VAUDEVILLE LINKS Show Notes; Hooray For Hollywood., Growing Up With radio. Mountebanks, The, vaudevilleProducing site of Comedian/Writer National theatre, Community vaudeville. http://64.33.34.112/.LNX/lvaud.html
Extractions: (R) = Repeat 5:00 AM - Morning Edition (A) 7:00 AM - New York Times (N) 8:00 AM - Wall Street Journal (N) 11:00 AM 11:30 AM 12:00 PM- Books Unlimited 1:00 PM 1:30 PM - Comedy Prescription 2:00 PM - Batavia Daily News 2:30 PM - Canandaigua Daily Messenger 3:00 PM - USA Today 4:00 PM 4:30 PM 5:00 PM - Childrens Corner: 5:30 PM - Christian Science Monitor 8:00 PM 9:00 PM 10:00 PM - Books at Bedtime 11:00 PM 5:00 AM - On the Media (A) 6:00 AM - Inside Europe (A) 7:00 AM - Washington Post (N) 8:00 AM - Chips and Bytes (N) 11:30 AM - Radio Theatre 12:00 PM - Kids Klassics 1:00 PM - Prime Time Radio 2:30 PM - Prevention 3:00 PM - Amateur Radio 4:00 PM - Living On Earth (A) 5:00 PM - All Things Considered (A)
Fringe Plays, And Enjoying Fringe Theatrical Events In London SCREENINGS REVEALED IN ENTERTAINING AUSTRALIAN vaudeville ECCENTRIC ACTS AT Concerts Festivals - FRINGE - General theatre - radio listening - radio http://www.howtoenjoy.co.uk/interests/theatre_fringe.htm
Extractions: how to enjoy London (hteL) Your Interests (140+) x Countries London Events Home Contact ... Concerts - FRINGE - General Festivals General theatre Music Festivals Radio listening ... TV viewing All the events listed below have already happened! To discover current and future Fringe events, etc., you must either read and/or advertise on our Current & Future "Fringe" Events section "ANNA CHRISTIE" PLAY ABOUT SWEDISH SAILOR AND DAUGHTER REACQUAINTING THEIR RELATIONSHIP ON AMERICA'S EAST COAST '...THE WORST FRINGE THEATRE COMPANY IN THE WORLD' A2 COMPANY'S MODERN FAIRY TALE AT "THE PLACE" THEATRE BALLET, COMEDY, DANCE, PLENTY OF TEA, SWIMMING, UNUSUAL MUSICAL INSTRUMENT AND VIDEO SCREENINGS REVEALED IN ENTERTAINING AUSTRALIAN VAUDEVILLE "ECCENTRIC ACTS" AT GREENWICH THEATRE ... walks in England's capital city (archives for August 2001 CZECH HUMOUR OVER LUNCH BY ORDER OF THE PRESIDENT! DISCOVER TANGIERS THROUGH THEATRICAL PERFORMANCE OF BRAZILIAN COELHO'S "THE ALCHEMIST" Documentaries , many films PLUS Pinter and Ugandan theatre (archives for July 2001 DUTCH PLAY ABOUT A DOG, IN ENGLISH, AT RIVERSIDE VENUE
Comedy, And Enjoying Comedy Events In London, England AND VIDEO SCREENINGS REVEALED IN ENTERTAINING AUSTRALIAN vaudeville ECCENTRIC ACTS AT GREENWICH theatre. BBC COMEDY THE NEWS QUIZ . BBC radio 4 FREE COMEDY http://www.howtoenjoy.co.uk/interests/comedy.htm
Extractions: how to enjoy London (hteL) Your Interests (140+) x Countries London Events Home Contact ... External "Comedy" Links COMEDY - Concerts Fringe General Festivals General theatre ... TV viewing All the events listed below have already happened! To discover current and future Comedy events, etc., you must either read and/or advertise on our Current & Future "Comedy" Events section "THE MOTION SHOW" - RADIO RECORDING OF COMICAL DEBATING RADIO SHOW "UP LATE... WITH RALF LITTLE": COMEDY SHOW - RECORDED FOR SAME-DAY TV TRANSMISSION '...THE WORST FRINGE THEATRE COMPANY IN THE WORLD' AFTERNOON OF FILMS - "AMERICAN COMEDY CLASSICS" - BY USA FILM DIRECTOR, GEORGE CUKOR - THAT STAR ACTOR, GRANT AND ACTRESS, HEPBURN ... Car-boot sale , comedy, concerts conference exhibitions fairs ... talks (archives for November 2001 COMEDY FESTIVAL WINNERS PERFORM IN HACKNEY EMPIRE BULLION ROOM THEATRE CZECH HUMOUR OVER LUNCH BY ORDER OF THE PRESIDENT! E-mail HowToEnjoyLondonReview-subscribe@yahoogroups.com for FREE information - soon, about London's Comedy events EALING COMEDY FESTIVAL WITH CANADIAN AND IRISH COMEDIANS ENGLISH ACTOR AND COMEDIAN, JOHN FORTUNE IN "REMINDFUL" LUNCHTIME CONVERSATION
