Home  - Artists - Fuseli Henry

Books Baby Camera Phones Computers Games DVD Electronics Kitchen Magazines Music Garden Software Tools Toys Video Apparel & Accessories Jewelry & Watches Musical Instruments Health & Personal Care Beauty Sports & Outdoors Office Products

e99.com Bookstore

Images

Newsgroups

41-60 of 96    Back | 1  | 2  | 3  | 4  | 5  | Next 20

A  B  C  D  E  F  G  H  I  J  K  L  M  N  O  P  Q  R  S  T  U  V  W  X  Y  Z

Fuseli Henry:     more books (100)

The mind of Henry Fuseli;: Selections from his writings, by Henry Fuseli, 1951 The Life and Writings of Henry Fuseli The LIfe and Writings of Henry Fuseli, Esq. by John Knowles, Henry Fuseli, 2010-04-06 The Life and Writings of Henry Fuseli, Esq. M.A. R.A. by Henry Fuseli, 2010-03 The Plays of William Shakespeare Accurately Printed from the Text....by the Late George Stevens with a Series of Engravings from Original Designs of Henry Fuseli, and a Selection of ...Notes... By Alexander Chalmers, A. M.: A New Edition (9 Vols Complete) by William Shakespeare, 1811-01-01 The Life And Writings Of Henry Fuseli: Keeper And Professor Of Painting To The Royal Academy In London V3 by John Knowles, 2010-09-10 A COLLECTION of DRAWINGS by HENRY FUSELI - Auckland City Art Gallery, Auckland, New Zealand - 1967 by Henry (Johann Heinrich Fussli) ; Et Al Fuseli, 1967-01-01 The Life And Writings Of Henry Fuseli: Keeper And Professor Of Painting To The Royal Academy In London V2 by John Knowles, 2010-09-10 The Life And Writings Of Henry Fuseli: Keeper And Professor Of Painting To The Royal Academy In London V3 by John Knowles, 2010-09-10 19th-Century Swiss People: Anne Louise Germaine de Staël, Henry Fuseli, Charles Édouard Guillaume, Frédéric-César de La Harpe, Hans Auer Anecdote lives of William Hogarth, Sir Joshua Reynolds, Thomas Gainsborough, Henry Fuseli, Sir Thoma by John Timbs, 2009-11-09 Die Zeichnungen Hans Heinrich Fusslis (Henry Fuseli) by Paul Ganz, 1947-01-01 The Drawings of Henry Fuseli by henry fuseli, 1951-01-01 The Life And Writings Of Henry Fuseli: Keeper And Professor Of Painting To The Royal Academy In London V1 by John Knowles, 2010-09-10

lists with details

41. Macbeth Paintings
    The Three Witches from Macbeth (1827); fuseli, henry. The Three Witches (after1783); fuseli, henry. Lady Macbeth Sleepwalking (178184); fuseli, henry.  
    http://www.emory.edu/ENGLISH/classes/Shakespeare_Illustrated/MacbethPaintings.ht
    
    Extractions: Blake, William. Pity (c. 1795) Blake, William. Hecate (c. 1795) Colin, Alexandre-Marie. The Three Witches from "Macbeth" (1827) Fuseli, Henry. The Three Witches (after 1783) ... Fuseli, Henry. Garrick and Mrs. Pritchard in "Macbeth" (1812) Fuseli, Henry. Lady Macbeth Sleepwalking (1781-84) Fuseli, Henry. The Witches Appear to Macbeth and Banquo (1800-10) Fuseli, Henry. Macbeth, Banquo and the Witches on the Heath (1793-4) Harlow, George Henry. Mrs. Siddons as Lady Macbeth (no date) Hunt, Charles. My "Macbeth" (1863) Johnston, Alexander. Macbeth Maclise, Daniel. The Banquet Scene in "Macbeth" (1840) Martin, John. Macbeth (1820) Palmer, Samuel. Moonlight, a Landscape with Sheep (1831-3) Romney, George. Mr. Henderson in the Character of Macbeth Romney, George. Macbeth Meeting with the Witches (c. 1780) Rossetti, Dante Gabriel. Study for the Death of Lady Macbeth (c. 1875) Sargent, John Singer. Ellen Terry as Lady Macbeth (1889) Siddall, Elizabeth. The Macbeths Stanfield, Clarkson. "Macbeth": The Blasted Heath (1850) Westall, Richard. Lady Macbeth Prevented from Stabbing the King (1790)

