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Fortescue-brickdale Eleanor:     more books (27)

Eleanor Fortesque Brickdale's Golden Book of Famous Women by Eleanor Fortescue-Brickdale, 2010-01-09 The Book of old English songs and ballads by Eleanor Fortescue-Brickdale, 2010-09-07 The Sweet And Touching Tale Of Fleur And Blanchefleur: A Mediaeval Legend (1922) The story of Saint Elizabeth of Hungary by William Canton, Eleanor Fortescue-Brickdale, 2010-08-08 The sweet and touching tale of Fleur & Blanchefleur; a mediaeval legend translated from the French by Mrs. Leighton, with 37 col. illus. by Eleanor Fortescue Brickdale by Leighton, Eleanor Fortescue-Brickdale, 2010-08-16 Lancelot: The Adventures of King Arthur's Most Celebrated Knight (Children's Classics) by Christine Chaundler, 1995-08-07 The Book of Old English Songs and Ballads by Eleanor Fortescue Brickdale, 1111-01-01 The Story of Saint Christopher and The Story of Saint Cuthbert (Illustrated Edition) (Dodo Press) by Mary MacGregor, 2008-11-28 The Golden Treasury of the Best Songs and Lyrical Poems in the English Language Selected and Arranged with Notes by Francis Turner Palgrave Fellow of Exeter College Oxford by Francis Turner. Fortescue-Brickdale, Eleanor (Illustrator) Palgrave, 1920 Golden book of famous women by Eleanor Fortescue-Brickdale, 1919 Idylls of the King; by Alfred Tennyson Tennyson, Eleanor Fortescue-Brickdale, 2010-09-07 Eleanor Fortescue Brickdale's Golden Book of Famous Women by Eleanor Fortesque [Marlowe Brickdale, 1920 Idylls of the King Illustrated in Colour By Eleanor Fortescue Brickdale by Alfred Lord Tennyson, 1918 Treasury of Best Loved Poems

lists with details

61. Electricbrain Home Index Arts Art History Artists F
    Feininger, Lyonel FantinLatour, Ignace HT Fitzgerald, John Anster Frampton,Edward Reginald fortescue-brickdale, eleanor Fuseli, Henry Fra Angelico,  
    http://www.electricbrain.com/index/Arts/Art_History/Artists/F/

62. Bibliography
    fortescuebrickdale, eleanor. fortescue-brickdale, eleanor, Lancelot and Guinevere from Idylls of the King. London Hodder and Stoughton, 1911.  
    http://www.yu.edu/yeshivacollege/Departments/english/Eis Final Project/Project/a
    
    Extractions: Bibliography Texts Finke, Laurie A., and Martin B. Shichtman. “No Pain, No Gain: Violence as Symbolic Capital in Malory’s Morte d’Arthur Arthuriana Gallix, Francois. “T.H. White and the Legend of King Arthur: From Animal Fantasy to Political Morality.” Kennedy 281-297. Kennedy, Beverly. “Adultery in Malory’s Le Morte d’Arthur Arthuriana Kennedy, Edward Donald, Ed. King Arthur: a Casebook New York: Garland Publishing Inc., 1996. Kennedy, Edward Donald. “Malory’s King Mark and King Arthur.” Kennedy 139-171. Lupack, Alan. The Once and Future King : the Book that Grows Up.” Arthuriana Malory, Sir Thomas. Le Morte d’Arthur Ed. Helen Cooper. Oxford: Oxford University Press, 1998. Malory, Sir Thomas. Le Morte d’Arthur: Sir Thomas Malory's Book of King Arthur and of his Noble Knights of the Round Table . 2 vols. 24 Dec. 2002. Mr. Cranky’s ratings Excalibur 24 Dec. 2002. Shadowculture. White, T.H. The Once and Future King New York: Berkley Medallion Corp., 1966. Video Excalibur Dir. John Boorman. Perf. Nigel Terry, Helen Mirren, Nicholas Clay, and Cherie Lunghi. Time Warner, 1981.

63. Eleanor Fortescue Brickdale RWS (1871-1945)
    eleanor Fortescue Brickdale RWS (1871/21945) eleanor Fortescue Brickdale was an oil and watercolour painter, a designer of stained glass, and a book illustrator.  
    http://www.speel.demon.co.uk/artists2/brikdale.htm
    
    Extractions: Youth and the Lady Eleanor Fortescue Brickdale was an oil and watercolour painter, a designer of stained glass, and a book illustrator. She studied at the Crystal Palace School of Art under Herbert Bone from 1889, then at the RA Schools, showing oils and watercolours in the Exhibitions from 1896 and achieving early recognition in The Studio , and having three solo exhibitions at the Pre-Raphaelite dedicated Dowdeswell Gallery in the 1900s. She became RWS in 1919. Her London studio was very close to Leighton House . Her output is mixed - some pictures rather symbolist, others sentimental, and her style varies from rather wishy-washy to very detailed. Often it shows the influence of her friend Byam Shaw , who founded a school of painting where Fortescue Brickdale later taught. Her best pictures have jewel-like colours and Pre-Raphaelite girls in ornate classical garb. Often her paintings show just one or two figures with accoutrements indicative of subject. As a book illustrator, Brickdale had a large output in the early years of this century, working on children's books and poetry (e.g. Tennyson, Browning) and song books.

