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Van Der Goes Hugo:     more books (32)

Hugo Van Der Goes and the Procedures of Art and Salvation (Studies in Medieval and Early Renaissance Art History) by Margaret L. Koster, 2008-05-01 Die Medici als Auftraggeber: Hugo van der Goes - Der Portinari-Altar" (ca. 1475-78) (German Edition) by Martina Merten, 2007-09-21 L'Adoration de Hugo Van der Goes by Giannino Marchigq, 1948-01-01 De melancholie van de kunstenaar: Hugo van der Goes en de oudnederlandse schilderkunst (Dutch Edition) by Bernhard Ridderbos, 1991 Hugo Van Der Goes and the Trinity Panels in Edinburgh by Colin Thompson, etc., 1974-12 Hugo van der Goes: Stilentwicklung und Chronologie (Berliner Schriften zur Kunst) (German Edition) by Jochen Sander, 1992 Hugo van der Goes (French Edition) by J 1853-1932 Destrée, 2010-09-03 HUGO VAN DER GOES. Early Netherlandish Painting. Volume IV. by Max J Friedlander, 1969 Hugo Van der Goes by Giorgio Faggin, 1965-01-01 Die Altniederlandische Malerei Vierter Band Hugo Van Der Goes by Max J. Friedlander, 1927-01-01 Early Netherlandish Painting : Hugo van der Goes by Max J. Friedlander, 1969 HUGO VAN DER GOES - THE MASTERS 92 by ELIZABETH BRIDGEMAN, 1967 Goes, Hugo van derca. 14401482 Netherlandish painter: An entry from Charles Scribner's Sons' <i>Renaissance: An Encyclopedia for Students</i> Hugo van der Goes by Joseph Destree, 1914

lists with details

1. Uffizi - Hugo Van Der Goes
   HUGO VAN DER GOES. This Flemish painter started working in Gand, Belgium,where he was born in 1440, and where he probably happened  
   http://www.televisual.it/uffizi/h_goes.html
   
   Extractions: This Flemish painter started working in Gand, Belgium, where he was born in 1440, and where he probably happened to see the work of Italian painters, taken there on commission by rich bankers, because he showed great skill in the use of perspective. Most of his pictures are now in other countries: the "Adoration of the Magi" and the "Adoration of the Shepherds" at the State Museum in Berlin, the "Dormitio Virginis" at the City Museum in Bruges, the "Portrait of a man" and some "Virgin" paintings at the Metropolitan Museum in New York. His most famous work, the "Portinari Triptych" (1479), is at the Uffizi. It was created on commission for the rich Florentine banker who owned several estates in northern Europe. Van der Goes died in Rouge Cloitre near Brussels in 1482. Return to Room Index

2. Famous Belgians - Hugo Van Der Goes
   Hugo van der goes hugo van der Goes (14351482), the Flemish painter, occupies an important position in the century-long transition between medievalism and humanism, which occurred in Northern European art between 1425 and 1525.  
   http://ourworld.compuserve.com/homepages/Tielemans/hp130.htm
   
   Extractions: Hugo van der Goes (1435-1482), the Flemish painter, occupies an important position in the century-long transition between medievalism and humanism, which occurred in Northern European art between 1425 and 1525. Van der Goes explored the possibilities of portraying religious intensity through expressions of individual feeling - gestures and facial expressions - and far surpassed his predecessors in his ability to portray psychological complexities. Van der Goes's early life is obscure, but in 1467 he was accepted as a master in the painters guild of Ghent. The paintings attributed to him from this time until 1474, when he painted his best-known work, “The Portinari Altarpiece” (Uffizi, Florence), were in the decorative, narrative Gothic style. In the Portinari Altarpiece, however, he introduced a distinction between the intellectual abstraction of the angels, which he painted in the Gothic style, and the human emotions exhibited by Saint Joseph, Mary, and the shepherdsthe apprehensive Joseph; the sorrowing Mary; and the awestruck and wondering shepherds. The altarpiece was commissioned by Tommaso Portinari, an Italian banker living in Bruges, for the Florentine church of San Egidio; its Italian destination was acknowledged by the inclusion of pieces of Italian majolica and Venetian glass in the foreground of the painting. It was enthusiastically received by contemporary Florentine painters, particularly Domenico Ghirlandaio, who borrowed Van der Goes's shepherds for his “Adoration of the Shepherds” (1485, Santa Trinita, Florence).

