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Dove Arthur:     more books (80)

People From Canandaigua, New York: Arthur Dove, Ryan Lochte, W. W. Phelps, Max Eastman, Kristen Wiig, John Armstrong, John C. Spencer Arthur Dove: a Retrospective by Dc: Phillips Collection, Sept. 20, 1997 To Jan. 4, 1998, Three Other Locations Washington, 1997-01-01 Arthur Dove: The Years of Collage by Dorothy Rylander [essay] and Arthur Dove Johnson, 1967-01-01 In The American Grain - Arthur Dove, Marsden Hartley, John Marin, Georgia O'keeffe, And Alfred Stieglitz by Elizabeth Hutton Turner, 1995 PERSPECTIVES. NUMBER TWO. by Arthur., Lionel Trilling, Philp Rahv and others. Dove, 1953 American Art Review: January-February 1975 by Cecilia Beaux, Still Life Painting, Winter Landscapes Arthur Dove, 1975-01-01 Jake - or Sam by Bruno Lessing, Inc pbl Desmond Fitzgerald, et all 2010-09-08 Eight American Masters of Watercolor: Winslow Homer, John Singer Sargent, Maurice B. Prendergast, John Martin, Arthur G. Dove, Charles Demuth, Charles E. Burchfield, Andrew Wyeth by Los Angeles County Museum of Art, 1968-01-01 Arthur G. Dove: Pastels, Charcoals, Watercolors by Feb. 6 To Mar. 13, 1993 Ny: Terry Dintenfass Gallery, 1993-01-01 Arthur G. Dove by Frederick S. Wight, 1958 Arthur G. Dove Arthur G. Dove: the Abstract Work by Dec. 2 To 27, 1975, One Other Location Ny: Terry Dintenfass, 1975-01-01 Arthur G. Dove 1880-1946: a Retrospective Exhibition by Ny: Andrew Dickson White Museum Of Art At Cornell University, November, 1954 Ithaca, 1954-01-01 Eight American Masters of Watercolor: Winslow Homer, John Singer Sargent, Maurice B. Prendergast, John Marin, Arthur G. Dove, Charles Demuth, Charles E. Burchfield, Andrew Wyeth by Larry Curry, 1968

lists with details

41. Dove, American Masters, Masters, Artists, Art History And Visual Arts, Artist Re
    dove, arthur The Critic 1925 Collage 19 3/4 x 13 1/2 x 3 5/8 in. (50.2 x 34.3x 9.2 cm) ,. dove, arthur Foghorns 1929 Oil on canvas 18 x 26 in.  
    http://www.wwar.com/categories/Artists/Masters/American_Masters/Dove/

42. CGFA- Misc. Artists -D- Page 9
    dove, arthur (American, 18801946). Graphic Nature Symbolized No. 2,1911, pastel on paper, The Art Institute of Chicago. 84KB. Graphic  
    http://btr0xw.rz.uni-bayreuth.de/cjackson/d/d-9.htm
    
    Extractions: Dove, Arthur (American, 1880-1946) Nature Symbolized No. 2, 1911, pastel on paper, The Art Institute of Chicago. 84KB League of Nations, 1914, pastel on thin paper mounted on pulp board, Georgia Museum of Art, University of Georgia. 109KB Me and the Moon, 1937, wax emulsion on canvas, Phillips Collection, Washington D.C. 82KB

43. CGFA- Arthur Dove: Me And The Moon
    Translate this page Purchase an oil reproduction of this work frombestpriceart.com by clicking here. Home Page.  
    http://btr0xw.rz.uni-bayreuth.de/cjackson/d/p-dove2.htm

44. ARTHUR G. DOVE
    New York critics reviewing arthur dove's 1931 exhibition at An American Place, whichincluded Ice and Clouds, noted a new assurance in the artist's work It  
    http://www.butlerart.com/pc_book/pages/ARTHUR G. DOVE.htm
    