42. Fuseli. Titania Awakening
    henry fuseli. Titania Awakening (178589). Oil on canvas, 87 x 110 inches.Kuntzmuseum, Winterthur. The source is A Midsummer Night's  
    http://www.emory.edu/ENGLISH/classes/Shakespeare_Illustrated/Awakening.html
    
    Extractions: Oil on canvas, 87 x 110 inches. Kuntzmuseum, Winterthur. The source is A Midsummer Night's Dream , Act IV, scene i. Titania awakes and says, "My Oberon, what visions I have seen! / Methough I was enamored of an ass." Oberon points to Bottom, sleeping beside her. Like its companion, Titania and Bottom , this painting is busy with detail and invites the viewer to interpret the various figures. Titania Awakening also divides into two contrasting parts. On the right are Oberon and Titania, bathed in light; standing between them is a fairy with the herb, "love-in-idleness," that breaks the spell cast by Puck. Surrounding the two are a group of laughing and dancing fairies, accompanied by an elf playing the bagpipe. On the left, however, we find the shadowed figure of Bottom, with some kind of cloaked and hooded creature crawling from between his legs. The ass's head is held above him by a fairy, and just above his head in Queen Mab and her steed. The allusion is to Romeo and Juliet (I, iv) when Mercutio describes Queen Mab as "the fairies' midwife" who is drawn "Over men's noses as they lie asleep." She gallops by night "Through lovers' brains, and then they dream of love." At Bottom's left arm, to complete the sinister aspects of this half of the painting, are a group of witches, one of them clutching to her breast a baby demon. Here Fuseli depicts, as he did in

43. Fuseli, Henry
    Famous Artists fuseli, henry henry fuseli (Zurich, 1741 – Londres, 1825).  
    http://www.picassomio.com/discover/art_and_antiques/top_artists/fuseli_henry/en/
    
    Extractions: (Zurich, 1741 – Londres, 1825). (Henry Füssli) Pintor suizo, cuyas pinturas llenas de imaginación, en las que se exalta el melodrama, la fantasía y el horror, ejercieron una importante influencia en el romanticismo, entonces en ciernes en Inglaterra y en el resto de Europa. Biografía Desarrolló la mayor parte de su carrera artística en Gran Bretaña. Aconsejado por el pintor inglés Joshua Reynolds, pasó casi una década en Italia (1770-1778) estudiando la obra de Miguel Ángel y se instaló en Inglaterra en 1779. Se hizo muy famoso gracias a su pintura histórica de gran expresividad y a menudo melodramática, por la que fue elegido miembro de la Royal Academy en 1799 y conservador de dicha institución cinco años después. Sin embargo, su fama se asienta en sus pinturas de imaginativa fantasía, que abunda en apariciones, posturas extrañas y morbosos efectos nocturnos. Una de las más célebres es "La Pesadilla" (dos versiones: 1781, Instituto de Arte de Detroit; c. 1790, Goethemuseum, Frankfurt)

44. MuseArt Ç»Áñ¸® Fuseli, Henry
    fuseli, henry 1/3, , fuseli, henry 1808~1874 ?. ? ?. ? ? ? ? ? . fuseli, henry 1/3,  
    http://www.museart.co.kr/artist/eng/fuseli/fuseli_1.htm

45. MuseArt Ç»Áñ¸® Fuseli, Henry
    fuseli, henry 3/3, , fuseli, henry 1808~1874 ?. ? ? . . ?. fuseli, henry 3/3,  
    http://www.museart.co.kr/artist/eng/fuseli/fuseli_3.htm

46. Fuseli, Henry
    Web Photo Gallery / fuseli, henry 11/8/02. Previous. Home. Next. 20m Free Web Space Login Refer This Site, Bizhosting.com Build your free online store now!  
    http://wisdomgoof.20m.com/pages/Fuseli, Henry.htm

47. Biggallery.com Prints By FUSELI, HENRY
    This page offers prints by the artist fuseli, henry. Help Desk Privacy Home Featured Prints View Shopping Cart Click here for a SnailMail Order Form  
    http://www.biggallery.com/art/byartist/Z1002170.htm

