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Expressionism Dance:     more detail

The Total Artwork in Expressionism: Art, Film, Literature, Theatre, Dance, and Architecture 1905-1925 Expressionism in Twentieth-Century Music by John C. Crawford, Dorothy L. Crawford, 1993-11 Liszt (German Expressionism) by Charles Rostand, 1972-01-01 Modern Drama in Theory and Practice: Volume 3, Expressionism and Epic Theatre (Modern Drama in Theory & Practice) by J. L. Styan, 1983-07-29 20th-Century Classical Music: Modernism (music), Impressionist music, Expressionism(music), Futurism (music), Atonality, Neoclassicism(music), Electronic ... of jazzinfluenced classical compositions Mary Heilmann: Save the Last Dance for Me (One Work) by Terry R. Myers, 2007-06-01 Expressionism and Modernism in the American Theatre: Bodies, Voices, Words (Cambridge Studies in American Theatre and Drama) by Julia A. Walker, 2005-07-25 American Letters: 1927-1947 by Jackson Pollock and Family, 2011-05-03 German Expressionist Films (Pocket Essentials) by Paul Cooke, 2002-07 Theateraufsatze (Schreyer, Lothar, Works. No. 3.) (v. 3) by Lothar Schreyer, 2000-04 The New York Schools of Music and the Visual Arts (Studies in Contemporary Music and Culture, V. 5.) German Expressionist Theatre: The Actor and the Stage by David F. Kuhns, 1997-08-28

lists with details

41. Abstract Expressionism
    The new movement, which became known as Abstract expressionism, was heavily indebtedto the ideas of the European pioneers of abstraction, including Film. dance.  
    http://artnetweb.com/abstraction/abexpress.html
    
    Extractions: In the late 1930s and early 1940s, around the outbreak of World War II, many Surrealists fled Europe and settled in New York. Their interest in unmediated expression to reach the absolute soon influenced a young generation of painters struggling to find a voice for American art. The new movement, which became known as Abstract Expressionism , was heavily indebted to the ideas of the European pioneers of abstraction, including Vasily Kandinsky , whose work was championed in influenced a young generation of painters struggling to find a voice for American art. The new movement, which became known as Abstract Expressionism , was heavily indebted to the ideas of the European pioneers of abstraction, including Vasily Kandinsky , whose work was championed in this country by the Museum of Non-Objective Painting (subsequently renamed the Solomon R. Guggenheim Museum ) beginning in 1939. Many of the

42. Encyclopædia Britannica
    century. Modern dance expressionism; Merce Cunningham; Postmodernism;The musical. Indian classical dance. Tribal and ethnic dance Tribal  
    http://www.britannica.com/eb/article?eu=118759

43. Library Research Workstation: Expressionism, Epic, & Absurdism
    georg buchner t=theatre journal s=Kandinsky Wassily s=expressionism bibliographyk and ephemeral publications on all aspects of theater, performance and dance.  
    http://www.library.yale.edu/humanities/theater/instruction/expressionism.htm
    
    Extractions: This web page is an online workshop for students in David Krasner's Theater Studies 375a, Topics in Drama and Performance. This guide should provide a framework and a starting point for research, but there are also people to help with specific questions. The library has several research workshops that expand on the online tutorials provided here and there is always a reference librarian who can help at the Reference Desk in Sterling Memorial Library. Barbara Rockenbach

44. Ken Green's Artwork List
    Type, Painting. Style, expressionism. Media, Oil on Canvas. Dimensions, 33.5 x 41 . Subject, Industrial. Asking Price, $2695. Iron Man dance of the SteamerImage.  
    http://www.doubletakeart.com/cgi-bin/dtg/ea.awl?artist.code=green001

45. Barewalls - Top Ten Expressionism
    Top Tens expressionism. Edvard Munch, The Scream Henri Matisse, The Thousand One Nights Henri Matisse, Blue Nude Henri Matisse, The dance Henri Matisse  
    http://www.barewalls.com/whatshot/toptenExpressionism.html

46. Expressionism: Artists (1890s - 1920)
    expressionism Artists (1890s 1920) Guide picks. Beckmann life. Munch,Edvard dance of Life A detailed look at Munch's life and art.  
    http://arthistory.about.com/cs/expressionisma/

47. Dance Video Collection- Lilly Library F&V
    From Free dance to dance Theatre, German expressionism (dance of the Century) 6407,Cass. 3. PAL format. 53 mins. Paris Amaya, 1992. Sonia Schoonejans, dir.  
    http://www.lib.duke.edu/lilly/dancevid.htm

48. Dance Theatre Of Ireland
    Their earliest dance training was in Abstract expressionism with Nancy Hauser andHanya Holm at the Centre for the Performing Arts in Minneapolis, where they  
    http://www.dancetheatreireland.com/pages/artdirec.htm
    