    Extractions: New York critics reviewing Arthur Dove's 1931 exhibition at An American Place, which included Ice and Clouds, noted a new assurance in the artist's work: "It is a happy business to record that these latest abstractions are way ahead of any-thing that this painter has showed us before"; "Arthur Dove ... comes forth with canvases more expansive, more commodious, than any from his brush that the writer has seen." I Apparently Dove had entered the decade with heightened resolve and confidence. Raised in upstate New York, Dove studied law at Cornell University before deciding, in 1903 to pursue a career in art. He moved to New York City, securing work as a freelance magazine illustrator. A trip to Europe in 1908 introduced Dove to the vivid color and decorative patterning of Henri Matisse and the Fauves, as well as to the ordered pictorial structures of Paul C6zanne. Upon his return to New York, he joined the circle of progressive artists supported by Alfred Stieglitz, and began a series of small, daring non-objective paintings. These abstractions, first exhibited in 1912 presented observations and sensations distilled from the external world, rendered as bold, overlapping forms that denied illusionistic space while exuding a dynamic energy. Dove acknowledged nature as the basis of this art: "Then there was the search for a means of expression which did not depend upon representation. It should have order, size, intensity, spirit, nearer to the music of the eye.... One day I made a drawing of a hillside. The wind was blowing. I chose three forms from the planes of the sides of the trees, and three colors, and black and white. From these was made a rhythmic painting which expressed the spirit of the whole thing."

45. Dove: Portrait Of Ralph Dusenberry
    Similar pages www.artchive.com/artchive/D/dove.html Similar pages More results from www.artchive.com ARTBURST.com arthur dove Art And Biography Expressionism Piet Mondriaan Franz Kline Helen Frankenthaler Jackson Pollock MarkRothko Willem DeKooning AMERICAN ART Andrew Wyeth arthur dove Charles Demuth  
    http://www.artchive.com/artchive/D/dove/dove_ralph_dusenberry.jpg.html

46. Artnet.com: Resource Library: Dove, Arthur
    dove, arthur (Garfield) (b Canandaigua, NY, 2 Aug 1880; d Long Island,NY, 23 Nov 1946). American painter. dove, arthur (Garfield)  
    http://www.artnet.com/library/02/0235/T023508.asp
    
    Extractions: Dove, Arthur (Garfield) b Canandaigua, NY, 2 Aug 1880; d Abstractions There are more than 45,000 articles in The Grove Dictionary of Art . To access the rest of this article, including the bibliography, subscribe to www.groveart.com . To find out more about this subject, click on a related article below and subscribe to www.groveart.com patrons and collectors works Reproduced by kind permission of Macmillan Publishers Limited, publishers of The Grove Dictionary of Art

47. Arthur Dove
    Artist Index Thumbnails arthur dove. arthur dove (18801946) American. viewimages. Exhibitions. 1968, arthur dove, Museum of Modern Art New York, NY.  
    http://www.artnet.com/ag/artistdetails.asp?aid=5405

48. The Quiet Man Of American Modernism
    In depicting his inner response to natural sensations colors, forms,sounds - arthur dove ushered in a new style of art. From  
    http://www.smithsonianmag.si.edu/smithsonian/issues97/nov97/dove_nov97.html
    
    Extractions: The Exuberant Poetry of Painter Arthur Dove Arthur G. Dove Object CJFA: Arthur Dove: Nature Symbolized No.2 The Quiet Man of American Modernism From the outside, Arthur Dove's life appeared out of kilter, but his inner vision shone through Life was never easy for American modernist Arthur Dove. Born in upstate New York in 1880, he was cut off by his father, a self-made contractor, when he gave up studying law to pursue art. He chose abstraction when the taste in this country ran strongly toward representational art. And he was barred for years from seeing his only child. But, recognizing his talent, a succession of mentors and patrons, including the avant-garde New York dealer Alfred Stieglitz, gave Dove enough support to keep making art. He was most at home on a farm or living aboard a sailboat, where he could observe the sun, moon, water and other natural phenomena, transforming what he saw into visual reveries. Among his masterpieces is Fog Horns of 1929, in which the haunting sound of the foghorns is evoked by overlapping concentric rings that seem to float above the water. For the first time in 20 years, a major exhibition of the paintings of Arthur Dove has been mounted.

