Geometry.Net - Artists: Bernini Gianlorenzo

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A great resource for United States New - Library - Humanities - Visual Arts - Artists- Sculptors - Sculptors AD - bernini, gianlorenzo. bernini, gianlorenzo
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Bernini
bernini, gianlorenzo (15981680) gianlorenzo bernini kom frá Napolí.Hann var myndhöggvari, arkitekt og leikmyndasmiður. Hann
http://www.ismennt.is/not/asjo/barokk/Bernini2.htm
CGFA- Misc. Artists -B- Page 6
bernini, gianlorenzo (Italian, 15981680). Graphic Bacchanal A Faun Teasedby Children, 1616-17, marble, Metropolitan Museum of Art, New York. 95KB.
http://cgfa.sunsite.dk/b/b-6.htm

Extractions: Bernini, Gianlorenzo (Italian, 1598-1680) Bacchanal: A Faun Teased by Children, 1616-17, marble, Metropolitan Museum of Art, New York. 95KB The Rape of Proserpina, 1621-22, marble, Borghese Gallery, Rome. 65KB. The Ecstasy of St. Teresa, 1645-52, marble, Santa Maria della Vittoria at Rome. 151KB Daniel, 1650, marble, Santa Maria del Populo, Rome. 113KB
Gianlorenzo Bernini-Escultura
Translate this page gianlorenzo bernini La Cabra Amaltea (post. 1616), Eneas abandonandoTroya (1618-1619), Rapto de Proserpina (1621-1622), David (1623
http://www.telecable.es/personales/angel1/escbar/bernini/
Gianlorenzo Bernini
Translate this page gianlorenzo bernini (1598-1680) En la evolución histórica de la arquitectura barrocaromana tiene una gran importancia la figura de gianlorenzo bernini.
http://www.telecable.es/personales/angel1/arqbar/bernini/

Extractions: El papa Paulo V Borghese fallece en 1621 y es sustituido por Clemente V Ludovisi y posteriormente sustituido por Urbano VIII Barberini, de origen toscano y que protegería a los artistas de este origen. Este papa tiene una concepción del arte diferente al rigorismo de anteriores papas, con un carácter humanista, siendo el arte un elemento de propaganda y difusión de la grandeza de Roma. Su pontificado se extiende entre 1623 y 1644, momentos de gran agitación política en Europa, con la Guerra de los Treinta Años (1618-1648) en la que se enfrentan las potencias protestantes con las imperiales y católicas del continente. Es esta época se ponen en duda la unidad de la Iglesia y la autoridad papal, concediéndole así el papa suma importancia a la exaltación del pontificado.
WorldBook General Reference Encyclopedia > Humanities > Architecture > Biographi
shtml. 5. bernini, gianlorenzo Dolce Vita, 31. See BIG. Davidbernini gianlorenzo 1598 1680 Italy Sculpture 1623. Found
http://www.surfablebooks.com/worldbookgeneral/Humanities/Architecture/Biographie
Artnet.com: Resource Library: Bernini: (2) Gianlorenzo Bernini
next page of related articles. bernini, gianlorenzo bernini; bernini(2) gianlorenzo bernini, §I, 3(iv) Architecture Piazza S Pietro;
http://www.artnet.com/library/00/0082/T008290.asp

Extractions: (2) Gianlorenzo [Gian Lorenzo; Giovanni Lorenzo] Bernini b Naples, 7 Dec 1598; d Rome, 28 Nov 1680). Sculptor, architect, draughtsman and painter, son of (1) Pietro Bernini. He is considered the most outstanding sculptor of the 17th century and a formative influence on the development of the Italian Baroque style. His astonishing abilities as a marble carver were combined with an inventive genius of the highest order. From the mid-1620s the support of successive popes made his the controlling influence on most aspects of artistic production in Rome. Although his independent works of sculpture, both statues and portrait busts, are among the most brilliant manifestations of their kind in Western art, his genius found its highest expression in projects in which he combined sculpture, painting and architecture with scenographic daring and deep religious conviction to express more fervently than any other artist the spiritual vision of the Catholic Counter-Reformation Church. Part of the Bernini family There are more than 45,000 articles in
Artnet.com: Resource Library: Bernini: (2) Gianlorenzo Bernini
(2) gianlorenzo Gian Lorenzo; Giovanni Lorenzo bernini (b Naples, 7Dec 1598; d Rome, 28 Nov 1680). Sculptor, architect, draughtsman
http://www.artnet.com/library/00/0082/t008290_1.asp