    Extractions: Dance is a language with a power to encourage the spirit, evoke memory and reflect ideas. In our work we construct dance, imagery and music that reflects on living, life, people, or on qualities of movement which – in and of themselves – take our imaginations to those places. Dance, and dancers, are perhaps one of the last remarkable vestiges of living in the moment—of working in ways that don’t necessarily compute—of working with one’s body and imagination, and ultimately with each other…a rigorous place where we rely on the body’s wisdom to respond in new ways to what it already knows or to what the mind reflects upon. There are many ways into that centre…it’s a hard life, but a magnificent world.” Robert Connor and Loretta Yurick have been at the forefront of the development of contemporary dance in Ireland throughout their careers as performers, choreographers, teachers and producers. Robert and Loretta hold BA's in Psychology and Urban Studies, respectivly. Their earliest dance training was in Abstract Expressionism with Nancy Hauser and Hanya Holm at the Centre for the Performing Arts in Minneapolis, where they were also taught by then Company members, Ralph Lemon and Steve Koester. Since then they have worked in a variety of contemporary dance styles including Limon, Cunningham, Nikolais and release techniques as well as contact improvisation. Together and separately they have created over 30 original works for Dance Companies and Festivals

49. COLLEGE OF CHARLESTON
    2. Provide students an opportunity to explore the art of African dance andrelate its technique, origin, and expressionism to any medium of dance.  
    http://www.cofc.edu/~pehd/adjuncts/139.html
    
    Extractions: COLLEGE OF CHARLESTON PEHD 139 AFRICAN DANCE SPRING, 2003 2 SEMESTER CREDIT HOURS TIME: T Th 10:50 a.m. to 12:05 p.m. PLACE: Rm. 225 INSTRUCTOR: Ms. Linda Jean Harvey OFFICE: Silcox Gymnasium OFFICE HOURS: T 12:15 p.m. to 12:45 p.m. by appointment OFFICE PHONE: PREREQUISITES: None GRADING: A, B+, B, C+, C, D, F COURSE PEHD is a course that broadens and enhances the cultural scope of DESCRIPTION: African Dance as far as origin, performing arts techniques, suggested realism and expressionism of the art form are concerned. REQUIRED TEXT: N/A REQUIRED Course handouts MATERIALS: COURSE 1. Exhibit a picturesque image of African Dance as it depicts authenticity, OBJECTIVES: originality, and diversity through its art form. 2. Provide students an opportunity to explore the art of African Dance and relate its technique, origin, and expressionism to any medium of dance. 3. Engage the students through improvisational choreography, study groups and lecture demonstrations to create a culminating experience that will result in a performance involving all class participants. COURSE Skill objectives recorded, performed and documented

50. REVIEWS
    Pascal’s simple, cleverly designed and movingly acted production throws naturalismand expressionism, dance, music and dialogue (in English and Yiddish) into  
    http://www.pascal-theatre.com/pascrevdybb.htm
    
    Extractions: REVIEWS The Dybbuk by Julia Pascal New End Theatre Cheekily upstaging the Royal Shakespeare Company, whose own version of Anski’s classic opens in two weeks’ time, Julia Pascal has transformed Hasidic myth into an urgent play for today a timeless drama that reaches back into the rituals of the past and looks forward into the ashes of the 20th century. Framed by the musings of a young Jewish girl on the sterility of present-day Germany ("I go to Germany and I think that Hitler won" ) the play is set in 1942 in a Jewish ghetto where the inhabitants confront their terror by ritually acting out the story deeply rooted in their culture of the bride who is possessed on her wedding day by the restless soul of the young student who loved and lost her. Pascal’s simple, cleverly designed and movingly acted production throws naturalism and expressionism, dance, music and dialogue (in English and Yiddish) into the melting pot and comes up with something distinctly and refreshingly un-British. Purists will no doubt argue that Anski’s original has been subsumed, but this is genuinely creative work which boasts a final sequence that is as spine-tingling as anything you’ll see in the theatre this year. Lyn Gardner

51. UNIVERSITY OF SURREY - MODULE CATALOGUE
    movements in the visual arts, music, literature and film, such as expressionismand Abstract expressionism. 2. Modernism and modern dance the distinctiveness  
    http://www.open.mis.surrey.ac.uk/misweb/modules/6303.htm
    
    Extractions: UNIVERSITY OF SURREY - MODULE CATALOGUE Module Short Name DMP Module Title POSTMODERNISM Objectives/Learning Outcomes Aims: th and 21 st Learning outcomes: Knowledge of modern and postmodern characteristics and strategies across a range of art forms. Understanding of how these two `isms’ are manifest in Western theatre dance. Ability to make distinctions between genres and sub-genres through the study of particular modern/postmodern dancers, choreographers and companies. Ability to debate issues of genre distinctions and/or classification in dance and in other art forms. Content Prerequisites Pattern of Delivery Spring Semester Only. Methods of Teaching/Learning Lectures, seminars. Methods of Assessment and Weighting Essay (2500 words) Selected Texts Connor, S. Postmodernist Culture: an introduction to theories of the contemporary . Oxford: Blackwell (2 nd edition), 1997. Foster, S.L. Reading Dancing: Bodies and Subjects in Contemporary American Dance . Berkeley and Los Angeles: University of California Press, 1986. Frascina, F. (ed) Modern art and modernism: a critical anthology. London: Paul Chapman (in association with the Open University), 1988.