American Musical Theatre American Musical theatre. Divisions. Died out with the coming of the radio,but the influence 3 Precursors. Variety/vaudeville. Variety/vaudeville. http://www.uni.edu/theatre/tools/classes/tas/musical.html
Honolulu Star-Bulletin Stage Calendar At 8 pm April 25, and 2 pm April 6, Earle Ernst Lab theatre. Play by Neil Simonsaluting performers who began their careers in vaudeville and radio. http://starbulletin.com/97/03/31/community/stage.html
Extractions: Stage "Stage" appears on-line every week, and Thursdays in the Star-Bulletin's "Community Calendar." Send notices to: Community Calendar, Honolulu Star-Bulletin, P.O. Box 3080, Honolulu 96802. Or fax to 523-8509. Or send e-mail to citydesk@starbulletin.com Thursday, March 27, 1997 An animated musical adventure for the whole family. The production will introduce several of Hawaii's endangered species including the monk seal, green sea turtle and Pu'eo. At 6 and 8 p.m. Saturdays and Sundays, through June 15, Ala Moana Center's New Makai Market Pavilion. Free. Call 672-9585. "Hamlet": Brigham Young University-Hawaii's Fine Arts Division will give their interpretation of Shakespeare's "Hamlet," 7:30 p.m., through March 29, McKay Auditorium. The play will be directed by Craig Ferre and Neil Freeman. Limited seating. Tickets: $1 to $6.50. No one under eight allowed. Call 293-3545. "The Art of Dining": A couple experiences the intimacy that food can bring while dining at a trendy restaurant. The play humorously explores people's obsession with food. Directed by Lisa A. Kramer. At 8 p.m. April 2-5, and 2 p.m. April 6, Earle Ernst Lab Theatre. Cost: $3-7. Tickets at 956-7655 or 545-4000. "Laughter on the 23rd Floor": Play by Neil Simon saluting performers who began their careers in vaudeville and radio. Simon gives insight into the creative process of people like Mel Brooks, Carl Reiner and Steve Allen. At 8 p.m. Thursdays, Fridays and Saturdays, from April 3 through May 3 at the Church of the Crossroads, Weaver Hall. Tickets: $10-$15. Call 247-6939.
Honolulu Star-Bulletin Stage Calendar theatre troupe, 8 pm April 2426, Leeward Community College Lab theatre. by Neil Simonsaluting performers who began their careers in vaudeville and radio. http://starbulletin.com/97/04/16/community/stage.html
Extractions: Stage "Stage" appears on-line every week, and Thursdays in the Star-Bulletin's "Community Calendar." Send notices to: Community Calendar, Honolulu Star-Bulletin, P.O. Box 3080, Honolulu 96802. Or fax to 523-8509. Or send e-mail to citydesk@starbulletin.com Thursday, April 10, 1997 "Midsummer Night's Dream": William Shakespeare's comedy about four sets of "lovers" and the antics they fall into, 7:30 p.m. Fridays and Saturdays through April 19, Mililani High School Cafeteria. Mililani and Leilehua High School students make up the cast and crew. Part of the proceeds will go toward a trip that the Tri-School students are taking in June to the Oregon Shakespeare Festival. Tickets: $7 adults; $5 students. Call 621-7559. Also presented by the Hawaii Pacific University Theatre, 8 p.m. Fridays and Saturdays and 4 p.m. Sundays through May 4, Hawaii Pacific University Theatre, 45-045 Kamehameha Highway. Additional showing 8 p.m. May 1. Tickets: $10. Reservations required. Call 254-0853 or 233-3167. "The Good Woman of Setzuan": Directed by Ben Moffat, the play tells of a woman's struggle to be kind-hearted in a world that rewards selfishness. At 8 p.m. Fridays and Saturdays through April 25. Cost: $6-$8. Reservations at 235-0077, ext. 446, or 235-7446.