3. Hugo Artworks And Fine Art At Arthistorynet.com
   Italie), 1806 ; Dijon, 1867EcoleFranceDomainepeinturePortrait présumé de LéopoldineHugo (18241843) ; Portrait van der goes hugo (d après)Préc.  
   http://wwar.com/masters/h/hugo-works.html

4. Hugo Van Der Goes
   Hugo Van Der Goes View Art Work. Hugo Van Der Goes was a late 15th century Flemishpainter. His birthdate is not known, although some feel it was around 1440.  
   http://www.dieu-soleil.net/vdgbio.html
   
   Extractions: Hugo Van Der Goes View Art Work Hugo Van Der Goes was a late 15th century Flemish painter. His birthdate is not known, although some feel it was around 1440. Any information we have about him is subjugated to the last 15 years of his life. It is believed that he was born in Ghent as he entered the guild there in 1467. In 1475 he entered an Augustinian monastery (Roode Clooster) as a lay-person. It was located near Brussels. Van Der Goes had many patrons including Emperor Maximillian; unfortunately, none of his paintings are signed. The only one documented is a triptych of the Nativity known as the Portinari Altarpiece (1475-76). It was commissioned for the church of the Hospital of Santa Maria Nuova in Florence. In 1481 the artist went on a pilgrimage to Cologne. After that he suffered a mental breakdown. His painting ceased and he died the next year. The history of Ghent as an art center ended then. The distress Van Der Goes went through during his last years can be seen in many of his works. Besides being intensely emotional, they are known for their grandiosity, detail, and luminous color - similar to that of another Netherlandish master, Jan van Eyck. Much of this style's influence is evident in works by the German painter Hans Memling. Other works attributed to Van Der Goes include Adoration of the Shepherds and The Fall of Man

5. Van Der Goes Hugo
   Translate this page Van der Goes, Hugo (Gand, vers 1440 - Audergem, 1482). Les premièresinformations certaines sur le peintre le situent en 148 à  
   http://www.cartage.org.lb/fr/themes/Biographies/mainbiographie/V/Van der Goes/v0

6. Van Der Goes Hugo Galerie Des Offices (Florence)
   Translate this page Van der Goes, Hugo. Volet gauche du triptyque Portinari, huile surbois. Florence, Offices Style Renaissance - peinture religieuse  
   http://www.cartage.org.lb/fr/themes/Arts/paintres/Pages/0040807fr.html

7. Art Museum - Hugo Van Der Goes
   Hugo Van der Goes. Život a dílo. Gotika. Pet Shop Boys DISCO 3 .new album FEB 3. Život Huga Van der Goese. (1440 – Gent, Belgie  
   http://www.artmuseum.cz/painters/v/vandergoes/
   
   Extractions: Jasné a záøivé barvy Huga Van der Goese jsou charakteristické pro 15. století v holandském umìní. Van der Goes je mistrem pøímého popisu postav. Jeho sláva dosáhla Itálie, jeden z jeho oltáøù ve Florencii zpùsobil pøímo senzaci mezi tamìjším m욝anstvem. Když Van der Goes cestoval v roce 1481 do Kolína nad Rýnem, zachvátilo ho neznámé šílenství, které ho neopustilo až do jeho smrti, která pøišla o rok pozdìji.

8. WIEM: Goes Hugo Van Der
   (encyklopedia.pl)Category World Polska Leksykon Encyklopedia encyklopedia.pl GGoes Hugo van der (ok. Malarstwo, Holandia Goes Hugo van der (ok. 14401482),widok strony znajdz podobne pokaz powiazane. Goes Hugo van der (ok.  
   http://wiem.onet.pl/wiem/007684.html
   
