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Payn James:     more detail

The Shay-le The Shay-le by Frank. from old catalog Harrison Payn James 1830-1898. By proxy. from old catalog, 1878-12-31 The Clyffards Of Clyffe by Payn James 1830-1898, 2010-09-30 Cecil's tryst. A novel Volume 2 by Payn James 1830-1898, 2010-10-04 A modern Dick Whittington; or, A patron of letters Volume 2 by Payn James 1830-1898, 2010-10-04 Cecil's tryst. A novel Volume 1 by Payn James 1830-1898, 2010-10-04 A prince of the blood; a novel Volume 2 by Payn James 1830-1898, 2010-10-04 A prince of the blood; a novel Volume 1 by Payn James 1830-1898, 2010-10-04 Thicker Than Water; by Payn James 1830-1898, 2010-10-15 Some literary recollections. by James Payn . by Payn. James. 1830-1898., 1884-01-01 Some literary recollections. by Payn. James. 1830-1898., 1884-01-01 People. places. and things. By the author of Lost Sir Massingb by Payn. James. 1830-1898., 1865-01-01 The talk of the town Volume 1 by James, 1830-1898 Payn, 2009-10-26

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61. Oscar Wilde Collection
    http://www.hrc.utexas.edu/research/fa/wilde.html
    
    Extractions: Index of Third-Party Works Oscar Fingal O'Flaherty Wills Wilde, born in 1854 in Dublin, Ireland, was the second son of Sir William Robert and Lady Jane Francesca Wilde. At the age of ten, Wilde entered the well-known Portora Royal School, where he excelled in Greek studies. His interest in Greek continued at Trinity College, Dublin, where John Mahaffy, an eminent Greek scholar who later took Wilde on a tour of Italy, was his tutor. Wilde was awarded a scholarship in classics from Magdalene College, Oxford, which he entered in 1874. During his fourth year at Oxford, Wilde won the prestigious Newdigate Prize for imitative poetry with a verse praising Ravenna, a city he had visited with Mahaffy and the burial site of Dante. In addition to his studies, Wilde began to develop his role as poseur and aesthete. Wilde received his BA in 1878 and, after an additional year at Oxford, went to London where he began writing. In 1880 Wilde published Vera; or, The Nihilists, and in 1881 he was hired by Richard D'Oyly Carte to boost Gilbert and Sullivan's new opera Patience in America by means of a lecture tour. Dressed in black velvet and a full length fur coat, he spoke on the new aestheticism from New York to San Francisco. He met with Henry Wadsworth Longfellow, Oliver Wendell Holmes, Louisa May Alcott, Walt Whitman, and Jefferson Davies, among others.

62. Óïàäîê èñêóññòâà ëæè
    The summary for this Russian page contains characters that cannot be correctly displayed in this language/character set.  
    http://www.warweb.ru/lying.html
    
    Extractions: Â.: Êîìó íóæíà ëîãèêà? Òîëüêî çàíóäàì è äîêòðèíåðàì, êîòîðûå äîòîøíî äîâîäÿò ñâîè ïðèíöèïû äî ïå÷àëüíîãî âîïëîùåíèÿ, ïðàêòè÷åñêîãî ïðèìåíåíèÿ, ÷òî åñòü reductio ad absurdum2. Íî òîëüêî íå ìíå. Íàä äâåðüþ ìîåãî êàáèíåòà ñëåäóåò, ïî ïðèìåðó Ýìåðñîíà3, âûáèòü íàäïèñü "Ïðèõîòü". Êðîìå òîãî, ìîÿ ñòàòüÿ ñîäåðæèò êðàéíå çäðàâîå è öåííîå ïðåäóïðåæäåíèå. Åñëè ê íåìó ïðèñëóøàþòñÿ, â Èñêóññòâå ìîæåò íàñòóïèòü íîâîå Âîçðîæäåíèå. C.: Ìíå êàæåòñÿ, ÷òî ñ ýòîé òî÷êîé çðåíèÿ ìîæíî ïîñïîðèòü. ß âïîëíå ñêëîíåí â âåðèòü â "ëåñîâ âåñåííèõ çîâ"32, õîòÿ, êîíå÷íî æå, õóäîæåñòâåííàÿ öåííîñòü ïîäîáíîãî çîâà âñåöåëî çàâèñèò îò òâîð÷åñêîé íàòóðû, êîòîðàÿ åãî ñëûøèò, è âñå ñâîäèòñÿ ê òîìó, ÷òî âîçâðàò ê Ïðèðîäå èäåò íà ïîëüçó ÿðêîé ëè÷íîñòè. ß äóìàþ, ñ ýòèì òû ñîãëàñèøñÿ. Íî ïðîäîëæàé, ïîæàëóéñòà. 1 Âèëüÿì Ìîððèñ (William Morris) - 1834-1896 - àíãëèéñêèé àðõèòåêòîð, äèçàéíåð è ïîýò. Çíàìåíèò, â ÷àñòíîñòè, ñâîèìè äèçàéíàìè ìåáåëè. Áûë òåñíî ñâÿçàí ñ äâèæåíèÿìè âîçðîæäåíèÿ ãîòèêè è Ïðåðàôàýëèòñêèì áðàòñòâîì (ñì. ïðèì. 47).