Extractions: A to Z of comedians How to put your CV on this website who are we? contact us If you wish to make an enquiry about booking any of the acts displayed on this site please contact us via email at mullaney3@blueyonder.co.uk and we will ensure it is forwarded immediately to the relevant party. Kit and the Widow Theatre:
Vaudeville Theatre London Theatres And Shows AZ Of Tourism vaudeville theatre Tube Charing Cross/Covent Garden From film and music to theatrecatch the latest news and and Shows Casino Sports TV and radio Live Web http://www.a-zoftourism.com/Theatres and Shows-in-London-id3883-p2.htm
The Austin Chronicle Music Borderline Vaudeville Border radio A Nuevo vaudeville Documentary Performance will be performed Friday,May 10, and Saturday, May 11, at the Scottish Rite theatre (207 W. 18th). http://www.austinchronicle.com/issues/dispatch/2002-05-10/music_feature.html
Extractions: If you had happened upon a small South Austin studio at approximately 7:45 last Friday evening, you would have played witness to an agitated gentleman urging the men in the audience with declining virility to let him insert goat glands into their "personal equipment." "The goat glands act like a battery charger," explained Dr. Brinkley as he gyrated around the stage. "They can make a man the ram what am with every lamb." That's what this weekend's performances of a new musical, Border Radio: A Nuevo Vaudeville Docu mentary Performance, are all about. Thankfully, that's not the only thing they're about.
VAUDEVILLE : MusicWeb Encyclopaedia Of Popular Music to the top; the ultimate goal was the 'legitimate' theatre on Broadway Vaudevillebegan to succumb in the late 1920s to the competition of radio and films http://www.musicweb.uk.net/encyclopaedia/v/V22.HTM
Vaudeville Palace was the only vaudeville theatre left in America by vaudeville acts were hiredonce by motion picture makers and radio came into the home and was free http://www.psu.edu/dept/inart10_110/inart10/vaude.html
Frizzi Lazzi-Italian American Experience other memorabilia generously loaned by families of the theatre community. these pagesare scenes of comedy, tragedy, vaudeville, and radio, featuring stars http://www.frizzilazzi.com/italianexpierence.htm
Extractions: IN OVER TWO HUNDRED DELIGHTFUL, PHOTOGRAPHS Italian-American theatre sprang to life in New York City shortly after waves of Italian immigrants poured into this country in the 1870s. The mass migration brought both the performers and the audiences necessary for theatrical entertainment. Hungry for recognition, support, and social exchange, the men and women from Italy formed amateur theatrical clubs as one way of satisfying emotional needs. By 1900, the community had produced the major forces that created Italian-American theatre of the ensuing decades. In The Italian-American Immigrant Theatre of New York City, author Emelise Aleandri regenerates the excitement of the stage through striking photographs, programs, and other memorabilia generously loaned by families of the theatre community. She follows the fortunes of the earliest nineteenth-century companies and introduces those that arose in the twentieth century. Within these pages are scenes of comedy, tragedy, vaudeville, and radio, featuring stars such as Mimi Cecchini, Guglielmo Ricciardi, Concetta Arcamone, Antonio Maiori, Rita Berti, Farfariello, and Olga Barbato. Little Italy Book cover In Little Italy , author Emelise Aleandri recreates the aura of a time gone by, in a nostalgic revisiting of the streets and buildings of this neighborhood through striking photographs, documents and other memorabilia generously loaned by families of the community and from archival sources. Dr. Aleandri, a native of Riva del Garda, Italy, is a producer, director, actress, writer and singer. She has a Ph.D. in Theatre from the City University of New York She is also the President of the Metropolitan New York Chapter of the American Italian Historical Association and leads historical walking tours of Little Italy. In this book, she looks at a neighborhood that housed and served newly arrived Italian immigrants almost exclusively, and that is growing smaller and smaller geographically as other new immigrant arrivals occupy the area, thus repeating the pattern of assimilation experienced by the Italians more than a century ago.