Extractions: (2) Gianlorenzo [Gian Lorenzo; Giovanni Lorenzo] Bernini b Naples, 7 Dec 1598; d Rome, 28 Nov 1680). Sculptor, architect, draughtsman and painter, son of (1) Pietro Bernini. He is considered the most outstanding sculptor of the 17th century and a formative influence on the development of the Italian Baroque style. His astonishing abilities as a marble carver were combined with an inventive genius of the highest order. From the mid-1620s the support of successive popes made his the controlling influence on most aspects of artistic production in Rome. Although his independent works of sculpture, both statues and portrait busts, are among the most brilliant manifestations of their kind in Western art, his genius found its highest expression in projects in which he combined sculpture, painting and architecture with scenographic daring and deep religious conviction to express more fervently than any other artist the spiritual vision of the Catholic Counter-Reformation Church. Part of the Bernini family There are more than 45,000 articles in
Bernini Artworks And Fine Art At Arthistorynet.com
Related Sites (16). bernini, gianlorenzo Bust of Scipione Borghese 1632 Marbleheight 30 3/4 (78 cm) Galleria Borghese, Rome baroque sculptu
http://www.absolutearts.com/masters/b/bernini.html
A R C H I V I S I O N: Online Catalogue: Section #2 "F - J"
2d / 1n, 1A1FD-FF. Fontana delle Api, Rome, Italy (Fountain), 17C,bernini, gianlorenzo, 9, 1A1-BG-FA. Fontana della Barcaccia, Rome, Italy
http://www.archivision.com/avcat2.html

Extractions: The following is an alphabetical list of over 3000 specific sites or what we call "Subject Titles". Each Subject Title represents a set of slides, the # of slides available is indicated under the "# OF SLIDES" column. These Subject Titles comprise the "content list" for the Educational Archive. Click on active ID links to view the written image descriptions for that subject. These ID's are supplied with your order. The list has been divided into five sections to shorten download time. You may go directly to an alphabetical file in the current section or go to another section by using the directory. EDUCATORS : To order simply print this ONLINE CATALOGUE and check the subjects you would like to order and fax it back to us with a PO number (416.469.4412). You may also check subjects you would like to see ON APPROVAL and we will ship you unmounted slides from which you may pull only the slides you want and return the rest to us. For more on this service and other ordering options please see how to order slides or how to order digital files
Architectural History Survey Textbook Consensus, Part 2, Renaissance Through Mod
Baldacchino, St. Peter's, Rome, 1624, bernini, gianlorenzo, K 20.23b, 20.24, T 542,W 289, G 246, S 19-2. Peter's, Rome, 1657-66, bernini, gianlorenzo, K 20.0, T 535,S 19-2.
http://www.brynmawr.edu/Acads/Cities/wld/wdpt2.html

Extractions: building or place location date architect Kostof Trachtenberg Watkin Gardner Janson Stokstad RENAISSANCE ITALY: QUATTROCENTO . Foundling Hospital (Ospedale degli Innocenti) Florence begun c. 1419 (G: 1419-1424) Brunelleschi, Filippo K 19.6b T 445-46 G 21-14 . Florence Cathedral (Sta. Maria del Fiore), Dome (see also 1296) Florence Brunelleschi, Filippo K 16.10-12 T 444, 457, cp38 W 227, 239, 285 G 21-13 J 459-60 S 17-31, 17-32 . S. Lorenzo Florence 1421-25, 1441-1460's Brunelleschi, Filippo K 16.7, 16.8 T 449-51 J 542-43, 605 S 17-33, 17-34 . Sta. Maria degli Angeli Florence c. 1434-37 Brunelleschi, Filippo T 454 J 549 . S. Spirito Florence begun c. 1436 Brunelleschi, Filippo K 16.9 T 455-56 W 238, 241 G 21-15,16 J 548 . Pazzi Chapel Florence begun after 1442 Brunelleschi, Filippo T 452-53, cp41 W 240 G 21-17 to 21-19 J 544-47 . Doge's Palace Venice K 19.3, 19.23 W 230 G 13-64 . Ducal Palace Urbino c. a. 1444-82 Laurana, Luciano; Francesco di Giorgio K 17.22-27 W 248, 250
Arts Art History Artists B Bernini, Gianlorenzo Polish Yellow Pages - Polska - P
Arts Art History Artists B bernini, Gianlorenzo243619 Polish Yellow Pages YP.pl.
http://www.yellowpages.pl/ca/243619/Arts/Art_History/Artists/B/Bernini,_Gianlore
Gianlorenzo Bernini
bernini was the defining sculptor of the Italian Baroque, and although masterpiecesby this supremely gifted artist are to be found in churches and galleries
http://www.hallandknight.com/rep_works/rep_bernini_text.html

