Geometry.Net - Artists: Van Dyck Anthony

Anthony Van Dyck (Getty Museum)
Learn about anthony van dyck from the J. Paul Getty Museum's collections, withlinks to works of art and images. Previous /. Artists. anthony van dyck,
http://www.getty.edu/art/collections/bio/a453-1.html

Extractions: The seventh of twelve children born to a wealthy silk merchant in Belgium, Anthony van Dyck began to paint at an early age. By the age of nineteen, he had become a teacher in Antwerp. Soon afterward, he collaborated and trained with the famous Flemish painter Peter Paul Rubens In his early twenties, van Dyck went to Italy, where he studied the paintings of Titian and Paolo Veronese and worked as a successful portrait painter for the Italian nobility. He became so well known that King Charles I of England summoned him to London to be his exclusive court painter and eventually gave him a knighthood. Van Dyck's numerous portraits of Charles I and his family were greatly admired by his contemporaries. Realizing that Charles's political and financial fortunes were in decline, van Dyck left England for Antwerp and Paris. A year later, after several unsuccessful projects abroad, he returned to London in ill health and died shortly thereafter. Van Dyck is buried in Saint Paul's Cathedral , a distinction reserved only for illustrious British subjects.
Anthony Van Dyck: Thomas Howard, The Earl Of Arundel (Getty Bookstore)
anthony van dyck Thomas Howard, The Earl of Arundel Christopher White,anthony van dyck Thomas Howard, The Earl of Arundel, J. Paul
http://www.getty.edu/bookstore/titles/dyck.html

Extractions: Anthony van Dyck's portrait of Thomas Howard was made during the artist's first visit to London and marked the beginning of his brilliant international career. Thomas Howard, a prominent member of the court of James I, was to become one of the greatest and most enlightened collectors and patrons England has ever known. In this probing study, Christopher White provides a history both of Thomas Howard, and of van Dyck, whose canvases established the grand tradition of portraiture both in England and on the Continent. Illustrated with more than fifty reproductions, seventeen in color, this volume in the Getty Museum Studies in Art offers not only a complete study of a great painting but also a primer on how great collections are formed and great careers are launched. Christopher White, director of Oxford University's Ashmolean Museum, is professor of the art of the Netherlands at the University. He is the author of numerous books on Dutch and Flemish art, including the two-volume study
NGA - Sir Anthony Van Dyck
HOME, Tour Sir anthony van dyck. Overview Start Tour. Overview. anthony vandyck, a true genius at portraiture, revealed the aspirations of his sitters.
http://www.nga.gov/collection/gallery/gg4243/gg4243-main1.html

Extractions: next room back to Dutch and Flemish painting of the 16th and 17th centuries Anthony van Dyck, a true genius at portraiture, revealed the aspirations of his sitters. He often flatteringly elongated his subjects and portrayed them sharply from below to enhance their stature. With elaborate settings, symbolic accessories, and suggestions of movement, Van Dyck made his sitters seem at once grand and alive, inaugurating a style of formal portraiture that is still emulated today. Van Dyck's elegant likenesses were sought eagerly in the Low Countries as well as in Italy and England, where he was knighted. His mythological and religious scenes were also greatly admired and profoundly influenced later generations of artists. (continue)
DYCK, Sir Anthony Van
dyck, Sir anthony van Flemish painter (b. 1599, Antwerpen, d. 1641, London
http://www.kfki.hu/~arthp/html/d/dyck_van/
Biography
Biography. Sir anthony van dyck was a Flemish painter who was one ofthe most important and prolific portraitists of the 17th century.
http://www.kfki.hu/~arthp/bio/d/dyck_van/biograph.html