48. Links Til En Skærsommernatsdrøm.
    Scene from A Midsummer Night's Dream (1832); fuseli, henry. Cobweb(17856); fuseli, henry. Titania and Bottom (1786-89); fuseli, henry.  
    http://www.gladsaxegymnasium.dk/ko2001/esd_billeder.htm
    
    Extractions: Om Shakespears liv. Blake, William. Oberon, Titania and Puck (c. 1785) Blake, William. Oberon and Titania on a Lily (c.1790-93) Cowper, Frank Cadogan. Titania Sleeps in "A Midsummer Night's Dream" (1928) Dadd, Richard. Contradiction. Oberon and Titania (1854-58) ... Danby, Francis. Scene from "A Midsummer Night's Dream" (1832) Fuseli, Henry. Cobweb (1785-6) Fuseli, Henry. Oberon Squeezes the Flower on Titania's Eyelids (1793-4) Fuseli, Henry. Titania and Bottom (1786-89) Fuseli, Henry. Titania, Bottom and the Fairies (1793-4) Fuseli, Henry. Titania's Awakening (1785-89) Huskisson, Robert. The Midsummer Night's Fairies (1847) Huskisson, Robert. Titania Asleep Maclise, Daniel. The Disenchantment of Bottom (1832) Mortimer, John Hamilton. The Poet (1775) Paton, Joseph Noel. The Reconciliation of Oberon and Titania (1847) Paton, Joseph Noel. The Quarrel of Oberon and Titania (1850) Paton, Joseph Noel. Titania (1850) Paton, Joseph Noel. Titania's Elves Stealing the Squirrel's Hoard Paton, Joseph Noel. The Fairy Raid (1867)

49. Fuseli, Henry Information Sites
    Reviewed fuseli, henry sites, by people who know fuseli, henry and work with fuseli,henry. ARTSorgs.com. WebMuseum fuseli, henry Biography and some images.  
    http://www.artsorgs.com/ArtHistory/Artists/F/Fuseli,Henry/

50. Myrone, M.: Henry Fuseli.
    of the book henry fuseli by Myrone, M., published by PrincetonUniversity Press. henry fuseli. Martin Myrone. Paper 2001  
    http://pup.princeton.edu/titles/7142.html
    
    Extractions: Shopping Cart Painter, poet, critic, and teacher, Henry Fuseli (1741-1825) is one of the most idiosyncratic and original figures in the history of British art. His life and work have always fueled speculation, gossip, and fantasyfrom the rumors of his opium addiction and predilection for eating raw pork to the wildly differing modern assessments of his art. Art historians view him variously as a prime exponent of Neoclassicism, a Romantic before his time, or an aberrant individualist foreshadowing the innovations of Surrealism. This book reinterprets Fuseli by locating him in a period of traumatic social, cultural, and political revolution. Thematic chapters explore the successive phases of his career. They move from his early work in London and Rome, through his innovative exploitation of London's new public spaces for displaying art, to his old agea period of great professional success when he profoundly influenced a whole generation of younger British artists. A vivid image of the artist emerges, revealing Fuseli as a seminal figure in the development of modern art. Martin Myrone is a Curator at Tate Britain, specializing in eighteenth- and nineteenth-century British art. His publications include

51. CGFA- Misc. Artists -F- Page 7
    126KB. fuseli, henry (Swiss; practiced in England, 17411825). Graphic Nightmare(The Incubus), 1781-82, Freies Deutsches Hochstift, Frankfurt-am-Main. 76KB.  
    http://virtualart.admin.tomsk.ru/f/f-7.htm

52. CGFA- Henry Fuseli: Nightmare (The Incubus)
    Home Page. Site created maintained by Carol L. Gerten (Jackson). AdvertisementClick to help keep this site on the web! Click Here.  
    http://virtualart.admin.tomsk.ru/f/p-fuseli4.htm

53. ThinkQuest Library Of Entries
    Swiss fuseli, henry. henry fuseli (17411825). Johann Heinrich Füssliwas born in Zurich. In England he read theology intending  
    http://library.thinkquest.org/C0126184/english/efuseli.htm
    
    Extractions: The web site you have requested, Variations on a Theme: Romanticism from the Canvas to the Printing Press to the Opera House , is one of over 4000 student created entries in our Library. Before using our Library, please be sure that you have read and agreed to our To learn more about ThinkQuest. You can browse other ThinkQuest Library Entries To proceed to Variations on a Theme: Romanticism from the Canvas to the Printing Press to the Opera House click here Back to the Previous Page The Site you have Requested ... click here to view this site