   Extractions: poka¿ powi±zane Goes Hugo van der (ok. 1440-1482), malarz niderlandzki, jeden z g³ównych przedstawicieli malarstwa pó¼nogotyckiego, dzia³a³ g³ównie w Gandawie, ¿aden z jego obrazów nie jest sygnowany. Twórczo¶æ zrekonstruowana na podstawie archiwaliów dotycz±cych jego arcydzie³a - O³tarza Portinarich z ok. 1476 zamówionego przez rodzinê Portinarich i ofiarowanego do ko¶cio³a S. Maria Nuova we Florencji, potê¿nego tryptyku (249 x 574 cm) stanowi±cego gloryfikacjê narodzin Chrystusa. W g³ównej scenie artysta odrzuci³ narracyjn± zasadê przedstawiania i rozmie¶ci³ postacie jak na scenie teatru, centrum grupy stanowi postaæ le¿±cego Dzieci±tka promieniuj±cego nimbem ¶wiêto¶ci. Nowatorstwo polega na silnym wra¿eniu przestrzeni osi±gniêtym przez uk³ad linii perspektywicznych, stopniowanie barw. Artysta przedstawi³ postacie ludzkie naturalnej wielko¶ci, co stanowi wyj±tek w ówczesnym malarstwie. Monumentalizm kompozycji wzmocni³ wyodrêbnieniem planów i przeciwstawieniem stref ¶wiat³a i cienia. Jego poczucie

9. Hugo Van Der Goes
   Hugo Van Der Goes. Follow Ups Post Followup Discussion Group FAQ I'm doing some research on the Portinari altarpiece by Hugo Van Der Goes.  
   http://www.nettinker.com/boards/a/messages/27.html
   
   Extractions: Follow Ups Post Followup Discussion Group FAQ Posted by Sarah (1cust80.max2.phoenix.az.ms.uu.net) on March 12, 1998 at 16:01:27: I'm doing some research on the Portinari altarpiece by Hugo Van Der Goes. I need some basic background on the iconography of St. Mary Magdalen and St. Margaret in the right panel of the altarpiece.

10. WebMuseum: Goes, Hugo Van Der
    Artist's biography and a collection of images.Category Arts Art History Artists G goes, hugo van dergoes, hugo van der. goes, hugo van der (d. 1482). The greatest Netherlandishpainter of the second half of the 15th century. Nothing  
    http://www.ibiblio.org/wm/paint/auth/goes/
    
    Extractions: Goes, Hugo van der (d. 1482). The greatest Netherlandish painter of the second half of the 15th century. Nothing is known of his life before 1467, when he became a master in the painters' guild at Ghent. He had numerous commissions from the town of Ghent for work of a temporary nature such as processional banners, and in 1475 he became dean of the painters' guild. In the same year he entered a priory near Brussels as a lay-brother, but he continued to paint and also to travel. In 1481 he suffered a mental breakdown (he had a tendency to acute depression) and although he recovered, died the following year. An account of his illness by Gaspar Ofhuys, a monk at the priory, survives; Ofhuys was apparently jealous of Hugo and his description has been called by Erwin Panofsky `a masterpiece of clinical accuracy and sanctimonious malice'. No paintings by Hugo are signed and his only securely documented work is his masterpiece, a large triptych of the Nativity known as the Portinari Altarpiece (Uffizi, Florence, c.1475-76). This was commissioned by Tommaso Portinari, the representative of the House of Medici in Bruges, for the church of the Hospital of Sta Maria Nuova in Florence, and it exercised a strong influence on Italian painters with its masterful handling of the oil technique. There is a great variety of surface ornament and detail, but this is combined with lucid organization of the figure groups and a convincing sense of spatial depth. As remarkable as Hugo's skill in reconciling grandeur of conception with keep observation is his psychological penetration in the depiction of individual figures, notably the awe-struck shepherds. The other works attributed to Hugo include two large panels probably designed as organ shutters (Royal collection, on loan to National Gallery of Scotland). His last work is generally thought to be the

11. Biography
    Biography of goes, hugo van der (b. ca. 1436, Bruxelles, d. 1482, Bruxelles) in the Web Gallery of Art, a searchable image collection and database of European paintings and sculptures (11501800)  
    http://www.kfki.hu/~arthp/bio/g/goes/biograph.html
    