Extractions: (b. 1599, Antwerpen, d. 1641, London) Sir Anthony van Dyck was a Flemish painter who was one of the most important and prolific portraitists of the 17th century. He is also considered to be one of the most brilliant colorists in the history of art. Van Dyck was born on March 22, 1599, in Antwerp, son of a rich silk merchant, and his precocious artistic talent was already obvious at age 11, when he was apprenticed to the Flemish historical painter Hendrik van Balen. He was admitted to the Antwerp guild of painters in 1618, before his 19th birthday. He spent the next two years as a member of the workshop of the Flemish painter Peter Paul Rubens in Antwerp. Van Dyck's work during this period is in the lush, exuberant style of Rubens, and several paintings attributed to Rubens have since been ascribed to van Dyck. Titian, Paolo Veronese, and Giovanni Bellini, he adopted colors of great richness and jewel-like purity. No other painter of the age surpassed van Dyck at portraying the shimmering whites of satin, the smooth blues of silk, or the rich crimsons of velvet. He was the quintessential painter of aristocracy, and was particularly successful in Genoa. There he showed himself capable of creating brilliantly accurate likenesses of his subjects, while he also developed a repertoire of portrait types that served him well in his later work at the court of Charles I of England. Back in Antwerp from 1627 to 1632, van Dyck worked as a portraitist and a painter of church pictures. In 1632 he settled in London as chief court painter to King Charles I, who knighted him shortly after his arrival. Van Dyck painted most of the English aristocracy of the time, and his style became lighter and more luminous, with thinner paint and more sparkling highlights in gold and silver. At the same time, his portraits occasionally showed a certain hastiness or superficiality as he hurried to satisfy his flood of commissions. In 1635 van Dyck painted his masterpiece
Van Dyck, Anthony
van dyck, anthony Portrait of Charles of England, van dyck, c. 1635Queen Henrietta Maria of England, van dyck, c. 1637. Home Page,
http://www.usc.edu/schools/annenberg/asc/projects/comm544/library/artists/vanDyc
Anthony Van Dyck Artworks And Fine Art At Arthistorynet.com
anthony van dyck art artwork and indepth artistic information such as paintings,sculpture, photography Iconographie ou vies des hommes illustres du XVII.
http://wwar.com/masters/d/dyck-anthony_van.html
Sir Anthony Van Dyck (1599-1641) Library Of Congress Citations
Subjects van dyck, anthony, Sir, 15991641. Portrait prints 17th century. ControlNo. w 12000048 //r873 Author van dyck, anthony, Sir, 1599-1641.
http://www.mala.bc.ca/~mcneil/cit/citlcdyck.htm

Extractions: The Little Search Engine that Could Down to Name Citations LC Online Catalog Amazon Search ... Free Email from Malaspina Book Citations [32 Records] Title: Van Dyck and portrait engraving and etching in the seventeenth century. Published: London : W. Heinemann, 1911. Description: 15 p., [64] leaves of plates : ill., ports. ; 21 cm. Series: Great engravers LC Call No.: NE674.D95 V36 1911 Rosenwald Coll Dewey No.: 769.92/4 19 Notes: Text by A.M. Hind. Bibliography: p. 11-12. Subjects: Van Dyck, Anthony, Sir, 1599-1641. Portrait prints 17th century. Other authors: Hind, Arthur Mayger, 1880-1957. Control No.: w 12000048 //r873 Author: Van Dyck, Anthony, Sir, 1599-1641. Title: Van Dyck. Text by David Piper. Published: New York, New American Library [1968] Description: 24 p. illus., 32 col. plates. 17 cm. Series: A Mentor-Unesco art book LC Call No.: ND673 .D9P5 Dewey No.: 759.9492 Notes: Includes bibliography. Other authors: Piper, David. Control No.: 70003241 //r87 Author: Strong, Roy C. Title: Van Dyck: Charles I on horseback [by] Roy Strong. Published: [New York, Viking Press, 1972] Description: 112 p. illus., col. plate. 23 cm. Series: Art in context LC Call No.: ND673.D9 S76 1972b Dewey No.: 759.9493 ISBN: 0670742686 Notes: Includes bibliographical references. Subjects: Van Dyck, Anthony, Sir, 1599-1641. Charles I on horseback. Control No.: 70165929 //r87
Malaspina.com - Sir Anthony Van Dyck (1599-1641)
Launch Previous Entry in New Window Malaspina Art Database Launch Next Entry inNew Window Sir anthony van dyck (15991641) WebMuseum Poster from Barewalls.
http://www.mala.bc.ca/~mcneil/dyck1.htm
CGFA- Sir Anthony Van Dyck
Graphic, Lucas van Uffelen 1622 oil on canvas HerzogAnton-Ulrich-Museum, Braunchweig171KB. Graphic, Self-Portrait Approx. 1622 oil on canvas The Hermitage, St.
http://cgfa.sunsite.dk/dyck/
CGFA- Bio: Sir Anthony Van Dyck
Sir anthony van dyck (15991641). Sir anthony van dyck was a Flemish painter whowas one of the most important and prolific portraitists of the 17th century.
http://cgfa.sunsite.dk/dyck/dyck_bio.htm