63. Lib.ru/WILDE/esse_upadok.txt
    The summary for this Russian page contains characters that cannot be correctly displayed in this language/character set.  
    http://lib.ru/WILDE/esse_upadok.txt
    
    Extractions: . Áîþñü, òåáÿ íå ïðèìóò. Òû ñëèøêîì ïàäîê íà ïðîñòûå ðàäîñòè æèçíè. Ñ.: Ìîþ êàíäèäàòóðó, ïî âñåé âèäèìîñòè, îòâåðãíóò ïî ïðè÷èíå èçëèøíåé æèçíåðàäîñòíîñòè? Â.: Ñêîðåå âñåãî. Êðîìå òîãî, òû íåñêîëüêî ñòàðøå, ÷åì íóæíî. Ìû íå ïðèíèìàåì íèêîãî îáû÷íîãî âîçðàñòà. Ñ.: Äóìàåòñÿ ìíå, âû ïîðÿäêîì äðóã äðóãó íàäîåëè. Â.: Êîíå÷íî. Ýòî îäíà èç öåëåé íàøåãî êëóáà. Òàê âîò, åñëè òû ïîîáåùàåøü íå ïåðåáèâàòü ìåíÿ ñëèøêîì ÷àñòî, ÿ ïðî÷òó òåáå ñòàòüþ. Ñ.: ß âåñü âíèìàíèå. Â. (÷èòàåò, î÷åíü âíÿòíî): "Ïðîòåñò ïðîòèâ óïàäêà èñêóññòâà ëæè". Îäíîé èç ãëàâíûõ ïðè÷èí óäèâèòåëüíîé ïîñðåäñòâåííîñòè áîëüøåé ÷àñòè ñîâðåìåííîé ëèòåðàòóðû, íåñîìíåííî, ÿâëÿåòñÿ óïàäîê Ëæè êàê èñêóññòâà, íàóêè è ñâåòñêîãî ðàçâëå÷åíèÿ. Äðåâíèå èñòîðèêè îñòàâèëè íàì çàìå÷àòåëüíûå õóäîæåñòâåííûå ïðîèçâåäåíèÿ, èçëîæåííûå â ôîðìå ôàêòîâ; ñîâðåìåííûé æå ïèñàòåëü ïðåïîäíîñèò íàì ñóõèå ôàêòû ïîä âèäîì õóäîæåñòâåííûõ ïðîèçâåäåíèé. Blue-Book âñå áîëüøå è áîëüøå ñòàíîâèòñÿ åãî èäåàëîì ìåòîäà è ñòèëÿ. Îí îáçàâåëñÿ çàíóäíûì document humain è æàëêèì coin de la creation ïðèíåñ ñåáÿ â æåðòâó íà àëòàðå ìåñòíîãî êîëîðèòà. Îí - òî÷íî, êàê òà äàìà èç ôðàíöóçñêîé êîìåäèè, ÷òî âå÷íî òâåðäèò î le beau ciel d'Italie