52. The Dance
    The dance. Henri Matisse 1909. expressionism.  
    http://www.the-artfile.com/uk/artists/matisse/dance.htm

53. Thistle Dance Publishing Artists
    and international, with its formal, intellectual, and psychological sources in Europeanpainting, particularly in Van Gogh and German expressionism, and in the  
    http://www.thistledance.com/art_Fraser.html

54. Color In Art - Impressionism And Expressionism
    Just like the Fauves. Nasturtiums and the dance © Pushkin Musem ofFine Arts, Moscow all rights reserved, Henri Matisse. expressionism.  
    http://alpha.fdu.edu/~bisbing/impressexpress.html
    
    Extractions: This apple is made up of different color strokes. The background is green, which is opposite red on the color wheel (complementary color). The shadow is made up of blues and purples. The table top is yellow, which is the complement of purple. All of these methods were devised by the Impressionist. Let's look at The Seine at Giverny, Morning Mists - 1897

55. Continuing And Professional Education
    Finally, in the fourth class, focus on “abstraction” or “abstract expressionism”–the choice will be yours. Join the dance fiesta! $75 per person.  
    http://www.kean.edu/~cont-ed/art_dance_music.html

56. FSU Dance Publications
    punk rock and such historical avant?garde movements as symbolism, expressionism,dada, surrealism of the 1997 Conference of the Congress on Research in dance, pp  
    http://www.fsu.edu/~dance/publications.html
    
    Extractions: The publications area within the dance department at Florida State University includes a wide range of faculty, staff, and student media. The department has a full-time publicist who works with print media producing posters, programs, brochures, and alumni newsletters. Dance scholars contribute documents to the field of dance in the form of articles, reviews, journals, and complete texts. Promotional and documentary videos are constantly in production along with original sound scores for dance. Technology facilities within the department support the production of CD-ROMs, DVD-ROMs, and DVD-Videos. All the necessary tools are provided for producing instructional, promotional, documentary, and creative web sites and other interactive media. 2002 Brochure - Information and Applications for the BFA, MFA, and MA Degrees in Dance This is a new edition and Turkish translation of the candidate's 1989 book, Break All Rules: Punk Rock and the Making of a Style, published by Dost Publishers as part of their Music and Subculture series; Dost has translated books, primarily in the fields of philosophy and literature, by Phaidon, Cambridge University Press, Routledge, and UMI Research Press.

57. VCU Dance
    graduating seniors are the capstone experience of four years of dance training. Bothexplore expressionism and hyperreality and are performed by his acclaimed  
    http://www.vcu.edu/artweb/dance/nextconcert/bebe/next.html
    
    Extractions: "Last year was our 20th anniversary and we honored the past while we looked to the future," said Martha Curtis, chair of VCU Dance. "But this year we are really concentrating on the future by supporting our recent alumni and bringing in Tere O’Connor, one of the nation’s hippest and hottest choreographers." &Mac183; The VCU Dance Alumni Concert. This performance will feature exciting new work by VCU Dance alumni who have continued choreographing and performing. The evening will include a commissioned work by "Richmond’s own Starr Foster," a solo by Ray Schwartz, founder of the Charlottesville-based Zen Monkey Project and work by Reginald Crump, Laura Schandelmeier, Tommy Parlon, Adrienne Clancy and many others. Oct. 11 and 12, 8 p.m., Grace Street Theater. Tickets are $15 for general public and free to VCU students with a valid ID.

58. VCU Dance Events
    Sat, 800 PM Dazzling performers explore expressionism and hyperreality in workby leading New York choreographer. March, Student/Faculty dance Concert VCU  
    http://www.vcu.edu/artweb/dance/vcu_danceevents.html

59. Expressionism
    important here. You can find expressionism also in literature, indrama, in set and dance, in film and in architecture. A unified  
    http://www.museumonline.at/1997/schulen/weiz/expr_e.htm

60. Reviews - Crimson Coast Dance Society
    grew up in Osoyoos and was one of the first graduates in dance from Simon has beenstrongly influenced by her travels in Europe and by German expressionism.  
    http://www.crimsoncoastdance.org/reviews/
    
    Extractions: Ms McLaughlin is a genuine BC native. She grew up in Osoyoos and was one of the first graduates in dance from Simon Fraser University's School for the Contemporary Arts. Despite her BC roots, Ms McLaughlin has been strongly influenced by her travels in Europe and by German expressionism. Her choreography is stylish, and carefully crafted with a distinctly European sensibility. In "Volio" we saw both West Coast and German influences at play. "Volio" (the word is from Novial, an artifical language invented by a Danish linguist in the 1920s and means the act of wanting something) is not a "story" piece. Instead it explores a number of themes through movement, including confinement, the yearning for freedom, longing for that which is just out of reach and the nature of ordinary gestures and events. Ms McLaughlin's dances are always visually striking. Here the set consisted of two large evergreen shrubs, each set on a dolly with a handle like an old-fashioned wagon. At the back of the stage was a long, narrow window-like rectangle onto which was projected an ever-changing view of clouds and sky. A ladder on wheels led to the window.

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