Archive Sussex Connections An article on charles eamer kempe (1837 -1907) and hishome 'The Old Place', By Sally Walker, Sussex Gardens Trust - Autumn 2000. http://www.gardenstrusts.org.uk/Archive/Archive.htm
Extractions: Unravelling Cassiobury By Anne Rowe, Hertfordshire Gardens Trust - Spring 1998 Of Public Parks and Promenades By Anthea Taigel, Norfolk Gardens Trust - Spring 1999 The Cedar of Lebanon By Tony Haskell, Somerset Gardens Trust Autumn 1998 If You Go Down to the Woods Today By Kathleen Burgess, Surrey Gardens Trust - Autumn 1997 The Medieval Deer Park By Jenny Burt, Northamptonshire Gardens Trust - June 1999. Glansevern Hall - A Garden Reclaimed By Neville Thomas, Welsh Historic Gardens Trust - Spring 1999 Hampshire Schools Millennium Award Winners Details of the winners of the Hampshire Schools Millennium Award Scheme The Bamboo Collection at Glynllifon Park By David Saunders, Welsh Historic Gardens Trust - Summer 1999
Extractions: St. John's Stained Glass St. John's Home Page The Three Holy Women at the Tomb of Christ, window by Charles E. Kempe, 1905 The detail in this window is breath-taking and should not be missed Click here to see a larger (124K) image of this window The Holy Women at the Tomb, often called The Three Marias, tells of the first Easter morning when the women were the first to discover that Jesus had been raised from the dead. The story differs in all four gospels (Matthew 28:1-8, Mark 16:1-8, Luke 24:1-11, and John 20:1-9). The scene in this window definitely shows two angels, not simply young men, in white. In art, an angel holding a sceptre was usually meant to be Gabriel, and Mary Magdalene is usually depicted with a jar of ointment and long hair (as the woman at the lower left is depicted). Sometimes the women at the tomb were called myrrhophores or bearers of myrrh, a perfume used in embalming. Charles Eamer Kempe got started in his field by being a painter of walls, ceilings and woodwork of churches in the 1860's. The style then in vogue reflected a resurgence of interest in gothic style and a return to high church practices. Kempe's training served him well when he started his own stained glass company in 1868. Kempe perfected the use of silver stain on white (clear) glass, which leaves a yellow tint. Depending on the amount of stain used, the shade of yellow could be delicate or deep. His greatest stylistic influences were the stained glass of Northern Germany and Flanders from the 16th century. He took many trips to Europe, often taking the Kempe company artists with him, to study the art there.
C E Kempe The Parish Church of St Mary Magdalene. Hucknall, Nottingham, England inthe Diocese of Southwell. charles eamer kempe Stained Glass Windows, St. http://www.hucknall-parish-church.org.uk/kempe.htm
Extractions: Stained Glass Windows St. Mary Magdalene, Hucknall has the largest collection of stained glass from the Kempe Studios in any building in England. With no less than 20 impressive examples of his work, a visit to Hucknall Church is a necessity for all lovers of stained glass. C E Kempe is a key figure in 19th century decorative art in this country and his windows give his own interpretation of medieval stained glass. He had wanted to be a Priest but a serious speech impediment prevented this so he devoted his life to glorifying God in worship through his windows and other decorative, mainly religious, art.
