Geometry.Net - Authors: Hejinian Lyn

EPC Lyn Hejinian
Lyn Hejinian. Photo (c) Carolyn Andrews. Publications Bio Notes LINEbreakaudio program Hejinian at AAP Lyn Hejinian Papers at UCSD.
http://wings.buffalo.edu/epc/authors/hejinian/

Extractions: Lyn Hejinian Photo (c) Carolyn Andrews LINEbreak Hejinian at AAP Lyn Hejinian Papers at UCSD Online Works Poems: from Slowly from My Life ... A Border Comedy from Tinfish from A Border Comedy from The East Village (includes video footage) from A Border Comedy from Chain Elegy from Dia Center for the Arts from The Fatalist from Big Bridge from Happily from Lingo 8 The Lake: A Collaboration with Emilie Clark from The Staking Effect with Travis Ortiz from Chain Writings: Reason Continuing Against Closure from Jacket Figuring Out [on Leslie Scalapino] from temporarily down Interviews: Roughly Stapled an interview with Lyn Hejinian by Craig Dworkin Interview with Lyn Hejinian by Vicki Hudspith (1970) from Poetry Project Newsletter Archives Sound Files:
EPC | Lyn Hejinian
Lyn Hejinian Roughly Stapled. An interview with Lyn Hejinian by CraigDworkin, originally published in Idiom 3 (Berkeley 1995).
http://epc.buffalo.edu/authors/hejinian/roughly.html

Extractions: Roughly Stapled An interview with Lyn Hejinian by Craig Dworkin, originally published in Idiom #3 (Berkeley: 1995). LH: It was very big. When I first started corresponding with Ron Silliman and Barrett Watten in the early 70's, Ron sent me David Melnick's Pcoet and in the accompanying letter mentioned Velimir Khlebnikov. That was the first I'd heard of Khlebnikov, but Ron was writing in a way that assumed I understood, and so I had to find out. Likewise, Barrett was talking about Viktor Shklovsky and the Russian Formalists very early on. By that time several of Shklovsky's books had been translated, and Victor Erlich's big book called Russian Formalism had been published, which we all read and talked about and which had an enormous impact. Erlich's book is still, I think, the most thorough and provocative of the many works about the Russian Formalist movement, but Shklovsky had the direct influence on our sense of literary style and strategies. Barrett's early work Plasma/Paralleles/"X" was very much influenced by Shklovsky.
Small Press Traffic > Lyn Hejinian
Lyn Hejinian is one of the USA's most celebrated poets, as well as amember of the faculty of the Poetics Program here at New College.
http://www.sptraffic.org/html/authors/hejinian.html

Extractions: College. For twenty-five years her writing has drawn both fire and praise for its non-stop questioning of everyday feeling and life. Lyn Hejinian's most recent publication is The Cold of Poetry (Sun and Moon Press, 1994). Collections of her writing include The Cell, My Life, Writing Is An Aid To Memory, A Thought Is The Bride of What Thinking ,and Oxota: A Short Russian Novel . She is the recipient of a Writing Fellowship from the California Arts Council and a Translation Fellowship from the National Endowment for the Arts; she was also awarded the Leningrad's Award for Independent Literature in 1989.
The Cold Of Poetry (Sun & Moon Classics No 42) Hejinian Lyn
The Cold of Poetry (Sun Moon Classics No 42) hejinian lyn. hejinian lyn.The Cold of Poetry (Sun Moon Classics No 42) Literature Fiction
http://www.first-poem-pool.com/Hejinian-Lyn-The-Cold-of-Poetry-Sun-Moon-15571306
Writing Is An Aid To Memory (Sun & Moon Classics No 141) Hejinian Lyn
Writing Is an Aid to Memory (Sun Moon Classics No 141) hejinian lyn.hejinian lyn. Writing Is an Aid to Memory (Sun Moon Classics
http://www.first-poem-pool.com/Hejinian-Lyn-Writing-Is-an-Aid-to-Memory-S-155713
Lyn Hejinian
Lyn Hejinian. A pause, a rose, something on paper. So is this poetryor is this prose, and does it even matter? I would say that this
http://projects.ups.edu/btomasovich/fall2002/203/lhammons/hejinian.htm