CofC: About CofC: News Release vaudeville, Americas popular mainstream entertainment before motion pictures,radio and television, will Susan Kattwinkel, a theatre professor at the http://www.cofc.edu/news/20020123-1.html
Extractions: Professor Susan Kattwinkel Vaudeville, Americas popular mainstream entertainment before motion pictures, radio and television, will take a high-tech curtain call. Susan Kattwinkel, a theatre professor at the College of Charleston, is involved in a computer modeling production called Virtual Vaudeville. Officially known as A Live Performance Simulation System: Virtual Vaudeville, the project has been awarded a $900,000 grant from the National Science Foundation. Kattwinkel is part of a team of theatre historians, musicologists, computer scientists, and animators from seven universities that plans, in 2004, to stage a first-of-its-kind internet vaudeville show. New computer technology does need to be invented for this, said Kattwinkel. The idea of putting performance modeling together with a virtual reality environment is new in the way that we want to do it. Performance modeling involves putting sensors on a persons body and then digitizing all of the movements so that computer models can be constructed. The technology is now used in athletics to study, for example, a golfer or baseball players swing.
Federal Theatre Project Collection: Administrative Documents marionettes, popular price theater, vaudeville, and productions in Program for theFederal theatre To the Publicity - 1939 - FTP radio Division Presentations http://memory.loc.gov/ammem/fedtp/ftad.html
Extractions: New Deal Stage The following list describes documents selected from the Administrative Records - Background File (Boxes 1-4) and the Production Records - Administrative File (Boxes 963-967). Box numbers refer to the box numbers listed in the Federal Theatre Project Collection Finding Aid The Administrative Records - Background File (1935-40 and undated) consists of 10 containers (Boxes 1-10) and comprises correspondence, memoranda, reports, inventories, reorganization plans, operations manuals, briefs, speeches, and administrative forms relating to the background, organization, policies, services, and procedures of the Federal Theatre Project (FTP). Included are charts and miscellany dealing with the administrative organization, weekly receipts, attendance records, and information for a House of Representatives committee. The Production Records - Administrative File (1934-40 and undated) consists of 8 containers (Boxes 960-967) and is comprised of advertising and publicity, correspondence, personnel activities, photographic division information, rehearsals and performance schedules, reports, and scrapbooks. Subjects covered are caravan theater, children's theater, circus, classical unit, marionettes, popular price theater, vaudeville, and productions in general. Administrative Records - Background File Box 1 Hallie Flanagan - Director of Federal Theatre - "Is This the Time and Place?" - Delivered October 8, 1935, Washington, D. C. - First Meeting of Regional Directors-Federal Theatre Project
Disinformation | A Not So Brief History Of The Firesign Theatre their visage as America's Comedy theatre, and Electric vaudeville. April of 1995The Firesign theatre assembled in to record four Nick Danger radio spots for http://www.disinfo.com/pages/article/id2037/pg5/
Extractions: They created a following of die-hards, affectionately called Fireheads who treated the band like they were the Grateful Dead , preceding them to every venue to try and catch every show. The Firesign Theatre staged endless press conferences, and interviews and appeared on many local and National Public Radio affiliates across the country promoting their comeback and cementing their base. Mobile Fidelity released Fighting Clowns with the "Carter" song on CD in 1993, and a double CD set of selected live performances from the 25th Anniversary Tour, Back From The Shadows in 1994. The sales figures of the CDs has caused CBS/Sony to not renew further licensing to Mobile Fidelity with the hope of doing their own reissues. In August of 1995
NEO Vaudeville 2002 CLICK HERE for theatre Neo information.theatre NEO, in website, one of the last livingvaudeville performers. his days working in live radio? BACKSTAGE WEST http://www.americanmusicals.com/neo