64. Ðõìâô Èâëíûä. Èòâäðì êõìèõõæþâ íãê
    The summary for this Russian page contains characters that cannot be correctly displayed in this language/character set.  
    http://moshkow.perm.ru/koi/WILDE/esse_upadok.txt
    
    Extractions: . ×ðáõû, æå÷ó ïå òôêîèæ. Æý õíêùìðî òâäðì ïâ òôðõæýå ôâäðõæê ãêÿïê. Õ.: Îðá ìâïäêäâæèôè, òð þõåë þêäêîðõæê, ðæþåôúïèæ òð òôêàêïå êÿíêùïåë ãêÿïåôâäðõæïðõæê? Þ.: Õìðôåå þõåúð. Ìôðîå æðúð, æý ïåõìðíûìð õæâôùå, àåî ïèãïð. Îý ïå òôêïêîâåî ïêìðúð ð÷ýàïðúð þðÿôâõæâ. Õ.: Äèîâåæõó îïå, þý òðôóäìðî äôèú äôèúè ïâäðåíê. Þ.: Ìðïåàïð. Øæð ðäïâ êÿ çåíåë ïâùåúð ìíè÷â. Æâì þðæ, åõíê æý òðð÷åüâåùû ïå òåôå÷êþâæû îåïó õíêùìðî àâõæð, ó òôðàæè æå÷å õæâæûá. Õ.: Ó þåõû þïêîâïêå. Þ. (àêæâåæ, ðàåïû þïóæïð): "Òôðæåõæ òôðæêþ èòâäìâ êõìèõõæþâ íãê". Ðäïðë êÿ úíâþïýé òôêàêï èäêþêæåíûïðë òðõôåäõæþåïïðõæê ÷ðíûùåë àâõæê õðþôåîåïïðë íêæåôâæèôý, ïåõðîïåïïð, óþíóåæõó èòâäðì Íãê ìâì êõìèõõæþâ, ïâèìê ê õþåæõìðúð ôâÿþíåàåïêó. Äôåþïêå êõæðôêìê ðõæâþêíê ïâî ÿâîåàâæåíûïýå éèäðãåõæþåïïýå òôðêÿþåäåïêó, êÿíðãåïïýå þ öðôîå öâìæðþ; õðþôåîåïïýë ãå òêõâæåíû òôåòðäïðõêæ ïâî õèéêå öâìæý òðä þêäðî éèäðãåõæþåïïýé òôðêÿþåäåïêë. Blue-Book þõå ÷ðíûùå ê ÷ðíûùå õæâïðþêæõó åúð êäåâíðî îåæðäâ ê õæêíó. Ðï ð÷ÿâþåíõó ÿâïèäïýî document humain ê ãâíìêî coin de la creation òôêïåõ õå÷ó þ ãåôæþè ïâ âíæâôå îåõæïðúð ìðíðôêæâ. Ðï - æðàïð, ìâì æâ äâîâ êÿ öôâïçèÿõìðë ìðîåäêê, àæð þåàïð æþåôäêæ ð le beau ciel d'Italie

65. Žñêàð “àéëüä. “ïàäîê èñêóññòâà ëæè
    The summary for this Russian page contains characters that cannot be correctly displayed in this language/character set.  
    http://www.ase.ee/moshkow/mac/WILDE/esse_upadok.txt
    