Extractions: Sir Anthony van Dyck was a Flemish painter who was one of the most important and prolific portraitists of the 17th century. He is also considered to be one of the most brilliant colorists in the history of art. Van Dyck was born on March 22, 1599, in Antwerp, son of a rich silk merchant, and his precocious artistic talent was already obvious at age 11, when he was apprenticed to the Flemish historical painter Hendrik van Balen. He was admitted to the Antwerp guild of painters in 1618, before his 19th birthday. He spent the next two years as a member of the workshop of the Flemish painter Peter Paul Rubens in Antwerp. Van Dyck's work during this period is in the lush, exuberant style of Rubens, and several paintings attributed to Rubens have since been ascribed to van Dyck. Back in Antwerp from 1627 to 1632, van Dyck worked as a portraitist and a painter of church pictures. In 1632 he settled in London as chief court painter to King Charles I, who knighted him shortly after his arrival. Van Dyck painted most of the English aristocracy of the time, and his style became lighter and more luminous, with thinner paint and more sparkling highlights in gold and silver. At the same time, his portraits occasionally showed a certain hastiness or superficiality as he hurried to satisfy his flood of commissions. In 1635 van Dyck painted his masterpiece, Charles I in Hunting Dress (Louvre, Paris), a standing figure emphasizing the haughty grace of the monarch.
Van Dyck
van dyck. Books on Sir anthony van dyck (15991641), Charles I, King of England,at the Hunt. 1635 van dyck. Browse van dyck, anthony Search van dyck.
http://www.dropbears.com/b/broughsbooks/art/van_dyck.htm

Extractions: Born Antonis van Dijck in Antwerp, van Dyck is one of the greatest Flemish painters. A pupil of Rubens, he accepted an invitation to England by the Earl of Arundel, and then went on to Italy to continue his education. After returning to Antwerp in 1627, where he received tremendous accolades, he accepted a second invitation to England, this time from Charles I of whom he painted 37 portraits. He died in London, and was buried in St Pauls Cathedral. Anthony Van Dyck (Great Painters Series) During his first visit to London, Anthony van Dyck produced his portrait of Thomas Howard. It marked the beginning of van Dyck's brilliant international career. Thomas Howard, a prominent member of the court of James I, was to become one of the greatest and most enlightened collectors and patrons England has ever known. In this probing study, White provides a history both of Howard, and of van Dyck, whose canvases established the grand tradition of portraiture both in England and on the Continent. This volume in the Getty Museum Studies in Art series offers not only a complete study of a great painting but also a primer on how great collections are formed and great careers are launched.
Van Dyck
van dyck. Books on Sir anthony van dyck (15991641), anthony van dyck(Great Painters Series) Natalia Gritsai Hardcover / Published 1997,
http://www.dropbears.com/b/books_uk/art/van_dyck.htm

Extractions: Born Antonis van Dijck in Antwerp, van Dyck is one of the greatest Flemish painters. A pupil of Rubens, he accepted an invitation to England by the Earl of Arundel, and then went on to Italy to continue his education. After returning to Antwerp in 1627, where he received tremendous accolades, he accepted a second invitation to England, this time from Charles I of whom he painted 37 portraits. He died in London, and was buried in St Pauls Cathedral. Anthony Van Dyck (Great Painters Series) During his first visit to London, Anthony van Dyck produced his portrait of Thomas Howard. It marked the beginning of van Dyck's brilliant international career. Thomas Howard, a prominent member of the court of James I, was to become one of the greatest and most enlightened collectors and patrons England has ever known. In this probing study, White provides a history both of Howard, and of van Dyck, whose canvases established the grand tradition of portraiture both in England and on the Continent. This volume in the Getty Museum Studies in Art series offers not only a complete study of a great painting but also a primer on how great collections are formed and great careers are launched.
DYCK, Anthony Van
Sciences, Northwestern University. dyck, anthony van (15991644). LucasVosterman, from Iconography. 1631. Etching. Antwerp. Portrait of
http://www2.mmlc.nwu.edu/c303/comm/dyck-06.html

Extractions: Department of Art History, College of Arts and Sciences, Northwestern University Portrait of Rubens' first professional printmaker (see Descent from the Cross) by his younger proteg in Antwerp. Van Dyck determined to use the fluid medium of etching to record the remarkable cluster of artists around him in Antwerp around 1630; the idea draws upon engraved precedents from the last third of the sixteenth century as well as tributes to artists by their colleagues (see Aegidius Sadeler's Portrait of the Artist Spranger and his Wife). Many of the van Dyck etchings were reworked in details by engravers prior to publishing; others, including a self-portrait, remained unfinished. This image is a notable fully-etched and realized character portrait, worthy of van Dyck's dignified painted likenesses.
Search Results
Artist Name, Date of Artist, Title of Work, Date of Work, Ref. van dyck, anthony,1599 1641, Portrait of George Gage with Two Attendants, probably 1622-3, NG49,
http://www.nationalgallery.org.uk/cgi-bin/WebObjects.dll/CollectionPublisher.woa
NG London/Full Collection Index
VALENTIN de Boulogne. VALLIN, JacquesAntoine. van dyck, anthony. van dyck, anthony,attributed to. van dyck, anthony, style of. van GOGH, Vincent. VELAZQUEZ, Diego.
http://www.nationalgallery.org.uk/cgi-bin/WebObjects.dll/CollectionPublisher.woa
WebMuseum: Dyck, Sir Anthony Van
dyck, Sir anthony van. Photographs by Carol GertenJackson. Self Portrait (20 Kb);Oil on canvas; Pinakothek, Munich. dyck, Sir anthony van (1599-1641).
http://mexplaza.udg.mx/wm/paint/auth/dyck/