Extractions: BackStage West review says: "Younger than he looks, thanks to his uncredited great makeup job, Jeff Scott offers an amusing, ultimately touching portrait of [86 year old Del Arte'] an old-time entertainer valiantly trying to cope with his encroaching senescene and redundancy in a changing world. Ex-vaudevillian, magician, radio, TV, film veteran- [Del's] still trying and still jaunty. Scott tugs at heartstrings with his [play] I'm Getting My Act Together...Before I Die
Talentclick | It's Who You Know Acting Training BFA w/Honors in Music theatre/Vocal Jazz from Syracuse Combat, DriveLight Truck, Quick Facial Hair, Love of vaudeville radio Comedy, Can http://portfolios.talentclick.com/dshapiro
Extractions: Film Credits Title Role Studio/Prod. Co. Director Year Riding in Cars with Boys Featured Dancer Columbia Penny Marshall About Barbers Supporting Scout Productions Eric M. Poydar The Perfect Breeze Lead Post Productions Sean Barclay/Ryan Main Extra 20th Century Fox Farrelly Brothers State and Main Extra Fine Line Features David Mammet Sci-Fi High Lead ximix Productions Memo Salazar Theatre Credits Title Role Theatre/Comp. Director Year Forever Plaid (Original Choreography) Smudge ACT ONE/ Stoneham Theatre Peter Miller In The Mood Live (Big Band Tour) MC/ Vocalist Bud Forrest Entertainment John Moran Ernest in Love Algernon The Barnstormers Cope Murray Schippel the Plumber Schippel The Barnstormers Dan Rubinate Twelfth Night Feste The Theater at Monmouth Barbara Bosch Friendship of the Sea Lead North Shore Music Theatre Michael Wartofsky, Composer
Contra Costa Times | 01/06/2003 | Sketch Comedy Could Be The Next Big Thing Noise radio theatre and Kasper Hauser not only packed a couple of hours with laughs,but offered a wide range of styles, from the straightahead vaudeville http://www.bayarea.com/mld/cctimes/entertainment/columnists/pat_craig/4883423.ht
Extractions: If raw talent is any indication, sketch comedy, like stand-up in the late '70s and early '80s, just may be the next big thing. Opening with a quartet of local groups, the San Francisco Sketchfest 2003 showed an elaborate display of comedic fireworks that promised a month full of big-time laughter and the notion that there is plenty available for those who enjoy laughing. Sketch comedy is a hybrid form familiar as death, taxes and heavy traffic to anyone who has watched television over the past half-century. Essentially, each comic bit is a short play, written for laughs and performed with an intensity designed to build giggles into explosions of guffaws. And the four groups that performed in Thursday's opener the Meehan Brothers, Totally False People, White Noise Radio Theatre and Kasper Hauser not only packed a couple of hours with laughs, but offered a wide range of styles, from the straight-ahead vaudeville of the Meehans to the topical humor clad in harlequin suits proffered by Kasper Hauser. The evening was held together by host and stand-up comic Joe Kolcek, who introduced the acts and offered some of his own political hilarity.
Allen, Fred name of Fred Allen, and moved up from vaudeville to Broadway revues, early 1920s;worked on radio, notably Allen's Alley and Texaco Star theatre, from 1932 http://www.museum.tv/archives/etv/A/htmlA/allenfred/allenfred.htm
Extractions: ALLEN, FRED U.S. Comedian Fred Allen hated television. Allen was a radio comedian for nearly two decades who, as early as 1936, had a weekly radio audience of about 20 million. When he visited The Jack Benny Show to continue their long running comedy feud, they had the largest audience in the history of radio, only to be later outdone by President Franklin Roosevelt during a Fireside Chat . The writer Herman Wouk said that Allen was the best comic writer in radio. His humor was literate, urbane, intelligent, and contemporary. Allen came to radio from vaudeville where he performed as a juggler. He was primarily self-educated and was extraordinarily well read. Allen began his network radio career in 1932 after working vaudeville and Broadway with such comedy icons as Al Jolson, Ed Wynn, George Jessel, and Jack Benny. This was a time when the United States was in a deep economic depression, and radio in its infancy. In his autobiography Treadmill To Oblivion , Allen wrote that he thought radio should provide complete stories, series of episodes, and comedy situations instead of monotonous unrelated jokes then popular on vaudeville. With this idea in hand, he began his first radio program on NBC called