    Extractions: . îþñü, òåáß íå ïðèìóò. ’û ñëèøêîì ïàäîê íà ïðîñòûå ðàäîñòè æèçíè. ‘.: Œîþ êàíäèäàòóðó, ïî âñåé âèäèìîñòè, îòâåðãíóò ïî ïðè÷èíå èçëèøíåé æèçíåðàäîñòíîñòè? ‚.: ‘êîðåå âñåãî. Šðîìå òîãî, òû íåñêîëüêî ñòàðøå, ÷åì íóæíî. Œû íå ïðèíèìàåì íèêîãî îáû÷íîãî âîçðàñòà. ‘.: „óìàåòñß ìíå, âû ïîðßäêîì äðóã äðóãó íàäîåëè. ‚.: Šîíå÷íî. òî îäíà èç öåëåé íàøåãî êëóáà. ’àê âîò, åñëè òû ïîîáåùàåøü íå ïåðåáèâàòü ìåíß ñëèøêîì ÷àñòî, ß ïðî÷òó òåáå ñòàòüþ. ‘.: Ÿ âåñü âíèìàíèå. ‚. (÷èòàåò, î÷åíü âíßòíî): "ðîòåñò ïðîòèâ óïàäêà èñêóññòâà ëæè". Žäíîé èç ãëàâíûõ ïðè÷èí óäèâèòåëüíîé ïîñðåäñòâåííîñòè áîëüøåé ÷àñòè ñîâðåìåííîé ëèòåðàòóðû, íåñîìíåííî, ßâëßåòñß óïàäîê ‹æè êàê èñêóññòâà, íàóêè è ñâåòñêîãî ðàçâëå÷åíèß. „ðåâíèå èñòîðèêè îñòàâèëè íàì çàìå÷àòåëüíûå õóäîæåñòâåííûå ïðîèçâåäåíèß, èçëîæåííûå â ôîðìå ôàêòîâ; ñîâðåìåííûé æå ïèñàòåëü ïðåïîäíîñèò íàì ñóõèå ôàêòû ïîä âèäîì õóäîæåñòâåííûõ ïðîèçâåäåíèé. Blue-Book âñå áîëüøå è áîëüøå ñòàíîâèòñß åãî èäåàëîì ìåòîäà è ñòèëß. Ží îáçàâåëñß çàíóäíûì document humain è æàëêèì coin de la creation ïðèíåñ ñåáß â æåðòâó íà àëòàðå ìåñòíîãî êîëîðèòà. Ží - òî÷íî, êàê òà äàìà èç ôðàíöóçñêîé êîìåäèè, ÷òî âå÷íî òâåðäèò î le beau ciel d'Italie

66. Mirrors.smtn.stavropol.ru/moshkow/koi/WILDE/esse_upadok.txt
    The summary for this Ukrainian page contains characters that cannot be correctly displayed in this language/character set.  
    http://mirrors.smtn.stavropol.ru/moshkow/koi/WILDE/esse_upadok.txt
    
    Extractions: . Âïàóø, ôåâñ îå ðòéíõô. Ôù óìéûëïí ðáäïë îá ðòïóôùå òáäïóôé öéúîé. Ó.: Íïà ëáîäéäáôõòõ, ðï ÷óåê ÷éäéíïóôé, ïô÷åòçîõô ðï ðòéþéîå éúìéûîåê öéúîåòáäïóôîïóôé? ×.: Óëïòåå ÷óåçï. Ëòïíå ôïçï, ôù îåóëïìøëï óôáòûå, þåí îõöîï. Íù îå ðòéîéíáåí îéëïçï ïâùþîïçï ÷ïúòáóôá. Ó.: Äõíáåôóñ íîå, ÷ù ðïòñäëïí äòõç äòõçõ îáäïåìé. ×.: Ëïîåþîï. Üôï ïäîá éú ãåìåê îáûåçï ëìõâá. Ôáë ÷ïô, åóìé ôù ðïïâåýáåûø îå ðåòåâé÷áôø íåîñ óìéûëïí þáóôï, ñ ðòïþôõ ôåâå óôáôøà. Ó.: Ñ ÷åóø ÷îéíáîéå. ×. (þéôáåô, ïþåîø ÷îñôîï): "Ðòïôåóô ðòïôé÷ õðáäëá éóëõóóô÷á ìöé". Ïäîïê éú çìá÷îùè ðòéþéî õäé÷éôåìøîïê ðïóòåäóô÷åîîïóôé âïìøûåê þáóôé óï÷òåíåîîïê ìéôåòáôõòù, îåóïíîåîîï, ñ÷ìñåôóñ õðáäïë Ìöé ëáë éóëõóóô÷á, îáõëé é ó÷åôóëïçï òáú÷ìåþåîéñ. Äòå÷îéå éóôïòéëé ïóôá÷éìé îáí úáíåþáôåìøîùå èõäïöåóô÷åîîùå ðòïéú÷åäåîéñ, éúìïöåîîùå ÷ æïòíå æáëôï÷; óï÷òåíåîîùê öå ðéóáôåìø ðòåðïäîïóéô îáí óõèéå æáëôù ðïä ÷éäïí èõäïöåóô÷åîîùè ðòïéú÷åäåîéê. Blue-Book ÷óå âïìøûå é âïìøûå óôáîï÷éôóñ åçï éäåáìïí íåôïäá é óôéìñ. Ïî ïâúá÷åìóñ úáîõäîùí document humain é öáìëéí coin de la creation ðòéîåó óåâñ ÷ öåòô÷õ îá áìôáòå íåóôîïçï ëïìïòéôá. Ïî - ôïþîï, ëáë ôá äáíá éú æòáîãõúóëïê ëïíåäéé, þôï ÷åþîï ô÷åòäéô ï le beau ciel d'Italie

