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Jonson Ben:     more books (100)

The Women of Ben Jonson's Poetry: Female Representations in the Non-Dramatic Verse by Barbara Smith, 1995-09-01 Ben Jonson: Poetry and Architecture (Oxford English Monographs) by A. W. Johnson, 1995-03-23 Habits of Mind: Evidence and Effects of Ben Jonson's Reading by Robert C. Evans, 1995-10 Ben Jonson's Theatrical Republics by Julie Sanders, 1998-10-15 Ben Jonson's Antimasques: A History of Growth and Decline by Lesley Mickel, 1999-03 Ben Jonson and the Art of Secrecy by William W.E. Slights, 1994-11-10 Ben Jonson (Oxford Poetry Library) by Ben Jonson, 1995-06-08 Ben Johnson: A Literary Life (Literary Lives) by W. David Kay, 1995-03 Ben Jonson: Dramatist (Cambridge Paperback Library) by Anne Barton, 1984-08-31 Ben Jonson's Parodic Strategy: Literary Imperialism in the Comedies by Robert N. Watson, 1987-09-22 Ben Jonson, 'Volpone' and the Gunpowder Plot by Richard Dutton, 2008-09-01 A Concordance to the Poems of Ben Jonson (Cornell Publications in the History of Science) by Mario Ei Cesare, 1978-06 Ben Jonson: Poet by George Burke Johnston, 1970-06 Jonson's Spenser: Evidence and Historical Criticism (Medieval and Renaissance Literary Studies) by James A. Riddell, Stanley Stewart, 1995-08

lists with details

81. East Orange Public Library /All Locations
    1637 see Jonson Ben 1573? 1637 1 6 JBG James Bradstreet Greenough 1833 1901 see Greenough JB James Bradstreet 1833 1901 1 7 JB Speed Art Museum 1 8  
    http://eoplsrv3.eopl.org:90/kids/1899,1901/search~/a?j

82. Ben Jonson (in VSCCAT)
    Published Boston Twayne Publishers, 1979. Subject Jonson, Ben, 1573?1637Criticism and interpretation. Series Twayne's English  
    http://scolar.vsc.edu:8003/VSCCAT/AAO-8500

83. Browse The Modern English Collection -- Electronic Text Center
    1631 (Restricted) Jonson, Ben, 1573?1637. Euery Man in his humourA Comedie (1616) (Restricted) Jonson, Ben, 1573?-1637. Every Man  
    http://etext.lib.virginia.edu/modeng/modengJ.browse.html

84. Untitled
    The masque was brought to its final form by the fruitful and dynamic partnershipof Inigo Jones (15731652) and Ben Jonson (1573?-1637) who for some 25 years  
    http://www.solutions.co.uk/clients/hrp/bh/histb.htm

85. Ocean City Public
    J Afro Americans United States Black Biography 2 2 J Authors English 20th CenturyBiography 1988 1 3 JB Ben Jonson 1573 1637 See Jonson Ben 1573 1637 1 4  
    http://catalog.oceancitylibrary.org:90/kids/0,1900,2125/search/d?j

86. Ocean City Public
    Year Entries 3517 Found 1 J 2 Related Authors 2 2 J 1971 1 3 J And M EntertainmentFirm 2001 1 4 JB Ben Jonson 1573 1637 See Jonson Ben 1573 1637 1 5  
    http://catalog.oceancitylibrary.org:90/kids/0,1900,1902/search/a?j

87. Magic In The Web: Quotes On The Bard
    Prologue at the opening of Drury Lane theatre, 1747 back to top. Jonson, Ben(1573?1637). Soul of the age! The applause, delight, the wonder of our stage!  
    http://www.utdallas.edu/~kmarshal/Shakespeare/quotes.htm
    
    Extractions: Wordsworth, William Aubrey , John (1626-1697) "Mr. William Shakespear was borne at Stratford upon Avon in the county of Warwick. His father was a butcher, and I have been told heretofore by some of the neighbours that when he was a boy he exercised his father's trade, but when he killed a calfe he would doe it in a high style and make a speech." [ back to top Browning, Elizabeth Barrett (1806-1861) "There Shakespeare, on whose forehead climb

88. History Of Renaissance Theater.
    Kindness'. Jonson, Ben (1573?1637), poet, dramatist'Song to Celia'.Kyd, Thomas (1558-94), dramatist'The Spanish Tragedy'.  
    http://www.renaissance-faire.com/Renfaires/Entertainment/History-0f-Plays.htm
    