    Extractions: (b. ca. 1436, Bruxelles, d. 1482, Bruxelles) The greatest Netherlandish painter of the second half of the 15th century. Nothing is known of his life before 1467, when he became a master in the painters' guild at Ghent. He had numerous commissions from the town of Ghent for work of a temporary nature such as processional banners, and in 1475 he became dean of the painters' guild. In the same year he entered a priory near Brussels as a lay-brother, but he continued to paint and also to travel. In 1481 he suffered a mental breakdown (he had a tendency to acute depression) and although he recovered, died the following year. An account of his illness by Gaspar Ofhuys, a monk at the priory, survives; Ofhuys was apparently jealous of Hugo and his description has been called by Erwin Panofsky 'a masterpiece of clinical accuracy and sanctimonious malice'. No paintings by Hugo are signed and his only securely documented work is his masterpiece, a large triptych of the Nativity known as the Portinari Altarpiece (Uffizi, Florence, c.1475-76). This was commissioned by Tommaso Portinari, the representative of the House of Medici in Bruges, for the church of the Hospital of Sta Maria Nuova in Florence, and it exercised a strong influence on Italian painters with its masterful handling of the oil technique. There is a great variety of surface ornament and detail, but this is combined with lucid organization of the figure groups and a convincing sense of spatial depth. As remarkable as Hugo's skill in reconciling grandeur of conception with keep observation is his psychological penetration in the depiction of individual figures, notably the awe-struck shepherds. The other works attributed to Hugo include two large panels probably designed as organ shutters (Royal collection, on loan to National Gallery of Scotland). His last work is generally thought to be the

12. Hugo Van Der Goes Online
    goes, hugo van der. Flemish painter (b.  
    http://www.artcyclopedia.com/artists/goes_hugo_van_der.html

13. Biografía - Van Der Goes, Hugo
    Artista flamenco que vivió durante el siglo XV. Toda su trayectoria artística se desarrolló en los Países Bajos. FICHA. van der goes, hugo. Nacionalidad Flandes. Gante (h.  
    http://www.artehistoria.com/genios/pintores/3551.htm
    
    Extractions: Hugo Van der Goes fue el pintor más destacado de la Escuela flamenca del siglo XV después de la muerte de Jan Van Eyck . Desconocemos la fecha exacta de su nacimiento, pero parece haber nacido en Gante hacia 1442, de ahí su apodo de Hugues de Gand. Pertenece al Gremio de Pintores de la ciudad ya en 1467; en 1475 recibe el importante encargo de un florentino residente en Gante, lo que demuestra su valía; curiosamente, el encargo, conocido como el Retablo Portinari, influyó más en Italia que en Flandes. Hacia 1475 se hace hermano lego en un monasterio cercano a Bruselas, pero no dejó de viajar ni de pintar, visitando Lovaina y Colonia. Precisamente en Colonia tuvo un ataque de locura en 1481, falleciendo al año siguiente sin haberse repuesto de dicho ataque.

14. Hugo Van Der Goes - Olga's Gallery
    Comprehensive collection of the images of van der goes's works with biography and historical comments.  
    http://abcgallery.com/G/goes/goes.html
    
    Extractions: Adoration of the Magi. (central panel of the Monforte Altar; from the Monforte de Lemos cloister, Spain). c.1470. Oil on wood. Gemaldegalerie, Berlin, Germany. More. The Fall of Adam. (left side of a diptych) Before 1470. Oil on wood. Kunsthistorisches Museum, Vienna, Austria. More. Portinari Altar. 1476-1478. Oil on wood. Galleria degli Uffizi, Florence, Italy. More. Adoration of the Shepherds. (cenral panel of the Portinari Altar). 1476-1478. Oil on wood. Galleria degli Uffizi, Florence, Italy. More. Tommaso Portinari with his sons and SS. Thomas and Anthony Abbot. The left panel of the Portinari Altar. 1476-1478. Oil on wood. Galleria degli Uffizi, Florence, Italy. More. Maria Baroncelli with Her Daughter Margarita and SS. Margaret and Mary Magdalene. The right panel of the Portinari Altar. 1476-1478. Oil on wood. Galleria degli Uffizi, Florence, Italy. More. The Adoration of the Shepherds. c. 1480. Oil on wood. Gemaldegalerie, Berlin, Germany. More.