SearchUK - Finds It Fast! kempe, charles eamer. additional kempe,_charles_eamer Categories Stained_Glassfor kempe,_charles_eamer see also /TOP/Arts/Art_History http://www.searchuk.com/Top/Arts/Art_History/Artists/K/Kempe,_Charles_Eamer/
WebGuest - Open Directory : Arts : Crafts : Glass : History : Stained BurneJones, Edward@ (4); Holiday, Henry@ (4); kempe, charles eamer@ (4);Morris, William@ (3). Tiffany, Louis@ (8). See also Arts Architecture http://directory.webguest.com/index.cgi/Arts/Crafts/Glass/History/Stained/
Extractions: See also: Sites: AmeriGlas History of Stained Glass - Quick coverage of early glass history, then concentration on American developments in stained glass, including Louis Comfort Tiffany and Frank Lloyd Wright. The Art of Incarnation - Photographs with some explanatory text of the stained-glass windows by New York glassmaker and painter John La Farge in the Church of the Incarnation, New York. British Society of Master Glass Painters - An organisation dedicated to the art and craft of stained glass, promoting the conservation, restoration and history of stained glass and painted glass. Chagall Windows, Jerusalem
Directory :: Look.com Other Categories. BurneJones, Edward (4) Holiday, Henry (5) kempe,charles eamer (4) Morris, William (3) Tiffany, Louis (8) See Also. http://www.look.com/searchroute/directorysearch.asp?p=331240
Www.esparish.com At this time, relatives of Walter approached charles eamer kempe, of kempe's GlassWorks, a distant relation, and asked him to put some architectural work in http://members.aol.com/ggvicar/eschurch/homess.htm
Extractions: window" THE HISTORY OF EARL SHILTON: A famous personality who visited the church to preach was the Revd G.A .Studdert Kennedy better known by his nickname, "Woodbine Willy" an army padre in the First World War so named for he gave Woodbine cigarettes to dying soldiers whilst offering spiritual help to them. He has written several books and poems. At one time the church would have belonged to the castle in Earl Shilton belonging to Simon de Montfort, Earl of Leicester. The castle would have been his hunting lodge. Nothing remains now of the castle except the mound where the keep stood and the Hall Field next to the church, the site of the castle. The village of Earl Shilton is so named because of its association with the Earls of Leicester. They retained the manor after the Norman Conquest until the forfeiture of the great Simon de Montfort in 1265. (Battle of Evesham). A tablet in the Earl Shilton Parish Church dating from 1694 refers to the village as Earl Shilton.
OCTOBER charles eamer kempe (18371907) was a devout Christian and a Master ofGlass. He operated out of a factory in London, and his influence http://members.aol.com/air2wave/default.htm
Extractions: by Charles Kempe. Charles Eamer Kempe (1837-1907) was a devout Christian and a Master of Glass. He operated out of a factory in London, and his influence spread far and wide across the United Kingdom (local West Country examples include Gloucester Cathedral) and across North America. In New York, Professor James Sturm in his book The Treasures to be seen in Stained Glass in New York (1980) describes Kempes' widows as "the first to solve the problem of making stained glass that would look appropriately medieval without the displaying bad drawing". He was passionate about the process of glass design, and his stained glass windows possess an extra-ordinary depth of image.
All Saints' Church, Dummer Windows and memorials. Chancel. The east window by charles eamer kempe, dated1895, represents the Crucifixion and is a memorial to Sir Nelson Rycroft, Bt. http://www.hants.gov.uk/allsaintschurchdummer/guide/memorials.html
Extractions: Introduction Architectural features Music and Bells Outside the Church The east window by Charles Eamer Kempe , dated 1895, represents the Crucifixion and is a memorial to Sir Nelson Rycroft, Bt. who died in 1894. On the south wall of the chancel another window by Kempe, representing John the Baptist, commemorates the Revd. John Lamrell , who ministered here from 1839 to 1841. To the right of this, a brass memorial commemorates Richard Weston , of an ancient Kentish family, and his wife, Margaret of Newberry, Berks . They died in 1600 and 1602 respectively. A brass plaque between these two windows commemorates the restoration of the Chancel in 1893 by the family of Edward Walter Blunt Near the altar are stones in the floor inscribed T.S. 1781 A.S. 1784 and a slab to John Sloper, Gent 19 July 1688 Kempe's window on the north wall depicts St. Cecilia, patron saint of music, and commemorates Anne Blunt (died 1900), one of the numerous members of the family named on the base of the large monument outside the west door of the church. Mary Frederica Pirrie Dunbar , daughter of Sir William Dunbar, Baronetto Scotia, the rector of that period. She died in 1891 aged 4 years.
027- Wakehurst Estate 188487 charles eamer kempe and Dudley Newton. charles eamer kempe, an English architectand stained glass artist drew the original plans to design the mansion. http://www.salve.edu/virtual/027.html
Extractions: Charles Eamer Kempe and Dudley Newton Faculty Offices, Classrooms, Student Center, Global Café W akehurst was the home of international sportsman, political figure and anglophile James J. Van Alen. The mansion, conceptualized in 1882, was built between 1884 and 1887. It was designed to replicate Wakehurst Place, an Elizabethan manor house built in Sussex, England in 1570, that still stands today. Charles Eamer Kempe, an English architect and stained glass artist drew the original plans to design the mansion. Newport architect Dudley Newton supervised the construction on Ochre Point Avenue, including the assembly of certain rooms that were created and built in England. The building of these rooms, the English Jacobean Long Hall, Dutch Renaissance den, and Bruges dining room, introduced the concept of the "museum room." The dining room was also the first actual neoclassical room by Robert Adam to be imported to America. Typical of Prodigy Houses designed for the countryside, Wakehurst is characteristic of rural England during the late 16th century. The mansion's roof alone provides a prime example of the distinguished place it holds in America's architectural history. The rooflines and pitch, copper and lead detailing, and exceptionally large slate tiles are all representative of the 16th century technology utilized in the construction of Wakehurst Place. Even though Wakehurst is a Gilded Age home, it replicates a much earlier source that in its own day was unique. In doing so, Wakehurst's significance as an example of exceptional achievement in architecture and craftsmanship is heightened.