    Extractions: The renaissance plays performed at the faire originated during the Middle Ages with a Latin dialogue spoken in the church. They were morality plays initiated by the politically powerful church to lure and control the masses. These religious/political dialogues matured into structured plays that were eventually moved out of the churches and into the streets and private estates. Many of the early morality plays were shown before scenic constructions representing well known landmarks. An elaborate castle representing Heaven often sat opposite a dragon's mouth (complete with flames shooting out) which represented, Hell. Street plays (Commedia del’Arte) were often staged on wagons, one scene on each wagon. The spectators stayed in one place and watched the various acts as the wagons pulled up in front of them. The Renaissance theater of the nobility was comprised of elaborate spectacle, these stage spectacles, called masques, were performed in the ballrooms of courts with elaborate scenery and costumes. No expense was spared. Clouds floated around the ceiling; angels and cherubs went up and down. Magnificent chariots were drawn into view. The stories were supercilious, extolling only the joys of excess. Shakespeare and the Elizabethan Theater Before 1576 there were no formal theaters for the masses in London. The inner courtyards of inns were used to present plays. A platform was placed over the watering troughs just outside the stables at one end of the court. The spectators either stood in the court or sat on benches on the balconies above the yard. This layout was the model for the later regular theaters.

89. By The People, For The People: Posters From The WPA, 1936-1943: Creators: 1
    Johnson, Hall, 18881970. Johnson, Zebedee, artist. Jonson, Ben, 1573?-1637.Kallenberg, Alex, artist. Kaplan, Ben, artist. Katz, Morris, artist.  
    http://memory.loc.gov/ammem/wpaposters/wpaposAuthors01.html

90. Jonson : Works
    Jonson, Ben (1573?1637) The workes of Benjamin Jonson. London Printedby Richard Bishop, 1640. The liveliness of Jonson's plays  
    http://www.library.usyd.edu.au/libraries/rare/modernity/jonson.html
    
    Extractions: The liveliness of Jonson's plays and the brilliance of his language have earned him a reputation as one of the great playwrights in English literature. After a brief term at bricklaying, his stepfather's trade, and after military service in Flanders, he began working for Philip Henslowe as an actor and playwright. In 1598 he was tried for killing another actor in a duel but escaped execution by claiming right of clergy (he could read and write). His first important play, Every Man in His Humour , was produced in 1598, with Shakespeare in the cast, but his great period, both artistically and financially, began in 1606 with the production of Volpone . Jonson exerted a strong influence over contemporary authors and his plays, written along classical lines, are marked by uncompromising satire, liveliness of action, and by numerous humorous characters, whose single passion or oddity overshadows all their other traits.

91. JONSON, BEN
    Jonson, Ben (1573—1637), English dramatist, was born, probably in Westminster,in the beginning of the year 1573 (or possibly, if he reckoned by the  
    http://18.1911encyclopedia.org/J/JO/JONSON_BEN.htm
    
    Extractions: Newbury in Berkshire. He was then engaged in practice mainly in London, till in 1849 he was appointed assistant secretary to the Geological Society of London. In 1862 he was made professor of geology at the Royal Military College, Sandhurst. Having devoted his especial attention to fossil microzoa, he now became the highest authority in England on the Foraminifera and Entomostraca. He edited the 2nd edition of Mantell’s Medals of Creation (1854), the 3rd edition of Mantell’s Geological Excursions round the Isle of Wight (1854), and the 7th edition of Mantell’s Wonders of Geology (1857); he also edited the 2nd edition of Dixon’s Geology of Sussex (1878). He was elected F.R.S. in 1872 and was awarded the Lyell medal by the Geological Society in 1890. For many years he was specially interested in the geology of South Africa. JONES, WILLIAM (1726—1800), English divine, was born at Lowick, in Northamptonshire on the 3oth of July 1726. He was descended from an old Welsh family and one of his progenitors was Colonel John Jones, brother-in-law of Cromwell. He was educated at Charterhouse School, and at University College, Oxford. There a kindred taste for music, as well as a similarity in regard to other points of character, led to his close intimacy with George Home (q.v.), afterwards bishop of Norwich, whom he induced to study Hutchinsonian doctrines. After obtaining his bachelor’s degree in 1749, Jones held various preferments. In 1777 he obtained the perpetual curacy of Nayland, Suffolk, and on Home’s appointment to Norwich became his chaplain, afterwards writing his life. His vicarage became the centre of a High Church coterie, and Jones himself was a link between the non-jurors and the Oxford movement. He could write intelligibly on abstruse topics. He died on the 6th of January 1800.

