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These essays present a balance of theory and practice, of literary and cultural criticism, of gender, race, aesthetic, colonial and political issues. ... Read more

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Explores the construction of nationality in Latin American and Chicano literature and thought during the nineteenth and twentieth centuries.Focusing on the discourse of mestizaje--which proposes the creation of a homogenous culture out of American Indian, black, and Iberian elements--De Castro examines a selection of texts that represent the entire history and regional landscape of Latin American culture in its Western, indigenous, and neo-African traditions from Independence to the present. ... Read more

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Excelent book about Mestizos and identity.
I loved this book, It was very helpful when I was trying to write a paper about identity and mestizo people. ... Read more

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This is an excellent survey of Beckett's work.
Alan Astro has done a magnificent job of reading Beckett's oeuvre.His analysis is acute and sometimes brilliant: I have never read a better piece on _Endgame_, and Astro's take on _Watt_ is incredible.There is no contemporary critic who has dealt with the primacy of the signifier in Beckett's work the way that Alan Astro has, is, and will continue (we hope) to do.His contribution to scholarship and performance cannot be overstated. ... Read more

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A Companion to Latin American Literature offers a lively and informative introduction to the most significant literary works produced in Latin America from the fifteenth century until the present day.It shows how the press, and its product the printed word, functioned as the common denominator binding together, in different ways over time, the complex and variable relationship between the writer, the reader and the state. The meandering story of the evolution of Latin American literature - from the letters of discovery written by Christopher Columbus and Vaz de Caminha, via the Republican era at the end of the nineteenth century when writers in Rio de Janeiro as much as in Buenos Aires were beginning to live off their pens as journalists and serial novelists, until the 1960s when writers of the quality of Clarice Lispector in Brazil and García Márquez in Colombia suddenly burst onto the world stage - is traced chronologically in six chapters which introduce the main writers in the main genres of poetry, prose, the novel, drama, and the essay. A final chapter evaluates the post-boom novel, testimonio, Latino and Brazuca literature, gay, Afro-Hispanic and Afro-Brazilian literature, along with the Novel of the New Millennium. This study also offers suggestions for further reading. STEPHEN M. HART is Professor of Hispanic Studies, University College London, and Profesor Honorario, Universidad de San Marcos, Lima ... Read more