Preservation- Historic Treasures use, the university has saved and maintained important examples of work by such GildedAge architects as Richard Morris Hunt, charles eamer kempe, Dudley Newton http://www.salve.edu/historic.html
Extractions: HOME SITE MAP VIRTUAL TOUR FEEDBACK ... Cultural And Historic Preservation Program Home Page Annual Conferences On Cultural And Historic Preservation Past Conferences 6th Annual Conference (2002): 5th Annual Conference (2001): 4th Annual Conference (2000): "Newport's Age of Innocence: Architecture, Art, Design 1840-1880" 3rd Annual Conference (1999): "Artistic Country-Seats, the Aesthetic Movement and Newport, 1860-1890" 2nd Annual Conference (1998): "Newport and the Art of Gardens and Landscape" 1st Annual Conference (1997): "From Chalet to Chateau" THE CAMPUS OF SALVE REGINA UNIVERSITY is not only one of the loveliest on the east coast of the United States but also one that exemplifies significant developments in our national heritage. Walking through our magnificent campus is the best way to discover and appreciate its treasures and to recognize the nineteenth and early twentieth century architectural, historical and cultural heritage embodied by our buildings and grounds. Our campus embraces a number of historic Newport estates- many of our campus buildings were once part of the estates- others have been constructed to fit into our historic architectural environment while also serving the needs of a modern university. Salve Regina University's Newport, R.I. campus includes 18 architecturally significant buildings and 60 acres of historic landscape abutting the Atlantic Ocean. Beginning with the gift of the Richard Morris Hunt-designed 1892 mansion, Ochre Court, which allowed Salve Regina College to open its doors in 1947, the university has acquired, by gift and by purchase, a number of contiguous Gilded Age summer estates that now make up the campus.
Linley Stained Glass Studios : Online Resources Click to Visit EH. kempe Society charles eamer kempe. The work ofCE kempe (1837 1907) and his firm. Click to Visit. Landmark Trust. http://www.linleystainedglass.com/onlineresources.htm
Extractions: Navigate Our Online Resources area takes you to a whole host of website relative to stained glass. If you would like to know more about stained glass, why not visit our bookstore Resources Jump To ... Online Resources What's New Here About Linley Contact Linley Conservation Commissions Protective Guards Past Contracts Learning Find Us Online Resources Recommended Reading Learn about Stained Glass Home Back Contributions Categories Reference (Global) Education News This compilation is by no means exhaustive and we welcome contributions. If you would like your site listed here, or know of one which should be, click here. Back Home BSMGP The British Society of Master Glass Painters. Building Conservation An offshoot of the Building Conservation Directory by Cathedral Comms. Ltd. In addition to a compilation of articles from a number of different publications the site is home to the most comprehensive database of conservationists you will come across. CADW The Welsh Historic Monuments Executive Agency Churches Conservation Trust Care of churches no longer needed for parish use.
Excite Deutschland - Web-katalog BurneJones, Edward@ ( 4) Holiday, Henry@ ( 5) kempe, charles eamer@ ( 4), Morris,William@ ( 3) Tiffany, Louis@ ( 7). 26 Web-Sites in der Kategorie Stained. http://www.excite.de/directory/Arts/Crafts/Glass/History/Stained
Conservation Of Stained Glass In The North Transept 1m. These richly decorated and finely painted works were made bythe studio of charles eamer kempe and installed in April 1899. http://www.govanold.org.uk/reports/1994_conservation_glass.html
Extractions: Conservation of Stained Glass in the North Transept By Susan Bradbury, F.M.G.P., F.R.S.A. The two windows in the North Transept Gallery depict the Angels of Faith and Hope. Each Angel carries a shield bearing the appropriate symbol - a cross and an anchor respectively - they have eyed wings, richly decorated robes, they are placed on foliate red and blue backgrounds, and each is surrounded by a circle of briar stems and a pattern of Tudor roses. Each window is a cinquefoil with an overall diameter of approximately 2m with the inner circle measuring approximately 1m. These richly decorated and finely painted works were made by the studio of Charles Eamer Kempe and installed in April 1899. Prior to conservation, these windows were suffering from serious structural instability, with severe bulding of the main panels, many pieces of glass protruding from the flanges of the lead and an alarming mobility which made one fear that the glass could actually be blown inwards during a gale. Some glass had cracked with the stress of the deformation and there were various previous repairs including pellet holes filled with putty and insertions of wrongly coloured or poorly painted glass.