Extractions: Bernini was the defining sculptor of the Italian Baroque, and although masterpieces by this supremely gifted artist are to be found in churches and galleries all over Rome, where he worked for almost his entire career, it is in St. Peter's that the full range of his prodigious talent is most evident. In 1657, the administrative arm of the Basilica, the Sacra Congregazione , announced the commission of metal candlesticks and crucifixes for the side-altars of St. Peter's and it is to this papal commission that our crucifix is connected. Substantial documentation detail the participation of those craftsmen involved with the various phases of the commission including Ercole Ferrata, who was responsible for the wax modeling of the Cristo Morto and Cristo Vivo Corpi. Bernini imbues our Cristo Morto with a vibrant inner energy and a sense of the passing moment, which is the definitive hallmark of his sculpture. We see Christ, it seems, at the very moment of his death. His finely modeled head, its features cast into shadow, has just fallen against his chest and the weight of his now lifeless, distended body pulls down on his arms, bringing his head far below the horizontal section of the cross against which we usually see it.
Gianlorenzo Bernini
comparable works.
http://www.hallandknight.com/rep_works/rep_bernini_nav.html
Bernini
bernini, gianlorenzo. The single most important artistic talent ofthe Italian baroque. Although most significant as a sculptor, he
http://ragz-international.com/bernini.htm

Extractions: Bernini, Gianlorenzo The single most important artistic talent of the Italian baroque. Although most significant as a sculptor, he was also highly gifted as an architect; painter; draftsman; designer of stage sets, fireworks displays, and funeral trappings; and playwright. His art is the quintessence of high baroque energy and robustness ( see Baroque Art and Architecture). His ability to suggest textures of skin or cloth as well as to capture emotion and movement in sculpture was uncanny. Bernini reformed a number of sculptural genres, including the portrait bust, the fountain, and the tomb. His influence was widespread throughout the 17th and 18th centuries and was felt by such European masters as Pierre Puget, Pietro Bracci, and Andreas Schlüter. Bernini's life was dominated by his work, and his biography can be traced through the immense number of projects he undertook. His career developed almost entirely in Rome, although he was born in Naples. His father, Pietro Bernini, a talented sculptor of the late Mannerist style, was his son's first teacher ( see Mannerism). Young Gianlorenzo soon surpassed his father in excellence, however, as is known from the principal sources of information on Bernini: the biography by Filippo Baldinucci in 1682 and the biography by the artist's son Domenico in 1713. Many of Bernini's early sculptures were inspired by Hellenistic art (
APOLLO And DAPHNE By Gianlorenzo Bernini (1598-1680) Galleria Borghese, Rome - A
APOLLO and DAPHNE by gianlorenzo bernini (15981680) Galleria Borghese,Rome Visit our new website - all 400+ sculptures are displayed.
http://www.eleganza.com/detailed/apollo.html