Extractions: Lyn Hejinian A pause, a rose, something on paper So is this poetry or is this prose, and does it even matter? I would say that this is prose, even though I guess it is ultimately up to the writer to say what it is. I mean Ive read some of Kerouaks stuff that reminds me of this, and Ive read some Joyce that is a little bit like this, and they did not call their writings poetry. OK, but forget what other writers have done. This is prose, because the lines do not have any weight, and in fact they are indistinguishable from one another. To me that is one of the defining points of poetry. The length of the line, the way the words look on the page, if you do away with this defining characteristic you are merely creating interesting or strange prose. Not that she cant call it poetry, but I could call some rock song in 4/4 time a waltz or something... anyways, it doesnt make it so.
Alerts(
THE GUARD by Lyn hejinian lyn Hejinian's The Guard, a long poem ineight sections, is the last of the Tuumba chapbook series. Parts
http://www.scc.rutgers.edu/however/print_archive/alerts0285.html

Extractions: alerts is an on-going section of this publication set aside for informal commentary and information on new or neglected books by relevant women poets, in brief letter, journal or notation form. We intentionally think of these comments as not complete in the scholarly sense, with the hope of removing prohibitions linked with writing/thinking critically. Your response is invited. THE GUARD by Lyn Hejinian Lyn Hejinian's The Guard, a long poem in eight sections, is the last of the Tuumba chapbook series. Parts of it have been published in several magazines, such as Sulfur and This, and yet the real poem does not seem to be present in these fragments. The Guard is an extremely difficult work to excerpt from because in it meaning is relational. Resonance is inherently pleasurable, as this work shows us, and requires no raison d'etre. Of course, many good poems involve complex interrelations among their parts; this is certainly true of the prose poems, such as My Life
Lyn Hejinian
Lyn Hejinian. Joy To The World. Leonard Bernstein Wunderkind. Forever Yours.The Crow - Salvation (Collector's Series). All the Right Moves. Dirty Harry.
http://www.artistactoractress.com/author/h/hejinian_lyn.html

Extractions: Joy To The World Leonard Bernstein - Wunderkind Forever Yours The Crow - Salvation (Collector's Series) All the Right Moves Dirty Harry She's All That Kind Hearts and Coronets Goodbye Mr Chips My Life (Green Integer Books, 67) The Language of Inquiry Border Comedy, A Happily Angel Hair Sleeps with a Boy in My Head: The Angel Hair Anthology Oxota : A Short Russian Novel The Cell (Sun and Moon Classics, No 21) Leningrad/American Writers in the Soviet Union Authors: H ArtistActorActress.com
AMERICAN POETRY/323
bernstein charles acker kathy hejinian lyn howe susan anderson laurie, NB Onlyauthors who are wellestablished have full-length book studies on their work.
http://www2.auckland.ac.nz/lbr/lit/eng323.htm
Excerpts From My Life By Lyn Hejinian
My Life. Los Angeles Sun and Moon, 1987.Category Arts Literature Authors H hejinian, lynExcerpts from My Life by lyn hejinian. My Life. Los Angeles Sun and Moon,1987. Back to lyn hejinian Author Page. html Mark Peters 2.17.99.
http://wings.buffalo.edu/epc/authors/hejinian/mylife/
Poetic Cities As Cyberspaces
Article by Marjorie Perloff.
http://128.205.200.100/epc/authors/perloff/cyber.html