Wraxall's Stain Glass Windows Download the Wraxall Stained Glass Windows Screensaver. To find out moreabout charles eamer kempe click here. ..more to follow soon. http://www.allsaintswraxall.co.uk/windows.html
Extractions: It is unlikely you will find many parish churches with such beautiful and unusual windows, each depicting a different event in the life of Christ. Most of the windows are by Charles Kempe, one of the best known stained glass window artists. Each window tells a different story so below each one is shown with some explanation. NORTH WALL - the nativity (C. E. Kempe) The left and middle lights are filled with shepherds clad in cloaks and hoods, one of them carrying a type of musical pipes, standing or kneeling in worship and honour, while Joseph holds a lighted candle taken from the lantern in his hand. On the right the Blessed Virgin wearing a dark robe and white mantle unveils the Divine babe, whilst a vested attendant angel kneels at her side and a celestial choir descends the broad staircase. In the background shepherds in the midst of their flocks listen to the heavenly message.
Artists International.html Heaton, Butler Bayne (London). Holiday, Henry (London). kempe, charles eamer(London). Maile, G. Studios (Canterbury). Morris, William Co. (London). http://www.yorku.ca/sabrown/Artists International.html
Extractions: BRITISH ISLES Anderson, Andrew Bacon, Percy (London) Ballantine, James (Edinburgh) Bell, Margaret (London) Bromsgrove Guild (Birmingham) Celtic Studios (Swansea) Clutterbuck, Charles (London) Davies, A.J. (Bromsgrove Guild) Geddes, Wilhelmina (Dublin) Hardman Studios (Birmingham) Healy, Michael (Dublin) Holiday, Henry (London) Kempe, Charles Eamer (London) Maile, G. Studios (Canterbury) Morris, William Co. (London) Nuttgens, Joseph Edward (Harrow/London) Taylor, W.G. (London) Warrington, William (London) Whippel's (Exeter) Whitefriars (London) Tiroler Glasmalereianstalt (Innsbruck) Leveque, Charles Vermonet, A. (Reims) Boos, George (Munich) Linnemann, Alexander (Frankfurt) Mayer, Franz (Munich) Van Treeck Hofglasmalereianstalt (Munich) Zettler, F.X. (Munich) Tegelen, Flos Schruer, Nick (Haarlem) Arik Lenoy Ltd. Vetrate d'Arte La Diana (Siena) DaPrato Statuary Co. (Chicago) Rambusch, Robert Assoc. Sanborn, Earl Edward Willet Studio (Philadelphia)
EmailPinoy Web Directory BurneJones, Edward@ (4); Holiday, Henry@ (4); kempe, charles eamer@ (4);Morris, William@ (3); Tiffany, Louis@ (8). See also Arts Architecture http://search.emailpinoy.com/cgi-bin/webpod.cgi/Arts/Crafts/Glass/History/Staine
Extractions: more EMAILPINOY METASEARCH Home Free E-mail Submit your site Free Web Space ... help the entire directory only in History/Stained Top Arts Crafts Glass ... History : Stained Description See also: Arts: Architecture: History: Building Types: Religious: Christian: Churches: Cathedrals Arts: Crafts: Glass: Stained Business: Construction and Maintenance: Materials and Supplies: Doors and Windows: Specialty Windows AmeriGlas History of Stained Glass - Quick coverage of early glass history, then concentration on American developments in stained glass, including Louis Comfort Tiffany and Frank Lloyd Wright. The Art of Incarnation - Photographs with some explanatory text of the stained-glass windows by New York glassmaker and painter John La Farge in the Church of the Incarnation, New York. British Society of Master Glass Painters - An organisation dedicated to the art and craft of stained glass, promoting the conservation, restoration and history of stained glass and painted glass. Chagall Windows, Jerusalem