Extractions: Bernini commenced carving Apollo and Daphne from a solid block of white marble as soon as he had finished Pluto and Persephone. When it was completed, slightly more than a year later, "all Rome rushed to see it as though it were a miracle." The statue depicts that precise moment of the myth when the pursuing Apollo catches up with Daphne and she, assisted by her father the river god, turns into a laurel tree to escape his grasp. We see leaves sprouting from her fingers and hair, and a sheath of bark enfolding her delicate body. Not only do we see that dramatic moment frozen for eternity, but, by the sweeping movement implied in the figures, our mind expands the space surrounding the statue to include the path of the pursuit. The dazzling virtuosity of the carving, the dramatic presentation, and the beauty and grace of the figures need no comment. 83GBM Apollo and Daphne
Giovanni Lorenzo Bernini
bernini, gianlorenzo (15981680) bernini, gianlorenzo (1598-1680), isthe single most important artist of the Italian baroque. Although
http://www.geocities.com/SoHo/Workshop/5220/baroque/bernini.html

Extractions: Bernini, Gianlorenzo Bernini, Gianlorenzo (1598-1680), is the single most important artist of the Italian baroque. Although most significant as a sculptor, he was also highly gifted as an architect, painter, draftsman, stage set designer, and playwright. His art is the quintessence of high baroque energy and robustness. Born in Naples as Giovanni Lorenzo Bernini, he was taught by his father, Pietro Bernini, a talented sculptor. Many of Bernini's early sculptures were inspired by Hellenistic art (see Greek Art and Architecture). He was commissioned by seven popes over his career and completed numerous works in Vatican City and churches around Rome. From 1624 to 1633 he created the altar canopy in Saint Peter's Basilica in Rome. This project, shown here on the left, is a masterful feat of engineering, architecture, and sculpture, was the first of a number of monumental undertakings for Saint Peter's. Bernini laid out a huge oval piazza in front of the cathedral, flanked by colossal colonnades with double coloum each side. The aim, brilliantly realized, was to embrace pilgrims within the two arms of the great mother church, which lay at the focus of the composition. Bernini also designed much of the interior of St. Peters, all of it in a very lively personnal style. The picture of St Peter's interior shown on the right, clearly illustrates Bernini's gilt
Malaspina.com - Giovanni Lorenzo (Gianlorenzo) Bernini (1598-
Baroque Amazon; bernini Flights of Love, the Art of Devotion Amazon;gianlorenzo bernini (Masters of Art Series) Amazon; The
http://www.mala.bc.ca/~mcneil/bernini1.htm
Giovanni Lorenzo Bernini (1598-1680) Library Of Congress
15981680 Bernin, gianlorenzo, 1598-1680 bernini, Dzhovanni Lorenktlso, 1598-1680Bernino, Giovanni Lorenzo, 1598-1680 bernini, gianlorenzo, 1598-1680 bernini
http://www.mala.bc.ca/~mcneil/cit/citlcbernini.htm

Extractions: Name Citations [1 Record] Heading: Bernini, Gian Lorenzo, 1598-1680 References: Bernini, Lorenktlso, 1598-1680 Bernin, Gianlorenzo, 1598-1680 Bernini, Dzhovanni Lorenktlso, 1598-1680 Bernino, Giovanni Lorenzo, 1598-1680 Bernini, Gianlorenzo, 1598-1680 Bernini, Lorenzo, 1598-1680 nnaa Bernini, Giovanni Lorenzo, 1598-1680 Notes: Lavin, I. Drawings by Gianlorenzo Bernini, from the Museum der Bildenden Khunste, Leipzig, German Dem. Rep., c1981: t.p. (Gianlorenzo Bernini) Lavin, I. Bernin et l'art de la satire sociale, c1987: t.p. (Bernin) p. 10 (Gianlorenzo Bernin) LC Online Catalog Amazon Search
Attributed To Gianlorenzo BERNINI
Attributed to gianlorenzo bernini Italian 15981680 Portrait of a young man (formerlySelf-Portrait) c.1640 oil on canvas 57.0 x 42.0 cm Everard Studley Miller
http://www.ngv.vic.gov.au/european/em_ipa00044.html

Extractions: Some scholars have proposed a number of artists as the likely author of this work, ranging from other Italian painters to possibly a Spaniard from the circle of Velasquez. The loose brushstroke and lack of detail outside the face indicate that it may be a highly detailed sketch rather than a fully worked, finished painting, which adds to the difficulty of attributing the work. These same qualities have also contributed to the notion that it is a self-portrait.

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