54. HENRY FUSELI –
    henry fuseli –. An artist of the early Romantic period, who absorbed suchideas and assiduously cultivated fear, was the Swissborn henry fuseli.  
    http://members.tripod.com/abrax7/fuseli-txt.htm
    
    Extractions: HENRY FUSELI – Artist of Nightmare An artist of the early Romantic period, who absorbed such ideas and assiduously cultivated fear, was the Swiss-born Henry Fuseli. He chose subjects like Satan bridging Chaos, a Shepherd's Dream, Fairies from Shakespeare and Hamlet's Ghost. Benjamin Haydon (1853) praised the latter as "the finest conception of a ghost there ever was painted... There it quivered with martial stride, pointing to a place of meeting with Hamlet; and round its visored head was a halo of light that looked sulphurous, and made one feel as if one actually smelt hell, burning, cindery, and suffocating. The dim moon glittered behind; the sea roared in the distance, as if agitated by the presence of a supernatural spirit; and the ghost looked at Hamlet, with eyes that glared like the light in the eyes of lion, which is savagely growling over his bloody food." Fuseli, unlike his compositions, was not impressive to look at. What Haydon saw was "a little white-headed lion-faced man in an old flannel dressing-gown tied around his waist with a piece of rope and upon his head the bottom of Mrs Fuseli's work-basket." Today his most-reproduced work is The Nightmare (1782) which was painted after he had dreamed that he had made love to his unrequited sweetheart. It shows a young woman sleeping, her breast and legs dramatically thrust upwards, and the head of a phantom horse, with icy wisps of mane, rising above the bed. Perched on the woman's breast is a small hairy devil, impishly sinister. The horses's eyes bulge and its neck seems to strain to burst through the rent in the curtains and take possession of the world of shapes and solids. Rendered in apparitional whites and dusky-browns, it is a shudderingly effective visual landmark.

55. WebMuseum: Fuseli, Henry
    fuseli, henry. fuseli, henry (Johann Heinrich FÝssli) (17411825).Swiss-born painter, draughtsman, and writer on art, active mainly  
    http://www.kuzbass.ru/wm/paint/auth/fuseli/
    
    Extractions: Fuseli, Henry (Johann Heinrich FÝssli) (1741-1825). Swiss-born painter, draughtsman, and writer on art, active mainly in England, where he was one of the outstanding figures of the Romantic movement. He was the son of a portrait painter, Johann Caspar FÝssli (1707-82), but he originally trained as a priest; he took holy orders in 1761, but never practised. In 1765 he came to London at the suggestion of the British Ambassador in Berlin, who had been impressed by his drawings. Reynolds encouraged him to tape up painting, and he spent the years 1770-78 in Italy, engrossed in the study of Michelangelo , whose elevated style he sought to emulate for the rest of his life. On his return he exhibited highly imaginative works such as The Nightmare (Detroit Institute of Arts, 1781), the picture that secured his reputation when it was shown at the Royal Academy in 1782 (there is another version in the Goethe-museum, Frankfurt). An unforgettable image of a woman in the throes of a violently erotic dream, this painting shows how far ahead of his time Fuseli was in exploring the murky areas of the psyche where sex and fear meet. His fascination with the horrifying and fastastic also comes out in many of his literary subjects, which formed a major part of his output; he painted several works for Boydell's Shakespeare Gallery, and in 1799 he followed this example by opening a Milton Gallery in Pall Mall with an exhibition of forty-seven of his own paintings. Fusely was a much respected and influential figure in his lifetime, but his work was generally neglected for about a century after his death until the

56. John Henry Fuseli
    henry fuseli. John henry fuseli. 1741 1825. Swiss/British Romanticartist. Start your search on John henry fuseli. Other educational  
    http://www.virtualology.com/virtualmuseumofart/hallofbritishart/JohnHenryFuseli.
    