64. Women Painters And Illustrators
    de Morgan, Elizabeth Stanhope Forbes, Henrietta Rae, Marianne Stokes, Anna Lea Merritt,Clara Montalba, Maude Goodman, eleanor Fortescue Brickdale, Lucy Kemp  
    http://www.speel.demon.co.uk/femart.htm
    
    Extractions: Six mornings a week the Burlington Gardens is invaded by groups of young ladies laden with portfolios and cases of drawing materials. These are the girl-students of the RA. Most of them are quite young and the number who exceed 21 is very small indeed... All these young women might have made up their minds to be Angelica Kauffmann s or Rosa Bonheurs, or to die in the attempt. Yet such is the irresistible force of circumstances that probably not more than 2 or 3 per cent ever become professional artists and exhibitors 'upstairs'. The opportunities for women to become painters were indeed small, compared to their male counterparts. And when they married, unless to another artist, that might be the end of the career. This explains at least in part why the number of important female artists of Victorian times is very small. What does 'important' mean? Well, high up on my list, apart from Rosa Bonheur already mentioned, are Lady Butler Evelyn de Morgan , Elizabeth Stanhope Forbes, Henrietta Rae Marianne Stokes Anna Lea Merritt Clara Montalba ... Marianne North and perhaps Margaret Dicksee . None of these became Academicians - since Angelica Kauffman in the 18th Century, this remained the case right through until the 1920s. There are a variety of less familiar names or more minor talents, for example

65. Elaenor Fortescue Brickdale
    eleanor Fortescue Brickdale 18711945 eleanor Fortescue Brickdale came from a distinguishedlegal family, both her father and brother being eminent lawyers.  
    http://www.victorianartinbritain.co.uk/biog/brickdale.htm
    
    Extractions: Eleanor Fortescue Brickdale came from a distinguished legal family, both her father and brother being eminent lawyers. The family lived in South London. Whilst attending the RA schools she met Byam Shaw, and they remained close friends until his premature death in 1919. For a number of years she taught at the Byam Shaw School of Art. Eleanor Fortescue Brickdale was an accomplished artist, most of her pictures were watercolours. She became a full member of the Royal Watercolour Society, though not an Academician, as the RA continued to discriminate against women at this time. In the late 1930s her health deteriorated, and her activities ceased. I have considerable admiration for the work of Eleanor Fortescue Brickdale, and she has been a glaring omission from this web site for some time. In 1902 Byam Shaw painted a full-length portrait in pastel of Eleanor. It shows her to have been a handsome woman of striking appearance. OBITUARY. The Times 14th March 1945.

66. Brickdale Eleanor Fortescue
    eleanor Fortescue Brickdale (18711945). No more records.  
    http://www.artprintoncanvas.com/Templates/frmTemplateD.asp?SubFolderID=230&Searc

67. FORTESCUE ELEANOR BRICKDALE (in MARION)
    Tennyson, Alfred Tennyson, Baron, 18091892. Idylls of the king il. in colourby eleanor Fortescue Brickdale. New York, London, Hodder Stoughton nd.  
    http://js-catalog.cpl.org:60100/MARION?A=FORTESCUE ELEANOR BRICKDALE

68. Idylls Of The King ... (in MARION)
    Idylls of the king Title Idylls of the king il.in colour by eleanor Fortescue Brickdale. Author  
    http://js-catalog.cpl.org:60100/MARION/BCK-4131

69. Eleanor Fortescue Brickdale [a0022940] (Autor)
    http://www.ttrantor.org/aut/f/a0022940.html

70. P0134362
    Charles Prosper Sainton; Coilustrador Edmund Dulac; Coilustrador Arthur Rackham;Coilustradora eleanor Fortescue Brickdale; Coilustradora Beatrice Goldsmith  
    http://www.ttrantor.org/pub/m/p0134362.html
    