49. The Exuberant Poetry Of Painter Arthur Dove
    ARTS LEISURE, ART. The Exuberant Poetry Of Painter arthur dove. arthurdove A Retrospective' is in Andover, Mass., until July 12.  
    http://csmweb2.emcweb.com/durable/1998/06/12/p57s1.htm
    
    Extractions: e-Monitor Site Map About Us/Help Advertising Christian Science Article Archive AP's The WIRE Audio Briefs Commentary Crossword puzzle Cybercoverage Today's Cartoon Email From ... Forums (join in!) Home Page International News Today's Links Links Library News In Brief Subscriptions US News Web Specials Weekly News Quiz Special to The Christian Science Monitor ANDOVER, MASS. Arthur Dove, one of America's first modernist painters, spent his life creating a new visual language to express his profound connection with nature. Not content to paint what the eye alone could see, Dove pioneered his own kind of sensuous abstraction to render moment-to-moment mutations of light, weather, and even sound. "The reality of the sensation alone remains," Dove said. "It is that in its essence which I wish to set down ... but simplified in most cases to color and force lines and substances." Dove's achievements, distilled images with the freshness, immediacy, and economy of poems, are on view in a major traveling exhibition, "Arthur Dove: A Retrospective." Currently at the Addison Gallery of American Art, Phillips Academy, in Andover, Mass., the chronological presentation of 81 works from 48 public and private collections shows Dove's exuberant experiments at every stage of his life. The Addison Gallery organized the show with the Phillips Collection in Washington, whose founder, Duncan Phillips, assembled Dove's first major retrospective 50 years ago.

50. Arts Art History Artists D Dove, Arthur Garfield Polish Yellow Pages - Polska -
    Arts Art History Artists D dove, arthur Garfield 255752 Polish Yellow Pages YP.pl. English Version National Gallery of Art arthur dove Biography and images.  
    http://www.yellowpages.pl/ca/255752/Arts/Art_History/Artists/D/Dove,_Arthur_Garf

51. PopularPosters.com Ferry Boat Wreck 1930 Poster, By Dove, Arthur G..
    button. It's secure and safe! * Pricing subject to change. Ferry BoatWreck 1930 by dove, arthur G. 26 in. 16 in. Price* $18.00  
    http://www.popularposters.com/apdb/s1/p256484.html

52. Haber's Art Reviews: Andrew Wyeth And Arthur Dove At The Whitney
    Is American art provincial? Review by John Haber of Andrew Wyeth, arthur dove,and a remodeled Whitney Museum. Provincetown. arthur dove A Retrospective.  
    http://www.haberarts.com/province.htm
    
    Extractions: of the Whitney Museum The Whitney Museum of American Art has a problem. I mean its name: it is stuck with all this American art. How provincial! Right now, the Whitney does not seem to mind a bit. In fact, it wallows in provincialism, or at least the original provinces. This spring it showed Arthur Dove , an early modernist who left for New England as if to hide from Cubism. And now its summer extravaganza features Andrew Wyeth's landscapes , along with a rehanging of the permanent collection so conservative that even Wyeth might like it. Has American art no way out of the back woods? Maybe, I shall argue, the Whitney can use a better sense of time and place. I might as well start with the present: what could be tricky about showcasing American art? America definitely does not face a shortage of artists. Try to support yourself painting, assuming you can find affordable studio space even in Brooklyn. New York has not lost its global influence either. Minimalism and Pop Art sell better abroad, and the Guggenheim Museum has paved over more of the world than Dow Chemical during the Vietnam War. Besides, Postmodernism really makes creative sense only as the perpetual death knoll of good old American Modernism and the American century Nothing fails like success, though, including American culture. It walks like world art and talks like world art, so maybe it is a duck, and the embarrassing rubber kind, too. That leaves the Whitney with a tough choice.

53. Arthur Dove
    Home. arthur dove. arthur dove, Gale Click to larger image arthurdove Gale, 1932 oil on canvas 25 3/4 x 35 3/4 in. About the Art  
    http://www.california-pawnshop.com/overture/dovearthur.htm
    
    Extractions: The art of Arthur Dove blended his abiding love and connection to nature and natural forces with a deep interest in ideas and philosophies of modern art and life. While he was influenced early on by French Post-Impressionists and Fauve artists such as Paul Cézanne and Henri Matisse, Dove developed his own organic approach to abstractions from nature. He called his abstract paintings "extractions," because the compositions were based on the pulsating energy of nature. For Dove, this approach was a way to extract the underlying essence of thingsrendering the invisible visible. He was one of the earliest artists in either Western Europe or the United States to create purely abstract or non-objective paintings. He has often been compared to Wassily Kandinsky, the Russian artist whose studies of emotional and spiritual states led him to create non-objective art about the same time as Arthur Dove. Dove probably never saw Kandinsky's paintings until the Armory Show in 1913, several years after his own experiments with non-objective art. Unlike Kandinsky, however, Dove's paintings were always derived from the natural world.