Extractions: Dyck, Sir Anthony van (1599-1641). Apart from Rubens , the greatest Flemish painter of the 17th century. In 1609 he began his apprenticeship with Hendrick van Balen in his native Antwerp and he was exceptionally precocious. Although he did not become a master in the painters' guild until 1618, there is evidence that he was working independently for some years before this, even though this was forbidden by guild regulations. Probably soon after graduating he entered Rubens's workshop. Strictly speaking he should not be called Rubens's pupil, as he was an accomplished painter when he went to work for him. Nevertheless the two years he spent with Rubens were decisive and Rubens's influence upon his painting is unmistakable, although ven Dyck's style was always less energetic. In 1620 van Dyck went to London, where he spent a few months in the service of James I (1566-1625), then in 1621 to Italy, where he travelled a great deal, and toned down the Flemish robustness of his early pictures to create the refined and elegant style which remained characteristic of his work for the rest of his life. His great series of Baroque portraits of the Genoese aristocracy established the `immortal' type of nobleman, with proud mien and slender figure. The years 1628-32 were spent mainly at Antwerp.
VAN DYCK, Anthony Charles I Of England C. 1635 Oil On Canvas 266 X 207 Cm (104 3
van dyck, anthony Charles I of England c. 1635 Oil on canvas266 x 207 cm (104 3/4 x 81 1/2 in.) Musee du Louvre, Paris
http://www.i-a-s.de/IAS/Bilder/VAN_DYCK/charles.htm
VAN DYCK, Anthony Margareta Snyders C. 1620 Oil On Canvas 51 1/2 X 39 1/8 In. (1
van dyck, anthony Margareta Snyders c. 1620 Oil on canvas 51 1/2x 39 1/8 in. (130.7 x 99.3 cm) Frick Collection, New York
http://www.i-a-s.de/IAS/Bilder/VAN_DYCK/margarete_snyders.htm
Van Dyck, Anthony
Artsworld links Rubens Art and Architecture on Artsworld TV, Biography anthony vanDyck Artist Belgium Born 22 Mar 1599 Died 9 Dec 1641 Apart from Rubens, the
http://www.artsworld.com/art-architecture/biographies/v-z/van-dyck,-anthony.html

Extractions: Apart from Rubens, the greatest Flemish painter of the 17th century. In 1609 he began his apprenticeship with Hendrick van Balen in his native Antwerp and he was exceptionally precocious: on his earliest dated painting (An Elderly Man, Musées Royaux, Brussels, 1613) he has proudly inscribed his own age (14) as well as that of the sitter. Although he did not become a master in the painters' guild until 1618, there is evidence that he was working independently for some years before this, even though this was forbidden by guild regulations. Probably soon after graduating he entered Rubens's workshop. Strictly speaking he should not be called Rubens's pupil, as he was an accomplished painter when he went to work for him. Nevertheless the 2 years or so he spent with Rubens were decisive and Rubens's influence on him is unmistakable, although van Dyck's style was always less energetic and more highly-strung. In 1620 van Dyck went to London, where he spent a few months in the service of James I, then in 1621 to Italy, where he stayed until 1627, toning down the Flemish robustness of his early pictures to create the refined and elegant style which remained characteristic of his work for the rest of his life. He travelled a good deal in Italy but worked mainly in Genoa, where he painted a series of grand portraits of the nobility in which he established a distinctive aristocratic type with proud mien and slender figure. A superb example is the full-length 'Marchesa Elena Grimaldi' (National Gallery, Washington, 1623), of which Sir David Piper wrote (Van Dyck, 1968): 'this is how one imagines any feminine aristocrat worthy of her rank must feel herself essentially to be, yet did not know it till van Dyck showed her - aloof and formally regal, but endowed with an elegance and grace that are infinitely seductive.'

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