    Extractions: Manual En el volumen Mundo de las hadas [el] , ediciones Montena , (2000). Autor: Beatrice Phillpotts ; Coilustrador: Edward Robert Hughes ; Coilustrador: Alan Lee ; Coilustrador: Francis Barrett ; Coilustrador: Richard Dadd ; Coilustrador: Richard Doyle ; Coilustrador: Ernest Aris ; Coilustrador: Hubert von Herkomer ; Coilustrador: Claude Shepperson ; Coilustrador: George Cruikshank ; Coilustrador: C. Wilhelm ; Coilustrador: Maud Tindal Atkinson ; Coilustrador: William Robert Symonds ; Coilustrador: John Simmons ; Coilustrador: Thomas Heatherley ; Coilustrador: Walter Jenks Morgan ; Coilustrador: Ernst Stohr ; Coilustrador: H. J. Ford ; Coilustrador: Charles Altamont Doyle ; Coilustrador: J. G. Gregory ; Coilustrador: ; Coilustrador: Warwick Goble ; Coilustrador: Henry Meynell Rheam ; Coilustrador: Joseph Noel Paton ; Coilustrador: Rowland Wheelwright ; Coilustrador: Brian Froud ; Coilustrador: John Everett Millais ; Coilustrador: Charles Prosper Sainton ; Coilustrador: Edmund Dulac ; Coilustrador: Arthur Rackham ; Coilustradora: Eleanor Fortescue Brickdale ; Coilustradora: Beatrice Goldsmith ; Coilustradora: Margaret Tarrant ; Coilustradora: Ida Rentoul Outhwaite ; Coilustradora: Amelia Jane Murray ; Coilustradora: Mary Evans ; Coilustradora: Helen Jacobs ; Traductor:

71. Home
    eleanor Fortescue Brickdale. eleanor Fortescue Brickdale, The Pale Complexionof True Love, 1899. eleanor Fortescue Brickdale,The Ugly Princess, c. 1902.  
    http://www.css.edu/USERS/phagen/hon4777/4777arthur3.htm
    
    Extractions: Kate Bunce Medieval and Arthurian Images by Pre-Raphaelites The above work, The Uninvited Guest by Eleanor F. Brickdale (1906), shows a procession of richly-dressed people leaving a wedding ceremony, oblivious of the figure of Love, an "uninvited guest" at a marriage of rank, wealth and convenience. Note the nettles and prickles growing by the path from the church. What do you think of Brickdale's visual image of Love? If you try to imagine what Love looks like, do you come up with an image like this? Evelyn (Pickering) de Morgan Evelyn de Morgan Earthbound 1897. This is an allegorical composition, in which an aged king, in a desolate country, broods over his hoard of gold while the dark Angel of Death approaches. When the painting was first shown in 1907, de Morgan added these lines, which she wrote: Who clutches at a heap of gold

72. Home
    3. eleanor Fortescue Brickdale, The Pale Complexion of True Love,1899. The title is taken from Shakespeare's AS You Like It, Act  
    http://www.css.edu/USERS/phagen/hon4777/4777arthur2.htm
    
    Extractions: phagen@css.edu Medieval and Arthurian Images by Pre-Raphaelites, Page 2 To keep the pages from becoming excessively large and taking even longer to download, I have split them into 2. Note that many of the pictures on this page are by women. The above work, The Uninvited Guest by Eleanor F. Brickdale (1906), shows a procession of richly-dressed people leaving a wedding ceremony, oblivious of the figure of Love, an "uninvited guest" at a marriage of rank, wealth and convenience. Note the nettles and prickles growing by the path from the church. What do you think of Brickdale's visual image of Love? If you try to imagine what Love looks like, do you come up with an image like this? 1. Evelyn de Morgan, Earthbound , 1897. This is an allegorical composition, in which an aged king, in a desolate country, broods over his hoard of gold while the dark Angel of Death approaches. When the painting was first shown in 1907, de Morgan added these lines, which she wrote: Who clutches at a heap of gold

73. Walker Art Gallery, Picture Of The Month - February 2001
    Picture of the Month. February 2002. Further Reading. 'The Forerunner'(1920) by eleanor Fortescue Brickdale (18711945). eleanor Fortescue  
    http://www.nmgm.org.uk/walker/picofmonth/fore.html
    
    Extractions: Eleanor Fortescue Brickdale was the daughter of the successful barrister Matthew Inglett Fortescue-Brickdale. Her mother Sarah Anna was the daughter of a judge. As was typical for middle class girls at the time Eleanor was educated at home. She demonstrated a skill for drawing at an early age. She became an admirer and pupil of the famous art critic John Ruskin. At the age of seventeen Fortescue Brickdale decided to become a professional artist and studied at the Crystal Palace School of Art. After three attempts to enter the Royal Academy of Art she finally succeeded in 1897 and won a prize for a mural design. Fortescue Brickdale's success as both an oil painter of history themes and an illustrator of texts such as Tennyson's 'Poems' was more of an exception than the rule for women artists at this time. The work of women artists was less favoured than that of men by art critics as well as collectors, with a few exceptions. Women artists were often expected to produce a certain type of work, for example still lifes or watercolours, while criticism of their work reflected stereotypes of women as being sentimental rather than intellectual beings. Despite this overall trend, Eleanor's work was highly praised at the time by both critics and fellow artists. The Victorian artist G. F. Watts admired her paintings so much that he was quoted as saying: "I feel inclined to throw away my palette and brushes. What are my things by the side of such stuff as hers?"