54. Design Materials Used By Arthur Dove In His Late Sketches (Abstract)
    The American Institute for Conservation. Design Materials Used by ArthurDove in His Late Sketches. Dana M. Tepper and Beth A. Price  
    http://aic.stanford.edu/conspec/bpg/annual/v19/bp19-22.html
    
    Extractions: The American Institute for Conservation Design Materials Used by Arthur Dove in His Late Sketches Dana M. Tepper and Beth A. Price Arthur Dove created a series of intimate yet vivid color landscape sketches late in his career, between 1942 and 1944, while living in a one-room cottage in Centerport, Long Island, as he recovered from heart surgery and illness. More than one hundred ninety of these sketches now reside in collections throughout the United States, including the Philadelphia Museum of Art (PMA), the Pennsylvania Academy of the Fine Arts, the Metropolitan Museum of Art, and the National Gallery of Art in Washington D.C. Given the complexities of Dove's paint mixtures, media identification based solely on visual characteristics and microscopic examination has proven unreliable and often inaccurate. To better understand Dove's working methods and more securely identify the design materials in the 1942-44 sketches, four of the twenty-seven held by the Philadelphia Museum of Art were examined using instrumental analysis. Techniques utilized in this study included Fourier transform infrared microspectroscopy (MFTIR), scanning electron microscopy (SEM) with energy dispersive spectrometry (EDS), polarizing light microscopy (PLM), stereomicroscopy, and visual examination by normal and ultraviolet illumination. Dana M. Tepper

55. Arthur Dove, Art Gallery
    arthur dove Painter arthur dove (1880-1946) embraced the abstraction broughtto swing by commercialization and technological intervention.  
    http://xroads.virginia.edu/~ASI/musi212/emily/dove.html
    
    Extractions: Arthur Dove, Me and the Moon , 1937. Wax emulsion on canvas, 18 x 26 in. Washington, D.C., Phillips Collection. What constitutes American painting? When a man paints the El, a 1740 house or a miner's shack, he is likely to be called by his critics, American. These things may be in America, but it's what is in the artist that counts. What do we call "American" outside of painting? Inventiveness, restlessness, speed, change. Well, then, a painter may put all these qualities in a still life or an abstraction, and be going more native than another who sits quietly copying a skyscraper. Arthur Dove Painter Arthur Dove (1880-1946) embraced the abstraction brought to swing by commercialization and technological intervention. Indeed, as evidenced by this quote, he did not view such forces as corruptions of artistic content, but as manifestations of the unique American sensibility. Dove made a habit of working while listening to jazz on the radio. Art historian Donna Cassidy writes: On the phonograph and radio music was divorced from its original sourcethe performerand was reproduced and transmitted by invisible forces. From this mechanically reproduced music Dove painted abstractions and pseudo-landscapes, letting sounds stimulate his visual imagination.

56. Arthur Dove, Art Gallery
    Swing Era Painting the Jazz Product. arthur dove, Swing Music (LouisArmstrong), 1938. Emulsion, oil, and wax on canvas, 17 1/2 x 26 in.  
    http://xroads.virginia.edu/~ASI/musi212/emily/dove2.html
    
    Extractions: Arthur Dove, Swing Music (Louis Armstrong) , 1938. Emulsion, oil, and wax on canvas, 17 1/2 x 26 in. Art Institute of Chicago. A 1938 Life magazine article justified its title: "Swing: The Hottest and Best Kind of Jazz Reaches Its Golden Age," with the following explanation of the swing genre: . . .all definitions agree that Swing is based on: 1) a driving but fluid and unmechanical rhythm over which 2) soloists improvise as they play. Whatever the definition, everybody admits that of all jazz Swing is musically the most vital and interesting. In Swing That Music , Louis Armstrong also offers this union of soloist and skillful improvisation as the brilliant defining characteristic of swing: Any average player, if he's worth anything at all, can follow through a score, as it's written there in front of him on his instrument rack. But it takes a swing player, and a real good one, to be able to leave that score and to know, or 'feel,' just when to leave it and when to get back on it. Armstrong then went on to describe swing music as "a music that is truly American," stating that "until swing music came, America had no music it could really call its own."