Extractions: But Joyceand this is again characteristic of Modernismuses his Symbolist urban setting as a stimulus that prompts Bloom's very private stream of consciousness. "Tell him if he smokes he won't grow," he thinks watching the boy with his "chewed fagbutt," and then, being a non-judgmental, kindly type, he thinks better of this reprimand: "O let him! His life isn't such a bed of roses! Waiting outside pubs to bring da home. Come home to ma, da." And that thought, in turn, foreshadows the image of young Dingham's memory of his "da" in the Hades chapter. Toward the end of the paragraph, linguistic play begins to take over. "Met her once in the park. In the dark. What a lark." And then, thinking of Corny Kelleher, the undertaker, Bloom declares playfully: "Bury him cheap in a whatyoumaycall. With my tooraloom, tooraloom, tooraloom, tooraloom." Joyce's Dublin, Eliot's London, Proust's Paris, Thomas Mann's Venice these modernist cities are revealed to us through their architecture. Their materiality is palpable, the settings being startlingly real if not surreal (e.g. Eliot's "A crowd flowed over London Bridge, so many/ I had not thought death had undone so many...."), their value is complexly symbolic (Dublin as image of urban paralysis and loneliness, Proust's Paris as locus of class conflict and social climbing, Mann's Venice as the exotic Other); they elicit a new language which is polyglot, sophisticated, intricateand determined to Make It New. In architectural terms, the Modernist city is the
Lyn Hejinian And Marjorie Welish
May 1, 1995 155 Mercer Street, NYC, 730pm Introduced by John Ashbery Biography poem ELEGY Biography poem "HASN'T SHE A TICKET?" © 19952002 Dia Center for the Arts www.diacenter.org
http://www.diacenter.org/prg/poetry/94_95/hejwelis.html
Excerpts From My Life By Lyn Hejinian
My Life. Los Angeles Sun and Moon, 1987.
http://wings.buffalo.edu/epc/authors/hejinian/mylife/index.html
OAC:
hejinian (lyn) Papers. DESCRIPTIVE SUMMARY. Title lyn hejinian Papers, 19731988.Collection number MSS 0074. Extent 3.20 linear feet (8 archives boxes).
http://www.oac.cdlib.org/findaid/ark:/13030/tf5q2nb49h

Extractions: Hejinian (Lyn) Papers Finding Aids Browse UC San Diego Mandeville Special Collections Library Hejinian (Lyn) Papers View options: Standard Entire finding aid (33K bytes) Contents: DESCRIPTIVE SUMMARY Administrative Information ABSTRACT BIOGRAPHY SCOPE AND CONTENT ... ORIGINALS OF PRESERVATION PHOTOCOPIES Title:
EPC | Lyn Hejinian
An interview with lyn hejinian by Craig Dworkin.
http://wings.buffalo.edu/epc/authors/hejinian/roughly.html

Extractions: Roughly Stapled An interview with Lyn Hejinian by Craig Dworkin, originally published in Idiom #3 (Berkeley: 1995). LH: It was very big. When I first started corresponding with Ron Silliman and Barrett Watten in the early 70's, Ron sent me David Melnick's Pcoet and in the accompanying letter mentioned Velimir Khlebnikov. That was the first I'd heard of Khlebnikov, but Ron was writing in a way that assumed I understood, and so I had to find out. Likewise, Barrett was talking about Viktor Shklovsky and the Russian Formalists very early on. By that time several of Shklovsky's books had been translated, and Victor Erlich's big book called Russian Formalism had been published, which we all read and talked about and which had an enormous impact. Erlich's book is still, I think, the most thorough and provocative of the many works about the Russian Formalist movement, but Shklovsky had the direct influence on our sense of literary style and strategies. Barrett's early work Plasma/Paralleles/"X" was very much influenced by Shklovsky.
Lyn Hejinian - The Academy Of American Poets
lyn hejinian The Academy of American Poets presents biographies, photographs, selectedpoems, and links as part of its online poetry exhibits. lyn hejinian.
http://www.poets.org/exh/ap/lheji

Extractions: poetry awards poetry month poetry exhibits about the academy Search Larger Type Find a Poet Find a Poem Listening Booth ... Add to a Notebook Lyn Hejinian Lyn Hejinian was born in the San Francisco Bay Area in 1941. Poet, essayist, and translator, she is also the author or co-author of fourteen books of poetry, including The Beginner (Spectacular Books, 2000), Happily (Post Apollo Press, 2000), Sight (with Leslie Scalapino, 1999), The Cold of Poetry The Cell My Life Writing Is an Aid to Memory (1978), and A Thought Is the Bride of What Thinking (1976). From 1976 to 1984, Hejinian was editor of Tuumba Press, and since 1981 she has been the co-editor of Poetics Journal . She is also the co-director of Atelos, a literary project commissioning and publishing cross-genre work by poets. Her honors include a Writing Fellowship from the California Arts Council, a grant from the Poetry Fund, and a Translation Fellowship (for her Russian translations) from the National Endowment of the Arts. She recently received the sixty-sixth Fellowship from The Academy of American Poets for distinguished poetic achievement at mid-career. She lives in Berkeley, California. This bio was last updated on Jul 24, 2001.
EPC/ Lyn Hejinian Home Page
Roughly Stapled an interview with lyn hejinian by Craig Dworkin EPC / Loss Glazier (lolpoet@acsu.buffalo.edu) lyn hejinian. Publications Bio Notes LINEbreak audio program
http://www.cas.buffalo.edu/english/pubs/drc/hejinian

