italy. i bet italy is pretty cool from the descriptions. but thats just what i think, and i dont do it that often really. Hey, e-mail me if you have suggestions of good books or anything really. Bye!! ... Read more

Book Description
This volume of essays offers fresh examinations of Wharton's fiction designed both to engage the interest of the student or general reader encountering Wharton for the first time, and to be valuable to advanced scholars looking for new insights into her creative achievement. Written by a mix of established commentators on Wharton and newer scholars in the field, the essays cover Wharton's most important novels as well as some of her shorter fiction. The Introduction supplies a valuable review of the history of Wharton criticism; a detailed chronology of her life and publications and a useful bibliography of important books for further reading are also provided. ... Read more

Customer Reviews (1)

A MUST for any Wharton fan!
Great selection of criticisms covering all aspects of Wharton's works. ... Read more

Book Description
A rare work of nonfiction from Edith Wharton, The Writing of Fiction contains brilliant advice on writing from the first woman ever to win a Pulitzer Prize -- for her first novel The Age of Innocence.

In The Writing of Fiction, Wharton provides general comments on the roots of modern fiction, the various approaches to writing a piece of fiction, and the development of form and style. She also devotes entire chapters to the telling of a short story, the construction of a novel, and the importance of character and situation in the novel.

Not only a valuable treatise on the art of writing, The Writing of Fiction also allows readers to experience the inimitable but seldom heard voice of one of America's most important and beloved writers, and includes a final chapter on the pros and cons of Marcel Proust.

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Customer Reviews (1)

a classic writing guide
This classic guide to the art of writing is as thought-provoking now as it must have been upon publication in 1924. In erudite prose, Edith Wharton describes the general aspects of fiction, going far beyond the surface to touch deep veins often unseen by casual readers. Using examples from the classics, she analyzes the methods of telling a short story and constructing a novel. She contrasts novels of character, such as Emma, with novels of situation, such as The Scarlet Letter, and discusses novels that weld the two types. The last chapter of the book analyzes the works of the great French author, Marcel Proust.

By studying this book and the works it refers to, one may perhaps develop the ability, demonstrated by Proust, "to reveal, by a single allusion, a word, an image, those depths of soul beyond the soul's own guessing." ... Read more

Book Description
A master of the American short story, in a two-volume collector's editionOver the course of a long and astonishingly productive literary career that stretched from the early 1890s to just before World War II, Edith Wharton published nearly a dozen story collections, leaving a body of work as various as it is enduring. With this two-volume set, The Library of America presents the finest of Wharton's achievement in short fiction: 67 stories drawn from the entire span of her writing life, including the novella-length works The Touchstone, Sanctuary, and Bunner Sisters, eight shorter pieces never collected by Wharton, and many stories long out-of-print.

Her range of setting and subject matter is dazzling, and her mastery of style consistently sure. Here are all the aspects of Wharton's art: her satire, sometimes gentle, sometimes dark and despairing, of upper-class manners; her unblinking recognition of the power of social convention and the limits of passion; her merciless exposure of commercial motivations; her candid exploration of relations between the sexes.

The stories range with cosmopolitan ease from her native New York to the salons and summer hotels of Newport, Paris, and the Italian lakes. The depth of her response to World War I is registered in such works as "The Marne." Of particular interest are the remarkable stories, which treat occult and supernatural themes rarely encountered in her novels, such as the classic ghost stories "The Eyes" and "Pomegranate Seed." ... Read more

Book Description
A side from her Pulitzer Prize-winning talent as a novel writer, Edith Wharton also distinguished herself as a short story writer, publishing more than seventy-two stories in ten volumes during her lifetime. The best of her short fiction is collected here in Roman Fever and Other Stories. From her picture of erotic love and illegitimacy in the title story to her exploration of the aftermath of divorce detailed in "Souls Belated" and "The Last Asset," Wharton shows her usual skill "in dissecting the elements of emotional subtleties, moral ambiguities, and the implications of social restrictions," as Cynthia Griffin Wolff writes in her introduction. Roman Fever and Other Stories is a surprisingly contemporary volume of stories by one of our most enduring writers.

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Customer Reviews (2)

Roman Fever burns bright
This short story is wonderfully complex and intriguing. Although it uses the late nineteenth century language, it is easy to understand and hard to put down until the end. Wonderful read for women looking for a motivational power-strive.

Wharton subtletly uses setting as symbolism
I had to read "Roman Fever" for an english class, and it was a very good story! The author describes the scenery & events around the characters, which makes it richer, but when you go back to analyze it, yourealize that he setting & buildings & even other people in it areactually being used as foreshadowing symbolism.It's very well-written andmulti-layered. ... Read more