57. Arthur Dove The Crossroads Grill
    arthur dove (18801946). Once described by a prominent gallery owneras Whitmanesque, arthur dove was a member of the Stieglitz circle  
    http://www.crossroadsgrill.com/ArthurDove.html
    
    Extractions: ARTHUR DOVE (1880-1946) Once described by a prominent gallery owner as Whitmanesque, Arthur Dove was a member of the Stieglitz circle in New York which included Georgia O'Keefe and John Marin, painters opposed to American materialism and commercialism and devoted to development of a distinctly American school of art. Dove focused on earthy subjects such as rushing water, cows and pastures, rusting plows, old wood and tree trunks. He juxtaposed gritty with vibrant colors, painting in the words of one biographer not from the head alone, but from the breast and belly. Georgia O'Keeffe described Dove as the only American painter who is of the earth. Dove himself explained, I no longer observed in the old way, basing his work on mathematical laws and geometric forms sensed in nature.

58. Series 2: Artist Files, A - Z, 1917-1970, N.d.(5 Linear Ft.)
    374555, dove, arthur Garfield, 1927-1930 1927-1930. 556-781, dove, arthur Garfield,1931-1958 1931-1958. 782-875, dove, arthur Garfield, 1959-1968 1959-1968.  
    http://artarchives.si.edu/downgall/html/series2.html
    
    Extractions: Artist files consist mainly of correspondence with Edith Gregor Halpert and the Downtown Gallery and may include biographical notes, writings, press releases, original artwork, exhibition information, and printed matter. Following the individual artist files are files titled "Various Artists" that contain similar information about Downtown Gallery exhibitions and group shows elsewhere featuring Downtown Gallery artists. Also included with "Various Artists" is a manuscript titled Art in America (author not cited) and pages from an unidentified publication, both featuring biographies of Downtown Gallery artists. The files are arranged alphabetically by name of artist, followed by files for "Various Artists." Records are chronological within each file.

59. Series 3: Notebooks, 1835, 1874, Ca. 1880-1969, N.d.(32.5 Linear Ft.)
    230429, dove, arthur Garfield (1 of 9), nd, 1907-1969 nd, 1907-1969.430-630, dove, arthur Garfield (2 of 9), nd, 1907-1969 nd, 1907-1969.  
    http://artarchives.si.edu/downgall/html/series3.html
    
    Extractions: Various reference files, stored in three-ring binders and always referred to as "notebooks," were compiled and maintained by the Downtown Gallery. Notebooks were among the records the Downtown Gallery loaned to the Archives of American Art for microfilming in 1957 and 1967. Between their initial microfilming and subsequent donation, additions and/or deletions were made in many notebooks. All have been refilmed; thus, this set of microfilm reflects what is now owned by the Archives of American Art. Notebooks are categorized as: American Folk Art Gallery Notebooks (5 linear feet), Artist Notebooks (22.5 linear feet), and Publicity Notebooks (5 linear feet). All contain large numbers of photographs, notes, and printed matter mounted on sheets of paper punched for three-ring binders; but over the years, many items have become detached. The contents were removed from their binders many years ago, and exact titles of some volumes may not have been recorded. 3.1: American Folk Art Gallery Notebooks, 1931-1969, n.d.

60. MFA - Exhibition - Arthur G. Dove Mixing Media
    Drawn from the William H. Lane Collection and the collection of the Museum of FineArts, this installation complements arthur dove A Retrospective, at the  
    http://www.mfa.org/exhibitions/dove.html
    
    Extractions: Arthur G. Dove: Mixing Media Through October 25, 1998, Evans Wing Corridor In his exploration of color and form, the American modernist painter Arthur G. Dove (1880-1946) pushed the limits of the materials he used in his finished pieces, creating strongly evocative images. This installation presents watercolors, studies in mixed media, and other works on paper that are often made even more daring by virtue of their freedom and freshness. Also included will be a small group of Dove's finished paintings and collages, as well as several works by his wife, the talented painter Helen Torr. Drawn from the William H. Lane Collection and the collection of the Museum of Fine Arts, this installation complements "Arthur Dove: A Retrospective," at the Addison Gallery of American Art in Andover, on view through July 12, and to which the MFA is a major lender. Home Welcome Mission Membership ... NCAAA 2003 Museum of Fine Arts, Boston

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