    Extractions: Unauthorized Site: This site and its contents are not affiliated, connected, associated with or authorized by the individual, family, friends, or trademarked entities utilizing any part or the subject’s entire name. Any official or affiliated sites that are related to this subject will be hyper linked below upon submission and Virtualology's review. Artcyclopedia Web Gallery of Art Web Museum   

57. - Great Books -
    henry fuseli (17411825), English painter and writer on art, of German-Swissfamily, was born at Zurich in Switzerland on the 7th  
    http://www.malaspina.com/site/person_535.asp
    
    Extractions: English painter and writer on art, of German-Swiss family, was born at Zurich in Switzerland on the 7th of February 1741; he himself asserted in 1745, but this appears to have been a mere whim. He was the second child in a family of eighteen. His father was John Caspar Füssli, of some note as a painter of portraits and landscapes, and author of Lives of the Helvetic Painters. This parent destined his son for the church, and with this view sent him to the Caroline college of his native town, where he received an excellent classical education. One of his schoolmates there was Lavater, with whom he formed an intimate friendship. After taking orders in 1761 Fuseli was obliged to leave his country for a while in consequence of having aided Lavater to expose an unjust magistrate, whose family was still powerful enough to make its vengeance felt. He first travelled through Germany, and then, in 1765, visited England, where he supported himself for some time by miscellaneous writing; there was a sort of project of promoting through his means a regular literary communication between England and Germany. He became in course of time acquainted with Sir Joshua Reynolds, to whom he showed his drawings. By Sir Joshua's advice he then devoted himself wholly to art. Fuseli made an art-pilgrimage to Italy, where he remained till 1778, changing his name from Füssli to Fuseli, as more Italian-sounding. Early in 1779 he returned to England, taking Zurich on his way. He found a commission awaiting him from Alderman Boydell, who was then organizing his celebrated

58. John Henry Fuseli Artworks And Fine Art At Arthistorynet.com
    john henry fuseli art artwork and indepth artistic information such as paintings,sculpture, photography fuseli, John henry. . Artist F JOHN henry fuseli.  
    http://wwar.com/masters/f/fuseli-john_henry.html
    
    Extractions: Last updated and links verified on: Feb 11, 2003 Indepth Arts Search: Please Select A Database By Name - Artist Portfolios Title, Description - Portfolios By Location - Artist Portfolios Arts News Search the Web / Websites Contact Info Free Arts News Browse the Arts Artist Portfolios ... WWAR.COM Services

59. Henry Fuseli Paintings Prints Reproductions
    henry fuseli paintings to download and print. Over 2000 major artists and 23000Art works exhibited. 17411825, henry fuseli,Lady Macbeth, Lady Macbeth, 1784.  
    http://www.artunframed.com/henry_fuseli.htm
    
    Extractions: Examples Portraits Testimonials Prints ... Information View over 23,000 paintings from the History of Art Commission a copy of your favorite painting European Artists A B C ... Contact Henry Lady Macbeth Nightmare (The Incubus) Henry Fuseli View Reproduction Paintings I II III We represent many of the world's leading Reproduction artists For Art collectors, interior designers and individual clients, we offer authentic reproductions of any painting We are confident you will be pleased by the quality of our artists' work and offer a 30 day guarantee if, for any reason, you are not delighted with your oil painting To commission a reproduction, please contact us for a quotation "We received our masterpiece and we can not express how beautiful it is. It took our breath away. We are elated to have a recreation of a painting that we could only have dreamed about" Marc Tissot ( Descendent of the artist James Tissot ) Our most accomplished artists generally take 2/4 months to complete a painting and, as a guideline, charge between $495 - $2500 for a museum quality reproduction

60. Queens Katherine's Dream, Henry FUSELI - NGV
    William Blake, after henry fuseli (17411825) Queens Katherine's Dream 1804 fromThe Plays of William Shakespeare, ed. A. Chalmers, FC and J. Rivington, London  
    http://www.ngv.vic.gov.au/collection/international/print/b/blake/ipd00181.html
    
    Extractions: National Gallery of Victoria Illustration to King Henry VIII , Act IV. Shortly before her death Queen Katherine falls asleep in the presence of her usher and her maid. She has a vision of six personages in white, bearing floral garlands, who dance about her. As the last disappears she wakes up. This is the moment depicted here. Fuseli had been commissioned late in 1802 to illustrate Chalmers's Shakespeare and the set of volumes was issued in 1804-5. This engraving, and one other, were the last two made by Blake for Fuseli. (c)1999 National Gallery of Victoria

A  B  C  D  E  F  G  H  I  J  K  L  M  N  O  P  Q  R  S  T  U  V  W  X  Y  Z

41-60 of 96    Back | 1  | 2  | 3  | 4  | 5  | Next 20