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Important neglected topic well configured
Sacred Eroticism: Georges Bataille And Pierre Klossowski in the Latin America Erotic Novel by Juan Carlos Ubilluz (The Bucknell Studies in Latin American Literature and Theory: Bucknell University Press) rather than a gross exaggeration or a rash generalization, it would be simply an understatement to say that a large part of Latin American erotic literature is deeply rooted in mysticism. One needs no more than a superficial glance at the region's fiction to apprehend that erotic mysticism is a literary tremor that inhabits its different aesthetic trends. This may be perceived either in the metaphysical neobaroque Jose Lezama Lima of Paradiso or the Spencerian primitivist Alejo Carpentier of Los pasos perdidos [The Lost Steps] (1953), in the surrealist-existentialist Julio Cortázar of Rayuela [Hopscotch] (1963) or in the neo-Parnassian Mario Vargas Llosa of Elogio de la madrastra [In Praise of the Stepmother] (1988), in the avant-garde neobaroque Severo Sarduy of Cobra (1972) or in the Musilian classicist Juan Garcia Ponce of La cabana [The Cabin] (1969), in the experimental Carlos Fuentes of Aura (1962) or the cold Kafkaesque detachment of Virgilio Piñera's La came de Rene [Rene's Flesh] (1952), and in the rupturist écriture feminine of Alejandra Pizarnic's La condesa sangrienta [The Bloody Countess] (1971) or in the surrealist Octavio Paz of Piedra del sol [Sunstone] (1957) As the reader proceeds to complete the list on his/her own, he/she will inevitably wonder: How can this be so? How can such different writers equally choose to imbue their erotic writing with mysticism? The answer to these questions may be found in their inversion. How can this not be so? How can the atheist or agnostic writers raised in the strong Catholic tradition of an incompletely modern continent not channel the remnants of their religious spirit toward erotic literature?
Let us elaborate a bit on these rhetorical questions. Building on Cassirer's insights, David Harvey observes that the project of mo¬dernity (as conceived in the Enlightenment era) was eminently a "secular movement" that "embraced the idea of progress" while actively seeking "the demystification and desacralization of knowl¬edge and social organization in order to liberate human beings from their chains" (1990, 12). Whether one describes Latin America's modernity as imperfect, defective, incomplete, uneven, peripheral, or merely idiosyncratic, it is clearly the case it has not yet taken its secular aspirations as far as to demystify and desacralize the synch¬retic Catholicism that has variously shaped the region's social orga¬nization. Raised in a strong religious environment, the Latin American writer came to question at some point of his/her life the orthodoxy of his/her religious faith. It would be somewhat naive, however, to believe that the assumption of metaphysical doubt or unbelief could have simply extinguished the religious fervor that came with his/her strong Catholic socialization. In my view, this fervor pervaded his/her mature existence as an elated extra-rationalist manner of looking at the world--in short, as a symptom that clings to modernity's secularized rationalism. It is indeed hard, if not impossible, to detail the different infiltrations of this religious drive into the existence of different writers. To briefly advance a few bold examples, in the personal arena, this drive metamorphosed into a heightened devotion to romantic love and sexuality (or even to the brothel, in the case of male authors), and in the political arena, it evolved into a theological embrace of Marxism or the mystification of Che Guevara and Eva Perón. Coming now to the field of literature, it pushed the limits of literary realism toward the Mayan and Incan weltanschauungen of Miguel Angel Asturias and Jose Maria Arguedas, the marvelous American real ("lo real maravilloso americano") of Alejo Carpentier, and the magical realism ("realismo mágico") of Juan Rulfo and Gabriel Garcia Márquez. And remaining within literature so as to return finally to the object of our concern, this impulse toward the sacred found a discursive outlet in erotic fiction as a mystification of the sexual act and writing itself.
Now, unbeknownst to them, many Latin American authors echo Georges Bataille and Pierre Klossowski in their complex turning away from religious tradition. The former as an adolescent, the latter as an adult, Bataille and Klossowski entered the Catholic seminary only to eventually question their faith. Just like their Latin American counterparts, they did not turn their open defiance of church and God into an embrace of a rational modernity; instead, they transposed their religious spirit onto a vital, intellectual, and literary quest for an absent sacred. During the interwar period, for example, this quest materialized as an attempt to revive the sacred in modernity through the creation of Acéphale (a secret and ritualistic pagan society) and the foundation of the College de Sociologie (a community of knowledge dedicated to the study of past and present manifestations of the sacred). But more importantly for thefocus of this study, their rejection of Catholicism led them to search for the sacred in eroticism and to ultimately become perhaps the most important fiction writers and theorists of eroticism in interwar and postwar Europe.
Since Bataille and Klossowski share with many Latin American authors the double defiance of modernity and religious tradition along with the maintenance of a quasi-religious desire for an inti¬mate relation to the world, it is not surprising that the erotic theories and novels of the former two have had a considerable impact on the erotic writing of so many among the latter. What calls our attention instead is that there is almost nothing written on the subject. Although few in number, there are some articles along with book chapters written on the influence of Bataille or Klossowski on a particular Latin American author. But regarding a comprehensive study of this intercontinental influence, there is only Graciela Gliemmo's insightful twelve-page article "La inscripción de una escritura: Georges Bataille en America Latina" [The inscription of a writing: Georges Bataille in Latin America] (1993). Why, one must ask, have critics in the English- and Spanish-speaking academia neglected this important chapter in the history of Latin American literature?
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Un interesante libro
No hay otro libro donde uno puede entender la mentalidad de Weiss, un dramaturgo que a través de sus obras nos muestradocumentos de guerras. El teatro documento, es una forma de mostrar esa realidad que muchos vivieron y otros no, denunciando los horrores de la guerra, moviendo la conciencia social mundial para que se conozcan estos crimenes, que hasta el día de hoy siguen y seguirán sucediendo. ... Read more