74. 'Landscape With Diana And Callisto', C. 1757 By Richard Wilson (1713-1782)
    The Forerunner' (1920) by eleanor Fortescue Brickdale (18711945) Free GalleryTalks Thursday 14th and Wednesday 27th February 2002, 1.00 pm Lady Lever Art  
    http://www.nmgm.org.uk/walker/picofmonth/feb2002.html
    
    Extractions: Lady Lever Art Gallery Eleanor Fortescue Brickdale was born in Norwood, Surrey in 1871. She is perhaps most famous for reviving the Pre-Raphaelite style of painting at the end of the 19th century through moral or medieval subjects and vibrant colours. 'The Forerunner' was Fortescue Brickdale's most important oil painting and demonstrates her use of almost jewel like colours. It depicts the famous artist, theoretician, designer and scientist Leonardo da Vinci (1452-1519), best known for the painting 'Mona Lisa', demonstrating his model flying machine to his patrons Ludovico Sforza and Beatrice d' Este, the Duke and Duchess of Milan.

75. Uninvited Guest: E. Fortescue Brickdale
    The Uninvited Guest (1906), eleanor Fortescue Brickdale.  
    http://www.scils.rutgers.edu/~silvana/preraph/guest.html

76. Little Foot Page: E. Fortescue Brickdale
    The Little Foot Page (1905) eleanor Fortescue Brickdale.  
    http://www.scils.rutgers.edu/~silvana/preraph/page.html

77. Midnight Muse: Pre-Raphaelite/Victorian Women Artists Gallery
    Visite D'une Parc. The Breeze, 1895*. Five o' Clock Tea. Roses Et Lys. eleanor FortescueBrickdale1871-1945. The Lovers World*. Angel at the Door*. Natural Magic*.  
    http://www.midnight-muse.com/1women.htm

78. Main Once Upon A Time, In 1849, Two Young Students At The
    Collinson, James. De Morgan, Evelyn. Deverell, Walter Howell. FortescueBrickdale, eleanor. littl foot page. Hunt, William Holman. Remained  
    http://www.kyrn.org/shrine/about.html
    
    Extractions: O nce upon a time, in 1849, two young students at the esteemed Royal Academy in London shared a studio. These two men were William Holman Hunt and John Everett Millais . They became inspired by the words of John Ruskin ['go to nature in all singleness of heart'], and the poetry of John Keats (Hunts first picture for the Royal academy exhibition being painting on the theme from Keats poem The Eve of St. Agnes ). Another young artist, Dante Gabriel Rossetti (who had dropped out of the Royal Academy school) admired Hunt's picture at the exhibition and soon became a great friend of Hunt. Hunt and Rossetti drew up a list of personalities whom they deemed their ' immortals ' [William Shakespeare and such. . .] and affixed it to their studio wall. Searching for a purer form of art, [that was free from corruption pride and disease' -Hunt] they decided to return to the artistic traditions that came before Raphael and the Post Renaissance (hence the name Pre-Raphaelite). They saw the academic art that flourished in the Academy as "sloshy" [this refers to artists paying no attention to nature, and painting merely with the rules and techniques learned in the academies. The perfect example of this was the common scene of a nude on a beach. Why is she there? What is the context and story of this painting?] and nicknamed the founder of the academy "Sir Sloshua Reynolds". And so, in their enthusiasm to reform British art and they knew it [they would also exhibit their pictures with the initials P.R.B], the three men formed the Pre-Raphaelite Brotherhood and recruited four more members. Thus the

79. EWOLFS - May Art Auction Catalog
    299. Brickdale, eleanor Fortescue. Golden Book of Famous Women. Illustrated byeleanor Fortescue Brickdale. London Hodder St. 50/100 SOLD $80.50. 300.  
    http://www.ewolfs.com/past_auctions/august_books/296-303.html
    
    Extractions: Pope-Hennessey, John. Cellini. Abbeville: 1985. Photography by David Finn, Takashi Okamura and others. Printed and bound in Italy by Grafiche Milani. Full dark blue calf with raised bands, title in gilt on spine, front and back covers with blindstamped lines and a repeated floral design in gilt. With a printed card signed by John Pope-Hennessey on the front past down and a sturdy blue cloth slipcase. Fine color photographs of a variety of Cellini's works.

80. ArtMagick - ArtMagick
    Here's some paintings that shall serve as inspiration eleanor Fortescue Brickdale(i) - eleanor Fortescue Brickdale (ii) - Edmund Blair Leighton - Walter  
    http://www.magickmanor.com/

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