67. Moshkow.surgut.ru/library/mac/WILDE/esse_upadok.txt
    The summary for this Russian page contains characters that cannot be correctly displayed in this language/character set.  
    http://moshkow.surgut.ru/library/mac/WILDE/esse_upadok.txt
    
    Extractions: . îþñü, òåáß íå ïðèìóò. ’û ñëèøêîì ïàäîê íà ïðîñòûå ðàäîñòè æèçíè. ‘.: Œîþ êàíäèäàòóðó, ïî âñåé âèäèìîñòè, îòâåðãíóò ïî ïðè÷èíå èçëèøíåé æèçíåðàäîñòíîñòè? ‚.: ‘êîðåå âñåãî. Šðîìå òîãî, òû íåñêîëüêî ñòàðøå, ÷åì íóæíî. Œû íå ïðèíèìàåì íèêîãî îáû÷íîãî âîçðàñòà. ‘.: „óìàåòñß ìíå, âû ïîðßäêîì äðóã äðóãó íàäîåëè. ‚.: Šîíå÷íî. òî îäíà èç öåëåé íàøåãî êëóáà. ’àê âîò, åñëè òû ïîîáåùàåøü íå ïåðåáèâàòü ìåíß ñëèøêîì ÷àñòî, ß ïðî÷òó òåáå ñòàòüþ. ‘.: Ÿ âåñü âíèìàíèå. ‚. (÷èòàåò, î÷åíü âíßòíî): "ðîòåñò ïðîòèâ óïàäêà èñêóññòâà ëæè". Žäíîé èç ãëàâíûõ ïðè÷èí óäèâèòåëüíîé ïîñðåäñòâåííîñòè áîëüøåé ÷àñòè ñîâðåìåííîé ëèòåðàòóðû, íåñîìíåííî, ßâëßåòñß óïàäîê ‹æè êàê èñêóññòâà, íàóêè è ñâåòñêîãî ðàçâëå÷åíèß. „ðåâíèå èñòîðèêè îñòàâèëè íàì çàìå÷àòåëüíûå õóäîæåñòâåííûå ïðîèçâåäåíèß, èçëîæåííûå â ôîðìå ôàêòîâ; ñîâðåìåííûé æå ïèñàòåëü ïðåïîäíîñèò íàì ñóõèå ôàêòû ïîä âèäîì õóäîæåñòâåííûõ ïðîèçâåäåíèé. Blue-Book âñå áîëüøå è áîëüøå ñòàíîâèòñß åãî èäåàëîì ìåòîäà è ñòèëß. Ží îáçàâåëñß çàíóäíûì document humain è æàëêèì coin de la creation ïðèíåñ ñåáß â æåðòâó íà àëòàðå ìåñòíîãî êîëîðèòà. Ží - òî÷íî, êàê òà äàìà èç ôðàíöóçñêîé êîìåäèè, ÷òî âå÷íî òâåðäèò î le beau ciel d'Italie

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