Extractions: New Authors Mags Books ... Home Publications Bio Notes LINEbreak audio program Online Works Poems: from My Life from The Cell ... A Border Comedy from Tinfish Elegy from Dia Center for the Arts Fake Dream C (with Bob Perelman) from EPR from Happily from Lingo 8 Writings: Reason Interviews: Roughly Stapled an interview with Lyn Hejinian by Craig Dworkin Eight justifications for canonizing Lyn Hejinian's My Life by Lisa Samuels How Russian Is It: Lyn Hejinian's OXOTA by Marjorie Perloff John Cage's Dublin, Lyn Hejinian's Leningrad, Poetic Cities as Cyberspaces by Marjorie Perloff Lyn Hejinian's "The Guard" by Rae Armantrout Send a Comment or Collaborate on a poem or jump to EPC Home Page EPC Loss Glazier (lolpoet@acsu.buffalo.edu)
Lyn Hejinian Papers : Container List
Container List for lyn hejinian Papers ACCESSION PROCESSED IN 1989 SERIES 1 CORRESPONDENCE Abbott, Steve, 1979 1980. Ahune, Tom, 1975 - 1979. Andrews, Bruce, 1976 - 1984. Andrews, Carolyn (hejinian's mother), 1975.
http://orpheus.ucsd.edu/speccoll/testing/html/mss0074f.html

Extractions: Container List for Lyn Hejinian Papers Part 1: ACCESSION PROCESSED IN 1989 SERIES 1 : CORRESPONDENCE Box Folder A-misc. Abbott, Steve, 1979 - 1980. Ahune, Tom, 1975 - 1979. Altman, Cindy. Aud, Mickeln. Andrews, Bruce, 1976 - 1984. Andrews, Carolyn (Hejinian's mother), 1975. Andrews, Carolyn (Hejinian's mother), 1976. Andrews, Carolyn (Hejinian's mother), 1977. Andrews, Carolyn (Hejinian's mother), 1978. Andrews, Carolyn (Hejinian's mother), 1979. Andrews, Carolyn (Hejinian's mother), 1980. Andrews, Carolyn (Hejinian's mother), 1981. Andrews, Carolyn (Hejinian's mother), 1982. Andrews, Carolyn (Hejinian's mother), 1983. Andrews, Carolyn (Hejinian's mother), 1984. Armantrout, Rae, 1980 - 1984. B-misc. Bailey, Derek, 1932 - 1984. Baracks, Barbara, 1976 - 1978. Beckett, Tom, 1981. Benson, Andrew, 1982 - 1983. Benson, Steve, 1980 - 1984. Berge, Carol, 1975 - 1979. Berkson, Bill, 1977 - 1984. Bernstein, Charles, 1977 - 1984. Bertholf, Robert, 1978 - 1982. Big Eagle, 1976 - 1977. Brenner, Summer, 1977 - 1981. Bromige, David, 1981 - 1983. Burgland, Brita.
Poetry Center - Hejinian, Lyn - 12/08/94
Reader hejinian, lyn. Accession Number 1125. Date 12/08/94. Length 74 minutes.Tape Quality good. Collection Poetry Center. Ethnicity white. Language English.
http://www.sfsu.edu/~poetry/newcatalog/597.htm
Poetry Center - Hejinian, Lyn - 02/09/89
Reader hejinian, lyn. Accession Number 823. Date 02/09/89. Length 35 minutes.Tape Quality good. Collection Poetry Center. Ethnicity white. Language English.
http://www.sfsu.edu/~poetry/newcatalog/596.htm

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