92. Distinguishing Jonson (in VSCCAT)
    Distinguishing Jonson. Title Distinguishing Jonson imitation, rivalry,and the direction of a dramatic career / George E. Rowe.  
    http://scolar.vsc.edu:8003/VSCCAT/ABN-4604

93. DBM_GET_INDEX Failed -- Record Not Found
    Discoveries, 1641. Records 1 to 2 of 2.  
    http://lcmarc.dra.com/lcmarc/ DISCOVERIES/b606a0009000/0

94. Øåêñïèð, Ãèëèëîâ è Áåí Äæîíñîí Shakespeare, Gililov, Be
    The summary for this Russian page contains characters that cannot be correctly displayed in this language/character set.  
    http://gililov.narod.ru/portrait02b.htm
    
    Extractions: Ê îãëàâëåíèþ ñàéòà "Èãðà îá Èëüå èëèëîâå" Âåðíóòüñÿ ê: "Ïðîëîã" Gililov presents only such material that he has been able to confirm many times over... Èç àííîòàöèè ê àíãëèéñêîìó èçäàíèþ êíèãè È.Ì.èëèëîâà íà ñàéòå èçä-âà "Algora Publishing" (http://www.algora.com/Shakespeare.htm) Âñå íà÷àëîñü ñ òîãî, ÷òî ïðèåõàâ â áèáëèîòåêó, ÿ ñ óäèâëåíèåì îáíàðóæèë, ÷òî â ïîëíîì îêñôîðäñêîì ñîáðàíèè ñî÷èíåíèé Áåíà Äæîíñîíà ïîä ðåäàêöèåé C.H. Herford, Percy and Evelyn Simpson ïîñëàíèÿ Äðàììîíäó 1619-ãî ãîäà íåò. ×òî ýòî çíà÷èò "íåò"? - âîçìóòèëñÿ ÿ. Âåäü èëèëîâ æå åãî ÷èòàë! È íå ïðîñòî ÷èòàë - ïðîöèòèðîâàë! Åñëè äàæå ñïåöèàëèñòû íå ìîãóò ïîìî÷ü, ÷òî æå ìíå äåëàòü?  ïåðâóþ î÷åðåäü, ìåíÿ óäèâèë òîò ôàêò, ÷òî òåêñò, êîòîðûé ÿ òàê äîëãî è áåçðåçóëüòàòíî ðàçûñêèâàë â ïîëíîì ñîáðàíèè ñî÷èíåíèé Áåíà Äæîíñîíà, íàøåëñÿ â Èíòåðíåòå êàê ìèíèìóì ñàéòàõ íà ïÿòè. ß-òî ïîëàãàë, ÷òî ðå÷ü èäåò î òåêñòå ðåäêîì, òðóäíîäîñòóïíîì, è áûë óâåðåí, ÷òî È.Ì.èëèëîâ ðàçäîáûë åãî íå èíà÷å, êàê â àðõèâå Ôîëäæåðîâñêîé áèáëèîòåêè, äî êîòîðîé ìíå âîâåê íå äîáðàòüñÿ. À âûÿñíèëîñü, ÷òî âñ¸ ñîâñåì íàîáîðîò. Òàèíñòâåííàÿ "÷åðíàÿ êîøêà" îêàçàëàñü òåêñòîì øèðîêîèçâåñòíûì è ïîïóëÿðíûì. Äåëî â òîì, ÷òî â ïîëíîì ñîîòâåòñòâèè ñ ïîãîâîðêîé, ÿ èñêàë ñâîþ "÷åðíóþ êîøêó" íå òîëüêî â î÷åíü òåìíîé êîìíàòå, íî åùå è â òàêîé, êóäà ýòà ñàìàÿ êîøêà íèêîãäà íå çàáðåäàëà. Ïîâåðèâ È.Ì.èëèëîâó, êîòîðîãî àâòîð ïðåäèñëîâèÿ ê êíèãå À.Ëèïêîâ ðàñõâàëèâàåò çà òî÷íîñòü è íàó÷íîñòü, ÿ èñêàë ïîñëàíèå Äðàììîíäó 1619-ãî ãîäà.

95. Notice Complète - DRA Web2
    Translate this page Ariane Notice complète. * Notices abrégées * Notices complètes * Notice MARC* Télécharger cette notice * Modifier la recherche * Nouvelle recherche *  
    http://arianeweb.ulaval.ca/web2/tramp2.exe/do_ccl_search/guest&SETTING_KEY=Frenc

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