15. GOES, Hugo Van Der
    goes, hugo van der Flemish painter (b. ca. 1440, Ghent, d. 1482,Bruxelles). Preview, Picture Data, File Info, Comment. Adorationof  
    http://www.kfki.hu/~arthp/html/g/goes/

16. Hugo Van Der Goes - Olga's Gallery
    Click Here Olga's Gallery. hugo van der goes. (c.1440/1445 1482)Biography. Adoration of the Magi. (central panel of the Monforte  
    http://www.abcgallery.com/G/goes/goes.html
    
    Extractions: Adoration of the Magi. (central panel of the Monforte Altar; from the Monforte de Lemos cloister, Spain). c.1470. Oil on wood. Gemaldegalerie, Berlin, Germany. More. The Fall of Adam. (left side of a diptych) Before 1470. Oil on wood. Kunsthistorisches Museum, Vienna, Austria. More. Portinari Altar. 1476-1478. Oil on wood. Galleria degli Uffizi, Florence, Italy. More. Adoration of the Shepherds. (cenral panel of the Portinari Altar). 1476-1478. Oil on wood. Galleria degli Uffizi, Florence, Italy. More. Tommaso Portinari with his sons and SS. Thomas and Anthony Abbot. The left panel of the Portinari Altar. 1476-1478. Oil on wood. Galleria degli Uffizi, Florence, Italy. More. Maria Baroncelli with Her Daughter Margarita and SS. Margaret and Mary Magdalene. The right panel of the Portinari Altar. 1476-1478. Oil on wood. Galleria degli Uffizi, Florence, Italy. More. The Adoration of the Shepherds. c. 1480. Oil on wood. Gemaldegalerie, Berlin, Germany. More.

17. Hugo Van Der Goes. Biography - Olga's Gallery
    Click Here Olga's Gallery. hugo van der goes. (c.1440/1445 1482) Enteryour e-mail address to subscribe. Back to hugo van der goes's Page.  
    http://www.abcgallery.com/G/goes/goesbio.html
    
    Extractions: (c.1440/1445- 1482) Hugo van der Goes, alongside the somewhat younger Hieronymus Bosch , is the most important Netherlandish painter of the second half of the 15th century. Little is known about his life, and his artistic origins are also unclear. Records from 1480 state him as being born in Ghent. Since he was granted the title of master painter in Ghent in 1467, he must have been born around 1440-1445. As early as 1477, he gave up his workshop and became a lay brother at the Red Monastery near Brussels, where he died in 1482 after a severe mental illness. The Portinari Altar (1476-78) is his only authenticated surviving work, around which others can nevertheless be grouped with some certainty: Monforte Altar The Fall of Adam , one of his earliest surviving works, and several others. Hugo van der Goes occupies a unique position in painting history because of his insight into character and class and through his intensely observant, almost surreal, rendering of nature and space. Hugo’s Portinari Altar, which was erected in Florence in 1478, exercised a revolutionary influence upon Florentine painting; it was felt by many of the Florence painters and is reflected in particular in the works of Ghirlandaio Filippino Lippi , and Leonardo da Vinci

18. Listado Alfabético De Van Der Goes, Hugo
    Translate this page Campañas de ARTEHISTORIA. www.ed-dolmen.com Todos los textos e imágenesen alta resolución de esta sección están disponibles  
    http://www.artehistoria.com/genios/pintores/a3551.htm

19. Uffizi - Portinari Tryptich (Hugo Van Der Goes)
    hugo van der goes, Portinari Tryptich, Oil on panel, 253x586 (total), 253x304(central), 253x141 (each sidepanel), Uffizi, Florence; Inv. nn. 3191-3193.  
    http://www.televisual.it/ppl/trittic1.html

20. Hugo Van Der Goes Artworks And Fine Art At Arthistorynet.com
    goes, hugo van der (?) State Hermitage Museum Collection goes, hugo van der goes,hugo van der goes, hugo van der Flemish painter (b. cca. goes, hugo van der.  
    http://wwar.com/masters/g/goes-hugo_van_der.html

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